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1. The Avon Gorge

Creator:: Francis Danby, 1793–1861
Date:: between 1816 and 1818
Materials & Techniques:: Oil on panel
Dimensions:: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Harwich: The Low Lighthouse and Beacon Hill

Creator:: John Constable, 1776–1837
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 20 inches (33 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Lane near Dedham

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/4 inches (33.3 x 42.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Dedham Vale

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/8 inches (33.3 x 41.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Hampstead Heath Looking Towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Corfe Castle, Dorset

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1764
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 18 inches (33.3 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Indian Landscape with Temple

Creator:: George Chinnery, 1774–1852
Date:: ca. 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/16 × 9 1/2 inches (20.5 × 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Ailsa Craig

Creator:: William Bell Scott, 1811–1890
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 12 13/16 x 19 1/4 inches (32.5 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Rocky Hillside

Creator:: Frederick W. Watts, 1800–1862
Date:: ca. 1830
Materials & Techniques:: Oil on millboard
Dimensions:: 9 5/8 × 14 inches (24.4 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Capture of the "Marquis d'Antin" and the "Louis Erasme"

Creator:: Charles Brooking, 1723–1759
Date:: between 1745 and 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 19 inches (33 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Port on a Stormy Day

Creator:: George Chambers, 1803–1840
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 18 inches (33 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Carolina dell'Acqua

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1903 to 1904
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 12 inches (33 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

13. Cottage by a country lane

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 12 7/8 × 10 1/8 inches (32.7 × 25.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Horses Grazing: Mares and Foals in a Field

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 17 inches (33 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. A Mother with her Son and a Pony

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 11 inches (33 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 17 inches (33 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Classical Landscape

Creator:: Alexander Runciman, 1736–1785
Date:: 1767 to 1771
Materials & Techniques:: Oil on panel
Dimensions:: 12 7/8 x 18 3/16 inches (32.7 x 46.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

18. Portrait of Nicola Luciani

Creator:: Henry Scott Tuke, 1858–1929
Date:: between 1913 and 1914
Materials & Techniques:: Oil on panel
Dimensions:: 13 x 9 1/2 inches (33 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

19. William Collins, R.A.

Creator:: John Linnell, 1792–1882
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 13 x 10 1/4 inches (33 x 26 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Ariadne

Creator:: Laurent Delvaux, 1696–1778
Date:: ca. 1723
Materials & Techniques:: Marble
Dimensions:: Overall: 13 × 28 1/4 × 11 1/2 inches (33 × 71.8 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. John Locke

Creator:: unknown artist
Date:: ca. 1775
Materials & Techniques:: Terracotta
Dimensions:: Overall: 13 inches (33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Caroline Conway, Lady Aylesbury

Creator:: Anne Seymour Damer, 1748–1828
Date:: 18th century-19th century
Materials & Techniques:: Verona marble relief, mounted on rose velvet in an oval ebonized wood frame
Dimensions:: Overall: 13 x 11 inches (33 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

23. Tintern Abbey at Sunset

Creator:: Samuel Palmer, 1805–1881
Date:: 1861
Materials & Techniques:: Watercolor, gouache and varnish over graphite with scratching out on heavy card
Dimensions:: Sheet: 13 1/8 x 27 3/4 inches (33.3 x 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. Dorking Hen, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:: Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

30. Simon Lord Lovat

Creator:: William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 1/8 x 8 7/8in. (33.3 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Silver Mine at Sala, I: illustration for La Motraye's 'Travels'

Creator:: William Hogarth, 1697–1764
Date:: 1723
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 13 x 8 1/4in. (33 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

33. Interior of St. John's Palace, Eltham

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1813 to 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; modern impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Seated Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 5 3/8 inches (22.2 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

36. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Landscape at Ambleside

Creator:: Thomas Sunderland, 1744–1828
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and brown ink, blue wash, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 17 13/16in. (33 x 45.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne

Creator:: Thomas Sunderland, 1744–1828
Date:: 18th century-19th century
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:: Sheet: 13 1/8 × 18 1/8 inches (33.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Classical Composition

Creator:: Gavin Hamilton, 1723–1798
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Norwegian Landscape

Creator:: Harold Gilman, 1876–1919
Date:: undated
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream wove paper mounted on board
Dimensions:: Mount: 18 1/8 x 21 1/8 inches (46 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

59. Kirkeoch, Nun Mill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 9 1/2 inches (32.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 3/8 inches (33 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Samuel Butler, the Author of Hudibras

Creator:: Edward Luttrell, active 1680–1724
Date:: between 1682 and 1690
Materials & Techniques:: Pastel on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. North Nunton; South Nunton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 9 1/2 inches (32.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 7/16 inches (33.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Whinny Liggate; Balgredan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Brouckleugh; Mickle Sypeland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Page of Sketches of Cavaliers, Horse's Head, and Plumes

Creator:: Thomas Henry Nicholson, Died 1870
Date:: ca. 1839
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 18 5/8 inches (32.7 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A Christening at the Vatican with Swiss Papal Guard, etc.

Creator:: Attributed to James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 x 18 5/8 inches (32.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Temple of Edfou, Upper Egypt

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Glencoe: A Shepherd Boy Crossing a Burn

Creator:: Walter Goodall, 1830–1889
Date:: 1857
Materials & Techniques:: Watercolor over graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 3/8 inches (33.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Seat of Stafford Briscoe

Creator:: Samuel Lewis, ca. 1756–1822
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 13/16 inches (32.7 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

Creator:: John Linnell, 1792–1882
Date:: ca. 1816
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 19 1/2 inches (33.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Old Farm Buildings

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 16 5/8 inches (33 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Luxor, Paris, December 1833

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 9 5/16 inches (32.7 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Thomaso Patch, Autore

Creator:: Thomas Patch, 1725–1782
Date:: 1768
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 13 1/8 x 9 15/16in. (33.3 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, gouache and watercolor on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 7 3/8 inches (32.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Hob Thursts Houses, Monsoldale, Derbyshire

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 18 3/4 inches (33 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Sketchbook containing 81 drawings and 2 engravings of self-portraits

Creator:: Hamlet Winstanley, 1698–1756
Date:: 1715 to 1720
Materials & Techniques:: Pen and black ink, pen and brown ink, graphite, red chalk, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Spine: 13 inches (33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Eragrostis Tef

Creator:: Andrew Fyfe, 1752–1824
Date:: 1775
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 7/8 inches (40.3 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Studies of Camels Kneeling

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 × 8 3/4 inches (33 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Waterfall, North Wales

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor, black chalk, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 7/8 inches (26.7 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Section of Amphitheatre at El Djem showing arches stairs and tiers of seats

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 15 3/4 inches (32.7 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. No. 2 Elevation of the Front of the first temple fronting the sea

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 x 11 1/8 inches (33 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. An English Man of War, Starboard Quarter View: Possibly the Victory

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1675
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 17 1/8 x 25 13/16 inches (43.5 x 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Spy's Taken at Greenwich on Easter Monday

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: undated
Materials & Techniques:: Pen and ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 15 1/2 inches (32.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. An English Man-of-War, Port View from the Stern

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1675
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 17 1/4 x 26 7/16 inches (43.8 x 67.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. At Bromley, Kent

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 × 17 1/2 inches (33 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Portrait of an Unknown Man in a Full-Bottomed Wig

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pastel, black chalk, and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 10 3/8 inches (33 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Artist's Wife and Child

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Virtuous Family

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Pen and brown ink, graphite, blue wash, pink wash, and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Design for Knepp Castle, Sussex: Perspective

Creator:: John Nash, 1752–1835
Date:: undated
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 × 20 1/2 inches (33 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. "She Stoops to Conquer" Act 3, Act 5

Creator:: Alfred Parsons, 1847–1920
Date:: undated
Materials & Techniques:: Pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/16 x 11 1/16in. (33.2 x 28.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

96. Cobham Hall, Kent: Elevation of the South Front of the Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 21 1/4 inches (33 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 21 3/8 inches (33.3 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Cobham Hall, Kent: South Elevation of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 21 1/2 inches (33 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Eel Catcher

Creator:: Charles Warren, 1767–1823
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 13 x 18 1/4 inches (33 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 10 1/4 inches (33.3 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Results

1. The Avon Gorge

2. Harwich: The Low Lighthouse and Beacon Hill

3. Lane near Dedham

4. Dedham Vale

5. Hampstead Heath Looking Towards Harrow

6. Corfe Castle, Dorset

7. Indian Landscape with Temple

8. Ailsa Craig

9. Rocky Hillside

10. The Capture of the "Marquis d'Antin" and the "Louis Erasme"

11. Port on a Stormy Day

12. Carolina dell'Acqua

13. Cottage by a country lane

14. Horses Grazing: Mares and Foals in a Field

15. A Mother with her Son and a Pony

16. Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow

17. Classical Landscape

18. Portrait of Nicola Luciani

19. William Collins, R.A.

20. Ariadne

21. John Locke

22. Caroline Conway, Lady Aylesbury

23. Tintern Abbey at Sunset

24. The Vine

25. Dorking Hen, Lateral View

26. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

27. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

28. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

29. The Bruiser

30. Simon Lord Lovat

31. A Midnight Modern Conversation

32. A Silver Mine at Sala, I: illustration for La Motraye's 'Travels'

33. Interior of St. John's Palace, Eltham

34. Glaucus and Scylla

35. Seated Woman

36. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

37. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

38. The Reconcilation

39. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

40. Hogarth Sitting to Roubiliac for His Bust

41. Landscape at Ambleside

42. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

43. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

44. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

45. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

46. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

47. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

48. The Eleventh Hour

49. Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne

50. Hogarth Drawing Sarah Malcolm

51. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

52. The Smock Exposed

53. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

54. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

55. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

56. Hogarth Declaring His Love to Miss Thornhill

57. Classical Composition

58. Norwegian Landscape

59. Kirkeoch, Nun Mill

60. Bishopton

61. Samuel Butler, the Author of Hudibras

62. North Nunton; South Nunton

63. Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs

64. Bishopton

65. Whinny Liggate; Balgredan

66. Brouckleugh; Mickle Sypeland

67. Page of Sketches of Cavaliers, Horse's Head, and Plumes

68. A Christening at the Vatican with Swiss Papal Guard, etc.

69. Temple of Edfou, Upper Egypt

70. Glencoe: A Shepherd Boy Crossing a Burn

71. The Seat of Stafford Briscoe

72. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

73. Old Farm Buildings

74. The Luxor, Paris, December 1833