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1
- Dedham Vale
- 1802
- Not on view
2
- Mary Freer
- 1809
- Not on view
3
- Rievaulx Abbey
- ca. 1745
- Not on view
4
- Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
- between 1745 and 1747
- Not on view
5
- Lord Portmore Watching Racehorses at Exercise on Newmarket Heath
- ca. 1735
- Not on view
6
- Sunny Days
- 1874
- Not on view
7
- The Book Worm
- 1915
- Not on view
8
- Elizabeth FitzGerald, Countess of Kildare
- ca. 1684
- Not on view
9
- Portrait of Carolina dell'Acqua
- 1903
- Not on view
10
- A Couple, Traditionally Identified as Mr. and Mrs. Fraser
- 1785 to 1790
- Not on view
11
- Mountainous Landscape with Figures by a Lake
- 1825 to 1830
- Not on view
12
- Daniel Cunyngham
- 1766
- Not on view
13
- Conversation Piece
- 1761
- Not on view
14
- The Well of St. Keyne
- ca. 1838
- Not on view
15
- Portrait of a Group of Gentleman, with the Artist
- between 1745 and 1748
- Not on view
16
- British Gentlemen in Rome
- ca. 1750
- Not on view
17
- Mountain Valley with Figures and Distant Village
- between 1773 and 1777
- Not on view
18
- Thomas Osborne
- 1747
- Not on view
19
- William Strahan
- ca. 1775
- Not on view
20
- The Bell Tower of Evesham
- ca. 1795
- Not on view
21
- Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk
- between 1745 and 1746
- Not on view
22
- A Marmoset in Three Attitudes
- 1793
- Not on view
23
- Thomas Graham
- ca. 1790
- Not on view
24
- Sir Robert Chambers
- 1784
- Not on view
25
- The Haymarket, Norwich
- 1825
- Not on view
26
- An Unknown Man
- ca. 1780
- Not on view
27
- Benjamin Cole
- 1776
- Not on view
28
- Peter Dollond
- 1775 to 1779
- Not on view
29
- Charles Pinfold
- 1756
- Not on view
30
- Langdale Pikes from Lowood
- between 1800 and 1806
- Not on view
31
- Andrew Mellon
- ca. 1924
- Not on view
32
- The Wish
- 1840
- Not on view
33
- Self-portrait
- mid-1770s
- Not on view
34
- The Interior of the British Institution Gallery
- 1829
- Not on view
35
- An Unknown Woman with a Book
- ca. 1735
- Not on view
36
- Nude in an Interior
- ca. 1911
- Not on view
37
- The Colonnade of Queen Mary Court, Greenwich
- 1833
- Not on view
38
- John Richard Comyns of Hylands, Essex, with His Daughters
- 1775
- Not on view
39
- Tea Party at Lord Harrington's House, St. James's
- 1730
- Not on view
40
- Tenth Plague of Egypt
- 1816
41
- Apuleia in Search of Apuleius
- between 1813 and 1823
42
- Egyptian Men
- 1867
43
- Egyptian Man
- 1867
44
- Water (Plate 4)
- 1793
45
- Laughing Song (Plate 14)
- 1789
46
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
47
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
48
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
49
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
50
- Air (Plate 6)
- 1793
51
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
52
- The Ecchoing Green (Plate 8)
- 1789
53
- The Chimney Sweeper (Plate 10)
- 1789
54
- Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
- 1794
55
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
56
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
57
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
58
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
59
- The Ecchoing Green (Plate 10)
- 1789
60
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
61
- Laughing Song (Plate 28)
- 1789
62
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
63
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
64
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
65
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
66
- On Anothers Sorrow (Plate 24)
- 1789
67
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
68
- Spring, from Songs of Innocence
- ca. 1795
69
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
70
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
71
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
72
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
73
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
74
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
75
- Frontispiece (Plate 1)
- ca. 1788
76
- Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
- 1794
77
- "Does thy God O Priest take such vengeance as this?" (Plate 14)
- 1826
78
- "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
- 1826
79
- Famine (Plate 8)
- 1794
80
- Water (Plate 4)
- 1826
81
- Air (Plate 6)
- 1826
82
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
83
- Study for a Destroying Deity
- 1820 to 1825
84
- Achilles Wounded
- undated
85
- Lear Awakened by Cordelia
- between 1774 and 1775
86
- Lear Awakened by Cordelia
- ca. 1774
87
- Study of a Seated Lady
- ca. 1740
88
- Figures on a Bank, Kensington Gravel Pits
- 1812
89
- Widecombe Village
- undated
90
- Two Peasants by a Window
- undated
91
- Edgware Road, London
- 1806
92
- Portrait of a Young Man with a Slate
- ca. 1835
93
- A Young Scholar Goes Fishing
- ca. 1820
94
- Aldenham Church
- ca. 1817
95
- Millbank
- 1806
96
- Study of a Young Girl, Seated
- undated
97
- The Woman at the Well
- undated
98
- The Welsh Curate
- undated
99
- Queen Katherine's Dream
- 1807
100
- View of Bath from Spring Gardens
- 1790