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1. Puck and Fairies, from "A Midsummer Night's Dream"

Puck and Fairies, from "A Midsummer Night's Dream"
Creator:
Joseph Noel Paton, 1821–1901
Date:
ca. 1850
Materials & Techniques:
Oil on millboard
Dimensions:
10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Lonely Tower

The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. The Lonely Tower

The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Tailpiece (Plate 100)

Jerusalem, Tailpiece (Plate 100)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Chapter 3 Frontispiece (Plate 51)

Chapter 3 Frontispiece (Plate 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The First Book of Urizen, Plate 15 (Bentley 14)

The First Book of Urizen, Plate 15 (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Chapter V, "The globe of life blood trembled..." (Plate 17)

Chapter V, "The globe of life blood trembled..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Los Falls through Fire (Plate 21)

Los Falls through Fire (Plate 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "The Ox in the slaughter house moans..." (Plate 26)

"The Ox in the slaughter house moans..." (Plate 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 28 (Bentley 27)

The First Book of Urizen, Plate 28 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 4 (Bentley 24)

The First Book of Urizen, Plate 4 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "In living creations appear'd..." (Plate 8)

"In living creations appear'd..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Fettered Urizen Weeping (Plate 3)

Fettered Urizen Weeping (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Chapter II, "Muster around the bleak desarts..." (Plate 6)

Chapter II, "Muster around the bleak desarts..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Urizen Swims through Dark Waters (Plate 7)

Urizen Swims through Dark Waters (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Chapter III, "As the stars are apart from the earth..." (Plate 9)

Chapter III, "As the stars are apart from the earth..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. From a Globe of Blood Rises Enitharmon (Plate 11)

From a Globe of Blood Rises Enitharmon (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Chapter IV, "Los smitten with astonishment..." (Plate 12)

Chapter IV, "Los smitten with astonishment..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Los with the child Orc and Enitharmon (Plate 18)

Los with the child Orc and Enitharmon (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "They call'd her Pity, and fled..." (Plate 19)

"They call'd her Pity, and fled..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Title Page, The First Book of Urizen (Plate 1)

Title Page, The First Book of Urizen (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "Los howld in a dismal stupor..." (Plate 10)

"Los howld in a dismal stupor..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The First Book of Urizen, Plate 23 (Bentley 9)

The First Book of Urizen, Plate 23 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Praying Child and Howling Dog (Plate 25)

Praying Child and Howling Dog (Plate 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Chapter IX, "They lived a period of years..." (Plate 27)

Chapter IX, "They lived a period of years..." (Plate 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Gualtherus and Griselda

Gualtherus and Griselda
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving on medium, mdoerately textured, beige laid paper
Dimensions:
Sheet: 12 1/4 × 9 5/16 inches (31.1 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Alphonso and Aciloe

Alphonso and Aciloe
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 11 inches (38.5 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
Creator:
Print made by John W. Gear, 1806–1866
Date:
undated
Materials & Techniques:
Lithograph with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 x 14 9/16 inches (26.2 x 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. "Antony and Cleopatra," Act III, Scene XI

"Antony and Cleopatra," Act III, Scene XI
Creator:
Georg Goldberg, 1830–1894
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 1/16 inches (28.2 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Opera Reminiscences: Desdemona and Otello

Opera Reminiscences: Desdemona and Otello
Creator:
Print made by William Heath, 1795–1840
Date:
1829
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 × 14 7/8 inches (26 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. Mr. Rossi as Othello

Mr. Rossi as Othello
Creator:
Print made by Antonin Marie Chatinière, 1828–ca. 1900
Date:
undated
Materials & Techniques:
Tinted lithograph with hand coloring in watercolor on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 1/16 x 7 1/16 inches (25.5 x 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. Taming of the Shrew

Taming of the Shrew
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/8 x 11 5/8 inches (43.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 20 1/16 inches (38.3 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

43. Juliet

Juliet
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1779
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 14 1/8 inches (53.4 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Creator:
Print made by James H. Baker, born 1829
Date:
between 1839 and 1849
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Pistol eating Fluellen's Leak - "Henry V"

Pistol eating Fluellen's Leak - "Henry V"
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1811 and 1815
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 15 3/8 inches (26 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. Virgilia and Volumnia Plead with Coriolanus

Virgilia and Volumnia Plead with Coriolanus
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1795
Materials & Techniques:
Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Sigismunda

Sigismunda
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/16 × 10 3/16 inches (33.5 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. Angelina

Angelina
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/8 x 10 3/16 inches (33.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. Sylvio and Dorinda

Sylvio and Dorinda
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1752 and 1768
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 x 14 1/8 inches (26.2 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor
Creator:
Print made by William Dickinson, 1746–1823
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/16 × 11 5/16 inches (31.2 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. Procris and Cephalus

Procris and Cephalus
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1885
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 12 7/8 inches (26 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. Berwick-upon-Tweed

Berwick-upon-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Dryburgh Abbey

Dryburgh Abbey
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Celadon and Amelia

Celadon and Amelia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Bauldy, Symon and Sir William Worthy

Bauldy, Symon and Sir William Worthy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

56. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard

No cover image available
Creator:
Print made by Joseph Strutt, 1749–1802
Date:
1788 to 1791
Materials & Techniques:
Stipple engravings with etching bound in blue morocco on medium, slightly textured, cream laid paper
Dimensions:
Overall: 10 1/4 × 11 3/4 × 3/4 inches (26 × 29.8 × 1.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection