Image Available: Available / Height [cm]: 42 - YCBA Collections Search Search Results

1. April 1950 (goblets)

Creator:: Ben Nicholson, 1894–1982
Date:: 1950
Materials & Techniques:: Oil and pencil on wood
Dimensions:: Mount: 16 x 19 1/2 inches (40.6 x 49.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Louise P. Stanton
On View:: Not on view

2. James Romney

Creator:: George Romney, 1734–1802
Date:: between 1760 and 1762
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 × 8 1/8 inches (25.7 × 20.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Studies of carrier pigeon

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1837
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/8 × 12 inches (35.9 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Red pied carrier

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1837
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/8 × 12 inches (35.9 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Multi-Colored Dots on a Gray Ground

Creator:: Jas Wood, 1889–1975
Date:: mid-1920s
Materials & Techniques:: Oil on canvas
Dimensions:: 16 9/16 x 16 9/16 inches (42.1 x 42.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund
On View:: Not on view

6. After the Barge Race, Pin Mill

Creator:: Edward Brian Seago, 1910–1974
Date:: undated
Materials & Techniques:: Oil on board
Dimensions:: 11 x 16 inches (27.9 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

7. Peacocks, Doves, Turkeys, Chickens and Ducks by a Classical Ruin

Creator:: Marmaduke Cradock, 1660–1716
Date:: ca. 1700
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/2 x 19 3/4 inches (41.9 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. St. Tropez

Creator:: Cecil Rochfort D'Oyly John, 1906–1993
Date:: undated
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/2 x 26 inches (41.9 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

9. Revellers on a Coach

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: between 1785 and 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 16 5/8 x 24 3/8 inches (42.2 x 61.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Portrait of Thomas Whythorne, Musician

Creator:: George Gower, ca. 1538–1596
Date:: 1569
Materials & Techniques:: Oil on board
Dimensions:: Overall: 16 5/8 × 14 5/16 inches (42.3 × 36.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Transfer from the James Marshall and Marie-Louise Osborn Collection, Beinecke Rare Book and Manuscript Library
On View:: Not on view

11. Male Nude, Kneeling, from the Back

Creator:: Attributed to William Etty, 1787–1849
Date:: ca. 1840
Materials & Techniques:: Oil on board
Dimensions:: 16 1/2 x 17 inches (41.9 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

12. In the Forest at Fontainebleau

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Oil on millboard
Dimensions:: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Dublin from Phoenix Park

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1930
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/2 x 28 3/4 inches (41.9 x 73 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

14. Double Square

Creator:: Euan Uglow, 1932–2000
Date:: 1999 to 2000
Materials & Techniques:: Oil on canvas laid to panel
Dimensions:: 16 1/2 x 16 1/2 inches (41.9 x 41.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Dorothy C. Weicker in honor and memory of her parents, Beatrice Trostel and Frederick E. Weicker, Yale, Sheffield Scientific School, Class of 1931
On View:: Not on view

15. The Perivale Road

Creator:: Richard Whately West, 1848–1905
Date:: ca. 1885
Materials & Techniques:: Oil on prepared board
Dimensions:: Sheet:
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
On View:: Not on view

16. Evening Glow

Creator:: John Atkinson Grimshaw, 1836–1893
Date:: ca. 1884
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Augustus Wall Callcott, R.A.

Creator:: John Linnell, 1792–1882
Date:: 1847
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 x 11 inches (34.9 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. An Old Gable

Creator:: William Mulready, 1786–1863
Date:: ca. 1809
Materials & Techniques:: Oil on panel
Dimensions:: 16 3/8 × 17 5/8 inches (41.6 × 44.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Carding Wool

Creator:: Sir Hubert von Herkomer, 1849–1914
Date:: 1881
Materials & Techniques:: Oil on board
Dimensions:: Frame: 16 1/2 × 20 inches (41.9 × 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen
On View:: Not on view

20. Evening Pasture

Creator:: James Smetham, 1821–1889
Date:: ca. 1865
Materials & Techniques:: Oil on canvas
Dimensions:: 7 3/4 × 20 inches (19.7 × 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. A View near Norwich

Creator:: Thomas Lound, 1802–1861
Date:: ca. 1850
Materials & Techniques:: Oil on canvas
Dimensions:: 16 5/8 x 12 3/8 inches (42.2 x 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

22. An Italianate Landscape

Creator:: John White Abbott, 1763–1851
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 16 5/8 x 24 inches (42.2 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Mount Kennedy, County Wicklow, Ireland

Creator:: William Ashford, 1746–1824
Date:: 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 16 9/16 x 24 1/16 inches (42.1 x 61.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. The Low Lighthouse, North Shields

Creator:: Robert Salmon, 1775–ca.1845
Date:: 1828
Materials & Techniques:: Oil on panel
Dimensions:: 16 1/2 x 25 3/4 inches (41.9 x 65.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. A Wooded Landscape

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1833
Materials & Techniques:: Oil on artist's board mounted on panel
Dimensions:: 16 1/2 × 12 3/8 inches (41.9 × 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Woman in Japanese Dress

Creator:: Sir John Lavery, 1856–1941
Date:: 1883
Materials & Techniques:: Oil on panel
Dimensions:: 11 × 8 3/8 inches (27.9 × 21.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

27. Study of Rocks and Branches

Creator:: George Augustus Wallis, 1770–1847
Date:: between 1788 and 1806
Materials & Techniques:: Oil on paper
Dimensions:: 16 1/2 x 13 3/4 inches (41.9 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

28. Ruined House

Creator:: John Sell Cotman, 1782–1842
Date:: between 1807 and 1810
Materials & Techniques:: Oil on millboard, mounted on panel
Dimensions:: 16 1/2 x 13 3/4 inches (41.9 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground

Creator:: Thomas Robins the elder, 1715–1770
Date:: ca. 1755
Materials & Techniques:: Opaque watercolor on vellum
Dimensions:: Sheet: 16 3/8 x 24 3/8in. (41.6 x 61.9cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Hay-Makers

Creator:: George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Stipple engraving, second state
Dimensions:: Sheet: 16 11/16 x 21 13/16in. (42.4 x 55.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Strolling Actresses Dressing in a Barn

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 21 3/16in. (41.9 x 53.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

Creator:: William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 10 1/2in. (41.9 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. Tivoli with the Temple of the Sybil and the Cascades

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1796 and 1797
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 21 5/8 inches (41.9 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Sorrento

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 9/16 x 11 5/8 inches (42.1 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

36. Reggio

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 16 3/8 x 11 7/16 inches (41.6 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

37. The Bard Singing Owen's Praise (Design 89)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Fame (Design 93)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Mourner at the Tomb (Design 103)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "Oft did the harvest to their sickle yield..." (Design 109)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "And purple tyrants vainly groan..." (Design 37)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "To him the mighty mother did unveil Her awful face..." (Design 49)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Welch Bard (Design 53)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Bard Weaving Edwards Fate (Design 55)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Standard Bearer Fainting in the Routed Battle (Design 87)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "Midst the tide, Two angel forms were seen to glide..." (Design 7)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Hurry, hurry, to the field!" Design 75)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Serpent who Girds the Earth (Design 77)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "Him the dog of darkness spied..." (Design 79)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Three Fatal Sisters (Design 67)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Prophetess Rising from Her Grave (Design 81)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Elizabeth. "Girt with many a Baron bold..." (Design 63)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Sigtryg with the Silken Beard (Design 69)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "We the reins to slaughter give..." (Design 73)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Illustrations of The Book of Job, in Twenty-one Plates

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 16 1/2 inches (41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Bound volume of engravings in brown calf with marbled boards
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "Hie thee hence, and boast at home..." (Design 85)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "Fear to stop, and shame to fly..." (Design 91)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. 'The thunder if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. April 1950 (goblets)

2. James Romney

3. Studies of carrier pigeon

4. Red pied carrier

5. Multi-Colored Dots on a Gray Ground

6. After the Barge Race, Pin Mill

7. Peacocks, Doves, Turkeys, Chickens and Ducks by a Classical Ruin

8. St. Tropez

9. Revellers on a Coach

10. Portrait of Thomas Whythorne, Musician

11. Male Nude, Kneeling, from the Back

12. In the Forest at Fontainebleau

13. Dublin from Phoenix Park

14. Double Square

15. The Perivale Road

16. Evening Glow

17. Augustus Wall Callcott, R.A.

18. An Old Gable

19. Carding Wool

20. Evening Pasture

21. A View near Norwich

22. An Italianate Landscape

23. Mount Kennedy, County Wicklow, Ireland

24. The Low Lighthouse, North Shields

25. A Wooded Landscape

26. Woman in Japanese Dress

27. Study of Rocks and Branches

28. Ruined House

29. View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground

30. Hay-Makers

31. Human Skeleton, Lateral View

32. Strolling Actresses Dressing in a Barn

33. Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

34. Tivoli with the Temple of the Sybil and the Cascades

35. Sorrento

36. Reggio

37. The Bard Singing Owen's Praise (Design 89)

38. The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)

39. Fame (Design 93)

40. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

41. "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

42. Night the First. On Life, Death and Immortality; Title Page

43. 'Oft bursts my song beyond the bounds of life' (Page 16)

44. 'Tis greatly wise to talk with our past hours' (Page 31)

45. Night the Third. Narcissa; Title Page

46. The Mourner at the Tomb (Design 103)

47. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

48. "Oft did the harvest to their sickle yield..." (Design 109)

49. "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

50. "And purple tyrants vainly groan..." (Design 37)

51. "To him the mighty mother did unveil Her awful face..." (Design 49)

52. A Welch Bard (Design 53)

53. The Bard Weaving Edwards Fate (Design 55)

54. A Standard Bearer Fainting in the Routed Battle (Design 87)

55. "Midst the tide, Two angel forms were seen to glide..." (Design 7)

56. "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

57. "Hurry, hurry, to the field!" Design 75)

58. The Serpent who Girds the Earth (Design 77)

59. "Him the dog of darkness spied..." (Design 79)

60. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

61. The Three Fatal Sisters (Design 67)

62. The Prophetess Rising from Her Grave (Design 81)

63. Elizabeth. "Girt with many a Baron bold..." (Design 63)

64. Sigtryg with the Silken Beard (Design 69)

65. "We the reins to slaughter give..." (Design 73)

66. The Complaint, and the Consolation; or, Night Thoughts

67. Illustrations of The Book of Job, in Twenty-one Plates

68. The Complaint, and the Consolation; or, Night Thoughts

69. 'We censure nature for a span too short' (Page 23)

70. 'Behold him, when past by; what then is seen' (Page 25)

71. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

72. "Hie thee hence, and boast at home..." (Design 85)

73. "Fear to stop, and shame to fly..." (Design 91)

74. A Genius Driving Away "Comus & his midnight-crew..." (Design 95)