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Work Type watercolor
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1
- Oberon and Titania
- 1837
2
- One of Burch's
- 1974
3
- Study of a Pilgrim
- undated
4
- Male Nude
- 1808
5
- Man with Horse and Cart Entering a Quarry
- ca. 1797
6
- A Great Tree
- ca. 1796
7
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
8
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
9
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
10
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
11
- A Widower and Children (Design 35)
- between 1797 and 1798
12
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
13
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
14
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
15
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
16
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
17
- The Author Writing (Design 105)
- between 1797 and 1798
18
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
19
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
20
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
21
- A Welch Bard (Design 53)
- between 1797 and 1798
22
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
23
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
24
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
25
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
26
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
27
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
28
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
29
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
30
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
31
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
32
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
33
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
34
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
35
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
36
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
37
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
38
- 'We censure nature for a span too short' (Page 23)
- 1797
39
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
40
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
41
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
42
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
43
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
44
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
45
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
46
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
47
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
48
- Moses Receiving the Law
- ca. 1780
49
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
50
- Egpytian Man on Camel
- 1867
51
- Greek Woodcutter, June 13 /56
- 1856
52
- Egyptian Man
- 1867
53
- Egyptian Man
- 1867
54
- Egyptian Man
- 1867
55
- Egyptian Man
- 1867
56
- Duke of Dorset (So-called)
- undated
57
- Lord Salisbury, Standing by a Pillar
- undated
58
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
59
- Two Lovers (Man Awakening from a Dream)
- undated
60
- River God
- undated
61
- Classical Male Nude
- undated
62
- Ladies in Waiting
- undated
63
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
64
- London Cries: "Do You Want any Spoons..."
- ca. 1759
65
- London Cries: A Muffin Man
- ca. 1759
66
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
67
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
68
- London Cries: Small Coal or Brushes
- ca. 1759
69
- London Cries: Shoe Cleaner
- ca. 1759
70
- London Cries: A Man with a Bundle, Old Clothes
- undated
71
- London Cries: All Fire and No Smoke
- ca. 1759
72
- London Cries: Fun upon Fun
- 1759
73
- London Cries: A Tinker and His Wife
- ca. 1759
74
- London Cries: A Man Swaggering
- undated
75
- Views in the Levant: Man on Horseback Approaching Gateway to a Town
- ca. 1785
76
- Landscape with Cottages
- undated
77
- Portrait of a Young Man
- undated
78
- James Nasmyth
- 1809
79
- The Messengers Tell Job of the Misfortunes that Have Befallen Him
- undated
80
- Peter Callam & Elvira
- undated
81
- Man with a Gaff, June 13, 1851
- 1851
82
- Man with a Blue Cloth over his Legs
- undated
83
- Self-portrait of Gangaram as a Devotee
- ca. 1790
84
- The Farmyard
- 1812
85
- A Laborer Seen From Behind Operating a Machine
- before 1841
86
- Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
- ca. 1845
![Gangaram Chintaman Tambat A Fool Named Gungarum [Gangaram]](https://media.collections.yale.edu/thumbnail/ycba/a7099845-92e8-44fa-a9b1-f36a75306cb0)
87
- A Fool Named Gungarum [Gangaram]
- ca. 1790
88
- A man resting
- 1840
89
- Drifting
- 1885
90
- View on the Line of the Liverpool and Manchester Railway
- ca. 1830
91
- A Seated Figure on Horseback
- undated
92
- A Lesson Westward, or, A Morning Visit to Betsy Cole
- 1782
93
- Woodsman
- undated
94
- An Apple Tree Near a Cottage
- undated
95
- St. Chawchobbs
- undated
96
- Young Cavalier
- 1878
97
- Boy Sketching a Man with Two Girls Watching
- undated
98
- Portrait of a Gentleman
- ca. 1785
99
- Je Dus Voyager
- 1949
100
- Gentleman in a Chair
- 1866