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Creator Smith, John Thomas, 1766–1833

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1. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Hogarth Engraving His Master's Shop-bill the Sign of the Angel
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Smock Exposed

The Smock Exposed
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Reconcilation

The Reconcilation
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Hogarth Drawing Sarah Malcolm

Hogarth Drawing Sarah Malcolm
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Hogarth at Old Slaughter's Hobbing with Highmore the Painter
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Man Beside a Stile

Man Beside a Stile
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 9 1/2 inches (22.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Family Cooking Under A Tree

A Family Cooking Under A Tree
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 7 3/8 inches (27.6 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars

Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 11/16 × 9 3/8 inches (29.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. J.M.W. Turner in Print Room of British Museum

J.M.W. Turner in Print Room of British Museum
Creator:
John Thomas Smith, 1766–1833
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion

Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 5/8 × 9 3/8 inches (29.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Near Ranelagh, Chelsea

Near Ranelagh, Chelsea
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 4 1/2 x 4 3/4in. (11.4 x 12.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Near Chelsea Bridge

Near Chelsea Bridge
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 x 5 1/8in. (12.7 x 13cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Sacred Architecture: the South Entrance of Dukes Place

Sacred Architecture: the South Entrance of Dukes Place
Creator:
John Thomas Smith, 1766–1833
Date:
1814
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 13 x 10 7/16in. (33 x 26.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The South Entrance of Duke's Place

The South Entrance of Duke's Place
Creator:
John Thomas Smith, 1766–1833
Date:
1814
Materials & Techniques:
Hand colored etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Houses on the South Side of Leadenhall Street

Houses on the South Side of Leadenhall Street
Creator:
John Thomas Smith, 1766–1833
Date:
1796
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Winchester Street, London Wall

Winchester Street, London Wall
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Ceiling of the Star Chamber

Ceiling of the Star Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Eight Illustrations of Westminster

Eight Illustrations of Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Geometrical Construction of the Freeze and Battlements in the House of Commons

Geometrical Construction of the Freeze and Battlements in the House of Commons
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
Creator:
Print made by Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Four Illustrations of Westminster

Four Illustrations of Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Cotton Garden, Westminster

Cotton Garden, Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Original Drawings Illustrating the Life of Hogarth by J. T. Smith

Original Drawings Illustrating the Life of Hogarth by J. T. Smith
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink and brown ink on very thick, moderately textured, beige wove paper
Dimensions:
Portfolio: 13 3/16 × 10 3/16 inches (33.5 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. A Doorway in one of the Cellars Under the Old House of Lords

A Doorway in one of the Cellars Under the Old House of Lords
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/8 × 7 7/16 inches (23.8 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Oak Door Discovered in the Speaker's State Dining Room

Oak Door Discovered in the Speaker's State Dining Room
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Houses on the South Side of Leadenhall Street

Houses on the South Side of Leadenhall Street
Creator:
John Thomas Smith, 1766–1833
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. North East View of Parts of the Chapel and Granary of Leadenhall

North East View of Parts of the Chapel and Granary of Leadenhall
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Houses on the South SIde of a Street called London Wall

Houses on the South SIde of a Street called London Wall
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Residence of George Stevens, F.R.S.

The Residence of George Stevens, F.R.S.
Creator:
John Thomas Smith, 1766–1833
Date:
1836
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. View of New Palace Yard and Speaker's Court

View of New Palace Yard and Speaker's Court
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. A Doorway in one of the Cellars Under the Old House of Lords

A Doorway in one of the Cellars Under the Old House of Lords
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Inside of the Painted Chamber as it was in the Year 1800

Inside of the Painted Chamber as it was in the Year 1800
Creator:
John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Armorial Bearings from St. Stephen's Chapel

Armorial Bearings from St. Stephen's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The S.W. View of Little Dean's Yard

The S.W. View of Little Dean's Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

44. The Residence of George Stevens, F.R.S. and Copy of a Letter of his dated 1774

The Residence of George Stevens, F.R.S. and Copy of a Letter of his dated 1774
Creator:
Charles John Smith, 1803–1838
Materials & Techniques:
Engraving and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Near Jack Straw's Castle, Hampstead Heath

Near Jack Straw's Castle, Hampstead Heath
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. A Doorway in one of the Cellars Under the Old House of Lords

A Doorway in one of the Cellars Under the Old House of Lords
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Water-Front of the Buildings on the Eastern Side of New Palace Yard

The Water-Front of the Buildings on the Eastern Side of New Palace Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. South West View of the Tower, now the Parliament Office

South West View of the Tower, now the Parliament Office
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Northwest View of the Tower now the Parliament Office

Northwest View of the Tower now the Parliament Office
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. South East View of the Princes Chamber

South East View of the Princes Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Views of the East Side of the House of Lords etc.

Views of the East Side of the House of Lords etc.
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Part of the East Side of the House of Lords

Part of the East Side of the House of Lords
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Specimens of Painting from St. Stephens Chapel

Specimens of Painting from St. Stephens Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Dr. Johnson's House in 8 Bolt Court, Fleet Street

Dr. Johnson's House in 8 Bolt Court, Fleet Street
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. A View of the Grounds on the South of Westminster, Including the Timber-Yard on Millbank

A View of the Grounds on the South of Westminster, Including the Timber-Yard on Millbank
Creator:
Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. A South View of Westminster from Mill-bank; where the King's Scholars-pond Sewer empties itself into the Thames

A South View of Westminster from Mill-bank; where the King's Scholars-pond Sewer empties itself into the Thames
Creator:
Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. South West View of Bethlem Hospital and London Wall

South West View of Bethlem Hospital and London Wall
Creator:
John Thomas Smith, 1766–1833
Date:
1814
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Parts of London Wall and Bethlem Hospital

Parts of London Wall and Bethlem Hospital
Creator:
John Thomas Smith, 1766–1833
Date:
1814
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Buildings on the Eastern Side of New Palace Yard

Buildings on the Eastern Side of New Palace Yard
Creator:
William Dorset Fellows, 1807–1878
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Sir Thomas Pasley

Sir Thomas Pasley
Creator:
Anna Maria Smith Edmonton, 1766–1833
Date:
1796
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

61. Studies from the Bust of Samuel Johnson

Studies from the Bust of Samuel Johnson
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman and Frances Carey in Memory of Diana Vincent-Daviss

62. Captain Rigby

Captain Rigby
Creator:
John Thomas Smith, 1766–1833
Date:
c.1695
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

63. Northeast View of the Back of the Original Altar of St. Barts the Great

Northeast View of the Back of the Original Altar of St. Barts the Great
Creator:
John Thomas Smith, 1766–1833
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/4 x 9in. (28.6 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Leadenhall Chapel

Leadenhall Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 7/8 x 9 1/2in. (30.2 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Near Battle Bridge, Middlesex

Near Battle Bridge, Middlesex
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Entrance to the College Hall

Entrance to the College Hall
Creator:
unknown artist
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Entrance to Westminster School

The Entrance to Westminster School
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. A South View of Westminster from Millbank

A South View of Westminster from Millbank
Creator:
Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. S.E. View of the Entrances to the Little Sanctuary and to Theaing Lane

S.E. View of the Entrances to the Little Sanctuary and to Theaing Lane
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Views of a Cellar under the old House of Lords and Views of the Princes Chamber

Views of a Cellar under the old House of Lords and Views of the Princes Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Views of New Palace Yard and the Speaker's Court

Views of New Palace Yard and the Speaker's Court
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Cotton Garden, Westminster

Cotton Garden, Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Water Front of the Buildings on the Eastern Side of New Palace Yard

The Water Front of the Buildings on the Eastern Side of New Palace Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. S. E. View of the Princes Chamber

S. E. View of the Princes Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Two Views of the House of Commons and Westminster Hall

Two Views of the House of Commons and Westminster Hall
Creator:
John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. A Geometrical View of the East End of St. Stephan's Chapel

A Geometrical View of the East End of St. Stephan's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Portrait of Harwood (who shot at George III) at Bethlehem Hospital

Portrait of Harwood (who shot at George III) at Bethlehem Hospital
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Old Palace Yard from the South

Old Palace Yard from the South
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Northeast and East Views of the Old Houses of Parliament

Northeast and East Views of the Old Houses of Parliament
Creator:
John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Part of the Old Palace of Whitehall from the Water

Part of the Old Palace of Whitehall from the Water
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Foundation Plan of the Ancient Palace of Westminster

Foundation Plan of the Ancient Palace of Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. View of the old House of Lords, the Prince's Chamber and the Bishop's robing-room...

View of the old House of Lords, the Prince's Chamber and the Bishop's robing-room...
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Cotton Garden, Westminster

Cotton Garden, Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Armorial Bearings from St. Stephen's Chapel

Armorial Bearings from St. Stephen's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. East Entrance to the Cell in the South West Tower of London

East Entrance to the Cell in the South West Tower of London
Creator:
John Thomas Smith, 1766–1833
Date:
1811
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Geometrical View of St. Stephen's Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby's view, which was taken about 1755

Geometrical View of St. Stephen's Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby's view, which was taken about 1755
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

87. Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed

Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed
Creator:
John Thomas Smith, 1766–1833
Date:
1806
Dimensions:
Sheet: 9 1/8 x 6 7/8in. (23.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

88. Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed

Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed
Creator:
John Thomas Smith, 1766–1833
Date:
1806
Dimensions:
Sheet: 9 1/8 x 6 7/8in. (23.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

89. Ceiling of the Star Chamber

Ceiling of the Star Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1805
Dimensions:
Sheet: 6 1/8 x 8 11/16in. (15.6 x 22cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

90. A Perfect Description of the Firework in Convent Garden that was performed at the Charge of the Gentry and other inhabitants of that Parish for ye joy fall return of His Matie from his Conquest in Ireland. Sep. 10 1690

A Perfect Description of the Firework in Convent Garden that was performed at the Charge of the Gentry and other inhabitants of that Parish for ye joy fall return of His Matie from his Conquest in Ireland. Sep. 10 1690
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Funeral of Lord Nelson. From the Bankside near Shakespeare's Theatre

Funeral of Lord Nelson. From the Bankside near Shakespeare's Theatre
Creator:
John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Inside View of the Watch Tower Discovered near Ludgate Hill, May 1, 1792

Inside View of the Watch Tower Discovered near Ludgate Hill, May 1, 1792
Creator:
John Thomas Smith, 1766–1833
Date:
1813
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Hogarth Declaring His Love to Miss Thornhill

Hogarth Declaring His Love to Miss Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Hogarth Sitting to Roubiliac for His Bust

Hogarth Sitting to Roubiliac for His Bust
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. The Eleventh Hour

The Eleventh Hour
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Vale of Health - Hampstead

Vale of Health - Hampstead
Creator:
John Thomas Smith, 1766–1833
Date:
1830
Materials & Techniques:
Watercolor, graphite, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection