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1
- A Young Gentleman Riding a Schooled Horse
- between 1728 and 1729
- Not on view
2
- Dieppe Races
- 1885
- Not on view
3
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
4
- London Bridge, with St. Paul's Cathedral in the distance
- 1815
- Not on view
5
- Street in Patna
- ca. 1825
- Not on view
6
- Ploughing the Hillside
- ca. 1905
7
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
8
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
9
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
10
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
11
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
12
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
13
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
14
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
15
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
16
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
17
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
18
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
19
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
20
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
21
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
22
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
23
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
24
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
25
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
26
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
27
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
28
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
29
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
30
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
31
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
32
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
33
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
34
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
35
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
36
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
37
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
38
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
39
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
40
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
41
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
42
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
43
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
44
- Night the First. On Life, Death and Immortality; Title Page
- 1797
45
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
46
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
47
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
48
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
49
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
50
- 'We censure nature for a span too short' (Page 23)
- 1797
51
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
52
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
53
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
54
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
55
- 'Disease invades the chastest temperence' (Page 10)
- 1797
56
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
57
- 'The present moment terminates our sight' (Page 13)
- 1797
58
- 'The longest night though longer far, would fail' (Page 15)
- 1797
59
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
60
- A Welch Bard (Design 53)
- between 1797 and 1798
61
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
62
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
63
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
64
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
65
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
66
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
67
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
68
- 'O treacherous conscience!' (Page 27)
- ca. 1797
69
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
70
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
71
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
72
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
73
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
74
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
75
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
76
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
77
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
78
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
79
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
80
- A Circular Dance (Design 23)
- between 1797 and 1798
81
- A Widower and Children (Design 35)
- between 1797 and 1798
82
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
83
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
84
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
85
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
86
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
87
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
88
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
89
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
90
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
91
- Joseph and Potiphar's Wife
- 1803 to 1805
92
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
93
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
94
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
95
- David Playing the Harp
- undated
96
- Hilly Landscape with River and Cattle
- ca. 1810
97
- Man and Children with a Street Organ and a Monkey
- undated
98
- The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
- 1815
99
- West India Docks
- 1810
100
- Sylvio and Dorinda
- between 1680 and 1703