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1
- Design for Omega Workshops Fabric
- 1913
2
- Study of a Woman Sewing
- undated
3
- Standing Woman
- undated
4
- Two Prize Fighters
- ca. 1742
5
- Interior of the Church of San Giovanni e Paolo, Venice
- 1835ated
6
- Interior of a Room at Woodcock Manor
- undated
7
- Sarcophagus in a Church
- May 10, 1806
8
- The Essex Chantry, Watford Church
- ca. 1820
9
- Interior of the Belfry, Bushey Church
- ca. 1822
10
- Poulterer's Shop
- undated
11
- Church Interior
- undated
12
- A Dramatic Scene with Three Women in an Interior
- 1794
13
- Studies of Napoleon, arms folded, with other figures
- undated
14
- The Welsh Curate
- undated
15
- Roman Pilgrims
- 1854
16
- Preparing to Administer the Sacrament
- 1838
17
- Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
- undated
18
- Kitchen: Interior, Stone Crouch
- 1822
19
- Interior of a Blacksmith's Forge
- undated
20
- Chantrey's Studio
- undated
21
- Woman in Bed
- ca. 1920
22
- Elevations of a Room
- undated
23
- A Tudor Room with Figures, Possibly Hardwick Hall or Haddon Hall
- mid to late 1830s
24
- Sir Violet Sighaway & Mr. Villiers
- undated
25
- Halle au Blé, - Interior
- undated
26
- A Modern Diversion
- undated
27
- The Harmonious Family
- undated
28
- Peter Callam & Elvira
- undated
29
- Grace Before Meat
- 1839
30
- Interior of a Gothic Church
- undated
31
- Interior of a Stable
- undated
32
- The Undergraduate's Room
- undated
33
- Design for the Roof Truss, Rampisham Rectory
- between 1846 and 1848
34
- The Hazard Room at Crockford's
- 1837
35
- Interior of a Gothic Church
- undated
36
- Sketch of the Interior of a Gothic Church
- undated
37
- Interior of a Gothic Church
- undated
38
- Night Despatch Rider - Tea in a Café
- 1943
39
- Study of a Cottage Interior
- undated
40
- Levens, Westmoreland, The Small Drawing Room
- 1873
41
- Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
- undated
42
- Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows
- undated
43
- Heaving Sacks in the Barn at Amberden Hall, Essex
- undated
44
- Barn Interior
- 1836
![Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)](https://media.collections.yale.edu/thumbnail/ycba/48b1ec09-041e-4bcd-b9e2-3707f3363a7e)
45
- February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
- undated
46
- Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
- undated
47
- Foxhunting: The Toast
- undated
48
- The Queen's English: An Iillustration in "Punch", Aug. 11, 1877
- ca. 1877
49
- Sketch of Two Figures in an Interior: One Seated, One Standing
- undated
50
- Doctor's Advice
- January 16, 1933
51
- Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
- undated
52
- Breakfast before the Hunt
- between 1785 and 1790
53
- A Christmas Congregation
- undated
54
- Viewing at the Royal Academy
- ca. 1815
55
- The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
- 1852
56
- Pub Conversation
- July 25, 1932
57
- "The Poacher's Progress:" Poachers Before the Magistrates
- undated
58
- "The Poacher's Progress:" Poachers in Prison (The Pardon)
- undated
59
- Cottager's Hospitality to Travellers of The Coach Broke Down
- 1819
60
- Four O'Clock in the Country
- between 1788 and 1790
61
- The Interior of the Lower Basilica of St. Francis of Assisi
- 1839
62
- The Reduced Gentleman's Daughter
- undated
63
- The Interior of a Coffee House
- undated
64
- Interior of Milan Cathedral
- undated
65
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
66
- The Smock Exposed
- 1817
67
- Hogarth Drawing Sarah Malcolm
- 1817
68
- The Reconcilation
- 1817
69
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
70
- Hogarth Sitting to Roubiliac for His Bust
- 1817
71
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
72
- Seated Woman
- undated
73
- Herstmonceux Castle, East Sussex: The Kitchen
- undated
74
- Church Interior
- undated
75
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
76
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
77
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
78
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
79
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
80
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
81
- The Eleventh Hour
- 1817
82
- Study for "Reading the Will"
- 1820
83
- Kitchen Scene: Dunkerrin, September 1835
- 1835
84
- Paestum: No. 4 View of the Interior part of the 2nd temple from the east front
- undated
85
- No. 5 interior part of the 2nd temple seen from the North Side
- undated
86
- The Spoiled Child, Scene V
- ca. 1802
87
- The Spoiled Child, Scene III
- ca. 1802
88
- Denial and Disappointment
- undated
89
- Interior of Fort Nicholas, Sebastopol, Crimea
- undated
90
- A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
- 1812
91
- At Mrs. Bulley's, Hooe, near Plymouth
- undated
92
- Girl in a Red Belt
- ca. 1830
93
- Man (in 16th Century Costume) with Dogs
- undated
94
- Man Asleep at Table with Dogs
- undated
95
- Interior of Stone Building
- undated
96
- The Spoiled Child, Scene II
- ca. 1802
97
- The Spoiled Child, Scene I
- ca. 1802
98
- The Spoiled Child, Scene IV
- ca. 1802
99
- The Spoiled Child, Scene VI
- ca. 1802
100
- Study of a Rustic Interior Scene
- undated