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1. A View from Hampstead Heath (?)

Creator:: John Constable, 1776–1837
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 × 14 inches (25.7 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Osmington Village

Creator:: John Constable, 1776–1837
Date:: 1816 to 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 x 12 inches (25.7 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. East Bergholt Church

Creator:: John Constable, 1776–1837
Date:: 1809
Materials & Techniques:: Oil on paper mounted to panel
Dimensions:: 7 15/16 x 6 3/16 inches (20.2 x 15.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Barge below Flatford Lock

Creator:: John Constable, 1776–1837
Date:: ca. 1810
Materials & Techniques:: Oil on canvas
Dimensions:: 7 11/16 × 12 1/4 inches (19.5 × 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Hampstead Heath Looking Towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Study of a Cloudy Sky

Creator:: John Constable, 1776–1837
Date:: ca. 1825
Materials & Techniques:: Oil on paper on millboard
Dimensions:: 10 3/8 x 13 inches (26.4 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Horse Attacked by a Lion (Episode C)

Creator:: George Stubbs, 1724–1806
Date:: between 1768 and 1769
Materials & Techniques:: beeswax and oil on panel
Dimensions:: 10 1/8 × 11 5/8 inches (25.7 × 29.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Studies for or after "The third Duke of Richmond with the Charleton Hunt"

Creator:: George Stubbs, 1724–1806
Date:: late 1750s
Materials & Techniques:: Oil on four pieces of paper conjoined on canvas
Dimensions:: 10 1/4 × 11 7/8 inches (26 × 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Between Olavano L'Civitella

Creator:: Edward Lear, 1812–1888
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

10. James Romney

Creator:: George Romney, 1734–1802
Date:: between 1760 and 1762
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 × 8 1/8 inches (25.7 × 20.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Landscape with a Church

Creator:: Frederick W. Watts, 1800–1862
Date:: ca. 1830
Materials & Techniques:: Oil on card
Dimensions:: 10 1/4 x 14 inches (26 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. "Lord, Thy Will Be Done"

Creator:: Philip Hermogenes Calderon, 1833–1898
Date:: 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 × 18 1/4 inches (25.7 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. Whitlingham, Norfolk

Creator:: Frederick Sandys, 1829–1904
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 x 29 15/16 inches (25.7 x 76 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

14. Trentham Park

Creator:: unknown artist
Date:: ca. 1801
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/8 × 13 3/8 inches (26.4 × 34 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)

Creator:: unknown artist
Date:: between 1790 and 1799
Materials & Techniques:: Oil on panel
Dimensions:: 10 1/4 x 11 1/2 inches (26 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Puck and Fairies, from "A Midsummer Night's Dream"

Creator:: Joseph Noel Paton, 1821–1901
Date:: ca. 1850
Materials & Techniques:: Oil on millboard
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

17. Duck Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/4 x 12 3/8 inches (26 x 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. The Rainbow, near Salisbury

Creator:: John Dunthorne, 1798–1832
Date:: ca. 1829
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. On the Norfolk Broads

Creator:: Henry Bright, 1810–1873
Date:: ca. 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 10 3/8 × 17 7/8 inches (26.4 × 45.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. A Stage Coach on a Country Road

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1792
Materials & Techniques:: Oil on panel
Dimensions:: 10 1/4 x 13 inches (26 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Subterranean Pool with Sculptural Torchere

Creator:: attributed to Francis Danby, 1793–1861
Date:: undated
Materials & Techniques:: Brown wash, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 9 inches (26 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Under the Hammer

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1912 and 1913
Materials & Techniques:: Black chalk and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 × 12 5/16 inches (25.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Swiss Cottage, Hampstead

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1912 and 1913
Materials & Techniques:: Black chalk, graphite, and watercolor, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 13 1/2 inches (25.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Tintern Abbey

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Kensington Gardens

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1848
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 5/8 inches (25.7 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: between 1880 and 1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer with pin pricks along outer border
Dimensions:: Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer
Dimensions:: Sheet: 10 1/4 x 13 1/8 inches (26 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:: Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Fowl Head and Neck, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 8 1/4 inches (26 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Company of Undertakers

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching and engraving on wove paper
Dimensions:: Sheet: 10 3/8 x 7in. (26.4 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Carl Lohmann

38. The Sleeping Congregation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Gabriel Hunt

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Plate 1, The Fellow 'Prentices at their Looms

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 3/8 × 13 1/2 inches (26.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

42. Dent de Lion, near Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1791
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Juvenile Tricks

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Junction of Severn and Wye

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink; engraver's proof (b?) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Juvenile Tricks

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 13 1/2 inches (26.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. The Bridge in Middle Distance

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink
Dimensions:: Plate: 8 x 10 7/8in. (20.3 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

50. The Bridge in Middle Distance

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Water Mill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/4 inches (26.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Jason

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Parham, October.13.1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 5/16 x 6 13/16 inches (26.2 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

55. La Cava, 20 July 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, moderately textured, gray-green wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

56. Burpham Oct.4.1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 3/8 x 6 7/8 inches (26.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

57. Plains of Bengal, from above Siligoree

Creator:: Edward Lear, 1812–1888
Date:: 1874
Materials & Techniques:: Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

58. Turin, Italy

Creator:: Edward Lear, 1812–1888
Date:: after 1872
Materials & Techniques:: Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Prostrate Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 16 5/8 inches (26 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

60. Studies for the Head of a Lady (Studies of a Woman's Head)

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 15 1/4 inches (25.7 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Learning to Walk

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 10 1/4 x 10 3/4 inches (26 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Mythological Group of Women and Children

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 16 1/2 inches (26.4 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The First Book of Urizen

Creator:: Prints made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Bound volume of 28 color-printed relief etchings, with hand coloring in watercolor
Dimensions:: Sheet: 10 x 7 1/8in. (25.4 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. "The Ox in the slaughter house moans..." (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Chapter IX, "They lived a period of years..." (Plate 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "Los howld in a dismal stupor..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Chapter IV, "Los smitten with astonishment..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Los with the child Orc and Enitharmon (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. "They call'd her Pity, and fled..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The First Book of Urizen, Plate 4 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Urizen Swims through Dark Waters (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. "In living creations appear'd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Chapter III, "As the stars are apart from the earth..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Chapter V, "The globe of life blood trembled..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Los Falls through Fire (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Praying Child and Howling Dog (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Chapter II, "Muster around the bleak desarts..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The First Book of Urizen, Plate 15 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The First Book of Urizen, Plate 28 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Fettered Urizen Weeping (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. From a Globe of Blood Rises Enitharmon (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Rev. John Caspar Lavater

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 × 11 9/16 inches (36.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Engraving
Dimensions:: Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Death of Demosthenes

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Engraving
Dimensions:: Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Pericles, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Engraving
Dimensions:: Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Widow Embracing Her Husband's Grave

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. A View from Hampstead Heath (?)

2. Osmington Village

3. East Bergholt Church

4. Barge below Flatford Lock

5. Hampstead Heath Looking Towards Harrow

6. Study of a Cloudy Sky

7. Horse Attacked by a Lion (Episode C)

8. Studies for or after "The third Duke of Richmond with the Charleton Hunt"

9. Between Olavano L'Civitella

10. James Romney

11. Landscape with a Church

12. "Lord, Thy Will Be Done"

13. Whitlingham, Norfolk

14. Trentham Park

15. A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)

16. Puck and Fairies, from "A Midsummer Night's Dream"

17. Duck Shooting

18. The Rainbow, near Salisbury

19. On the Norfolk Broads

20. A Stage Coach on a Country Road

21. Subterranean Pool with Sculptural Torchere

22. Under the Hammer

23. Swiss Cottage, Hampstead

24. Tintern Abbey

25. Kensington Gardens

26. Christmas

27. The Rising Moon

28. The Lonely Tower

29. The Cypress Grove

30. The Lonely Tower

31. Tiger Body, Lateral View

32. Tiger Body, Lateral View

33. Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)

34. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

35. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

36. Fowl Head and Neck, Lateral View

37. The Company of Undertakers

38. The Sleeping Congregation

39. Gabriel Hunt

40. Study of a Female Nude

41. Plate 1, The Fellow 'Prentices at their Looms

42. Dent de Lion, near Margate

43. Holy Island Cathedral

44. Juvenile Tricks

45. Junction of Severn and Wye

46. The Woman and Tambourine

47. Juvenile Tricks

48. Winchelsea, Sussex

49. The Bridge in Middle Distance

50. The Bridge in Middle Distance

51. Water Mill

52. Jason

53. Chain of Alps from Grenoble to Chamberi

54. Parham, October.13.1834

55. La Cava, 20 July 1838

56. Burpham Oct.4.1834

57. Plains of Bengal, from above Siligoree

58. Turin, Italy

59. Prostrate Woman

60. Studies for the Head of a Lady (Studies of a Woman's Head)

61. Learning to Walk

62. Mythological Group of Women and Children

63. The First Book of Urizen

64. Jerusalem, Tailpiece (Plate 100)

65. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

66. Chapter 3 Frontispiece (Plate 51)

67. "The Ox in the slaughter house moans..." (Plate 26)

68. Chapter IX, "They lived a period of years..." (Plate 27)

69. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

70. "Los howld in a dismal stupor..." (Plate 10)

71. Chapter IV, "Los smitten with astonishment..." (Plate 12)

72. Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

73. Los with the child Orc and Enitharmon (Plate 18)

74. "They call'd her Pity, and fled..." (Plate 19)