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201
- Spring (Plate 12)
- 1789
202
- The Little Girl Found (Plate 22)
- 1789
203
- The Clod & the Pebble (Plate 36)
- 1794
204
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
205
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
206
- A Welch Bard (Design 53)
- between 1797 and 1798
207
- The Little Black Boy (Plate 30)
- 1789
208
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
209
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
210
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
211
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
212
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
213
- On Anothers Sorrow (Plate 24)
- 1789
214
- Spring (Plate 26)
- 1789
215
- Laughing Song (Plate 28)
- 1789
216
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
217
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
218
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
219
- The Author Writing (Design 105)
- between 1797 and 1798
220
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
221
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
222
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
223
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
224
- A Widower and Children (Design 35)
- between 1797 and 1798
225
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
226
- The Divine Image (Plate 12)
- 1789
227
- Nurse's Song (Plate 22)
- 1789
228
- The Lamb (Plate 8)
- 1789
229
- Songs of Innocence, Title Page (Plate 2)
- 1789
230
- The Little Black Boy (Plate 6)
- 1789
231
- The Ecchoing Green (Plate 8)
- 1789
232
- Laughing Song (Plate 14)
- 1789
233
- The Lamb (Plate 18)
- 1789
234
- Songs of Experience, Frontispiece (Plate 32)
- 1794
235
- Night (Plate 30)
- 1789
236
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
237
- Title Page, The First Book of Urizen (Plate 1)
- 1794
238
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
239
- The Shepherd, from Songs of Innocence
- ca. 1795
240
- Spring, from Songs of Innocence
- ca. 1795
241
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
242
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
243
- A Woody Landscape
- ca. 1801
244
- The Entrance Front of Hayley's House at Eartham
- 1801
245
- Landscape with Spire
- ca. 1801
246
- Woodcutters in a Forest
- undated
247
- Tythrop
- 1817
248
- Pike Pool, Beresford Hall, Derbyshire
- 1814
249
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
250
- The Rising of the Waters
- undated
251
- The Baptism of Christ
- undated
252
- The Woman at the Well
- undated
253
- Christ with Three Figures
- undated
254
- Mountainous Landscape with Figures and a Rock Above a Lake
- undated
255
- View in Wales
- undated
256
- The Tower of the Manor House, East Barsham, Norfolk
- undated
257
- Gaunt's House, Wimborne
- undated
258
- Part of Regent's Park
- 1805
259
- Castle on a Distant Hill
- undated
260
- Mountainous Landscape with Castle on Hill
- undated
261
- Road Between Hills
- undated
262
- Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
- 1802
263
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
264
- Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
- 1802
265
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
266
- Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
- 1802
267
- On the Colne, Middlesex
- undated
268
- Nîmes from the Tour Magne
- ca. 1765
269
- Oxcart in the Grotto at Posillipo
- ca. 1770
270
- Garden Wall with Trees
- undated
271
- Bridge at Corpo di Cava
- 1838
272
- A Glade in a Wood
- undated
273
- From Dungeon Ghyll
- undated
274
- Capel Church, Near Dorking, Surrey
- undated
275
- Classical Landscape
- undated
276
- A Wooded Track
- 1813
277
- Buildings Belonging to Magdalen Hall, Oxford
- undated
278
- High Street at Bushey, Hertfordshire
- 1812
279
- Farm Building
- undated
280
- Composition: Hilly Country
- undated
281
- High Tor, Matlock
- undated
282
- City of Bath
- 1678
283
- Gateway to Battle Abbey
- after 1819
284
- The Fish Ponds
- undated
285
- Rye House
- 1814
286
- Design for the Parterre at Hampton Court
- early 18th century
287
- The Rescue of Lot
- 1833
288
- Rocky River Landscape
- undated
289
- Landscape with Courting Couple
- 1839
290
- Adam and Eve
- undated
291
- Travelers on a Road above a River
- 1821
292
- Moonlit Landscape with a Ruined Castle
- between 1820 and 1830
293
- Cain and Abel
- undated
294
- Forested River Bank, Hill Town and Mountain Peaks in Distance
- undated
295
- Tivoli
- ca. 1768
296
- Old Buildings at Hastings
- after 1819
297
- View of Windsor Castle
- undated
298
- View from Ashton Meadows, Bristol
- 1791
299
- Dunster Castle, Somerset: Showing Castle in Distance
- undated
300
- Carew Castle South Wales
- undated