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Creator Rigaud, Jacques, 1681–1754

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Jacques Rigaud Prospect of Hampton Court from the Garden Side
Jacques Rigaud, 1681–1754
Prospect of Hampton Court from the Garden Side
1736
Remi Parr The Attack of Two Bastions, the Breaches being Made by the Miner
Remi Parr, 1743–after 1750
The Attack of Two Bastions, the Breaches being Made by the Miner
1760 to 1770
unknown artist A View of the Palace of Triano towards the Flower Garden
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
John Couse The Theatre of Water...
John Couse, active 1753–1764
The Theatre of Water..
unknown artist View of the Canal of Fountainbleau
Print made by unknown artist
View of the Canal of Fountainbleau
unknown artist A View of the Palace of Marli toward the little Parterre
unknown artist
A View of the Palace of Marli toward the little Parterre
unknown artist A View of the Palace of Marli toward the little Parterre
unknown artist
A View of the Palace of Marli toward the little Parterre
Nathaniel Parr A Perspective View of the Cascade of St. Cloud
Nathaniel Parr, active 1742–1751
A Perspective View of the Cascade of St. Cloud
unknown artist View of one Wing of Fountainebleau, taken from the Court of Fountains
Print made by unknown artist
View of one Wing of Fountainebleau, taken from the Court of Fountains
John Couse A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
John Couse, active 1753–1764
A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
Nathaniel Parr A General View of the City of Paris taken from an Eminence in the Village of Chaillot
Nathaniel Parr, active 1742–1751
A General View of the City of Paris taken from an Eminence in the Village of Chaillot
1749
Remi Parr The Representations of the Most Considerable Actions in the Siege of a Place...
Remi Parr, 1743–after 1750
The Representations of the Most Considerable Actions in the Siege of a Place..
Remi Parr The Place given up to Plunder;...
Remi Parr, 1743–after 1750
The Place given up to Plunder;..
Remi Parr The Assault on the Main Body of the Palace;...
Remi Parr, 1743–after 1750
The Assault on the Main Body of the Palace;..
Remi Parr How Sallies are defended and repulsed;...
Remi Parr, 1743–after 1750
How Sallies are defended and repulsed;..
Remi Parr An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis...
Remi Parr, 1743–after 1750
An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis..
unknown artist The Obelisk in the Garden at Versailles
Print made by unknown artist
The Obelisk in the Garden at Versailles
between 1740 and 1757
Nathaniel Parr A Prospect of the Palace of Chantilli
Print made by Nathaniel Parr, active 1742–1751
A Prospect of the Palace of Chantilli
1739
John Couse A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
Print made by John Couse, active 1753–1764
A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
1789
Nathaniel Parr A Prospect of the Royal Palace of Thuilleries
Print made by Nathaniel Parr, active 1742–1751
A Prospect of the Royal Palace of Thuilleries
John Tinney A View of the Chapel of the Palace of Versailles
John Tinney, died 1761
A View of the Chapel of the Palace of Versailles
John Tinney A View of the Palace of Versailles towards ye Garden
Print made by John Tinney, died 1761
A View of the Palace of Versailles towards ye Garden
Remi Parr The Triumphal Arch in the Garden of Versailles...
Print made by Remi Parr, 1743–after 1750
The Triumphal Arch in the Garden of Versailles..
between 1768 and 1779
unknown artist View of the Flower Garden, & part of the Palace of Fountainbleau
Print made by unknown artist
View of the Flower Garden, & part of the Palace of Fountainbleau
Paul Angier A View of Paris
Print made by Paul Angier, active 1749
A View of Paris
unknown artist The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal...
unknown artist
The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal..
Nathaniel Parr A Prospect of St. James's Park
Nathaniel Parr, active 1742–1751
A Prospect of St. James's Park
S. Torres Prospect of Greenwich from the Observatory at the Top of the Hill
S. Torres, active 1752?
Prospect of Greenwich from the Observatory at the Top of the Hill
Nathaniel Parr Veue de Parc de St. Jacques
Nathaniel Parr, active 1742–1751
Veue de Parc de St. Jacques
S. Torres Veue du Parc de St. Jacques
S. Torres, active 1752?
Veue du Parc de St. Jacques
1752
Jacques Rigaud Prospect of St. James Park from Bukingam House
Jacques Rigaud, 1681–1754
Prospect of St. James Park from Bukingam House
1736
Rigaud, Jacques, 1681-1754, ill., engraver. A general plan of the woods, park and gardens of Stowe, the seat of the Right Honourable the Lord Viscount Cobham :
Rigaud, Jacques, 1681–1754
A general plan of the woods, park and gardens of Stowe, the seat of the Right Honourable the Lord Viscount Cobham
1739
Rigaud, Jacques, 1681-1754, ill., engraver. Stowe Gardens in Buckinghamshire, belonging to the right honourable the Lord Viscount Cobham : laid out by Mr. Bridgman, principal gardener to their majesties King George I and II / delineated in a large plan and fifteen perspective views : drawn on the spot by Mons. Rigaud, and engraved by him and Mons. Bernard Baron =
Rigaud, Jacques, 1681–1754
Stowe Gardens in Buckinghamshire, belonging to the right honourable the Lord Viscount Cobham : laid out by Mr. Bridgman, principal gardener to their majesties King George I and II / delineated in a large plan and fifteen perspective views : drawn on the spot by Mons. Rigaud, and engraved by him and Mons. Bernard Baron =
MDCCXLVI [1746]