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William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Print made by William Blake, 1757–1827

"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "Condens'd his Emanations..." (Plate 9)

Print made by William Blake, 1757–1827

"Condens'd his Emanations..." (Plate 9)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake "Enitharmon slept. ..." (Plate 10)

Print made by William Blake, 1757–1827

"Enitharmon slept. ..." (Plate 10)

1794

William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)

Print made by William Blake, 1757–1827

"Albions Angel rose upon the Stone of Night..." (Plate 12)

1794

William Blake "Shot from the heights of Enitharmon..." (Plate 17)

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

William Blake "The shrill winds wake!..." (Plate 6)

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)

Print made by William Blake, 1757–1827

"Now comes the night of Enitharmons joy!..." (Plate 7)

1794

William Blake Famine (Plate 8)

Print made by William Blake, 1757–1827

Famine (Plate 8)

1794

William Blake "Arise 'O Rintrah eldest born..." (Plate 9)

Print made by William Blake, 1757–1827

"Arise 'O Rintrah eldest born..." (Plate 9)

1794

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 26)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Print made by William Blake, 1757–1827

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

1793

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake A Prophecy. "The deep of winter came..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The deep of winter came..." (Plate 5)

1794

William Blake Plague (Plate 13)

Print made by William Blake, 1757–1827

Plague (Plate 13)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Print made by William Blake, 1757–1827

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

1793

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

George Romney Mythological Group of Women and Children

George Romney, 1734–1802

Mythological Group of Women and Children

undated

George Romney David before Saul

George Romney, 1734–1802

David before Saul

undated

George Romney David Playing the Harp

George Romney, 1734–1802

David Playing the Harp

undated

George Romney The Accusation of Susanna by the Elders

George Romney, 1734–1802

The Accusation of Susanna by the Elders

undated

George Romney Sketches for "The Accusation of Susanna"

George Romney, 1734–1802

Sketches for "The Accusation of Susanna"

undated

George Romney The Accusation of Susanna

George Romney, 1734–1802

The Accusation of Susanna

ca. 1773

George Romney Bacchanalian Scene (Possibly Antediluvian)

George Romney, 1734–1802

Bacchanalian Scene (Possibly Antediluvian)

undated

William Callow Madonna with a Rabbit

William Callow, 1812–1908

Madonna with a Rabbit

undated

unknown artist Illustration to Tonson's Ovid Metamorphis (four of four)

unknown artist

Illustration to Tonson's Ovid Metamorphis (four of four)

ca. 1710

Sir James Thornhill A Design for a Ceiling

Sir James Thornhill, 1675–1734

A Design for a Ceiling

undated

Sir James Thornhill Neptune

Sir James Thornhill, 1675–1734

Neptune

undated

Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase

follower of Sir James Thornhill, 1675–1734

Diana and Actaeon: A Study for a Panel on a Staircase

undated

Mauritius Lowe An Allegory on the Plight of the Artist

Mauritius Lowe, 1746–1793

An Allegory on the Plight of the Artist

between 1772 and 1790

Benjamin West The Three Marys

Benjamin West, 1738–1820

The Three Marys

1783

Mauritius Lowe The Artist Assaulted by Time, Ignorance and Envy

Mauritius Lowe, 1746–1793

The Artist Assaulted by Time, Ignorance and Envy

between 1772 and 1790

Gavin Hamilton Andromache Mourning the Death of Hector

Gavin Hamilton, 1723–1798

Andromache Mourning the Death of Hector

between 1760 and 1763

Richard Westall The Seven Bishops Going To Trial

Richard Westall, 1765–1836

The Seven Bishops Going To Trial

1790

Peter Oliver Venus and Adonis

Peter Oliver, 1589–1647

Venus and Adonis

1631

John Hamilton Mortimer Saint Paul Preaching to the Britons

John Hamilton Mortimer, 1740–1779

Saint Paul Preaching to the Britons

between 1775 and 1778

Gavin Hamilton Achilles Lamenting the Death of Patroclus

Gavin Hamilton, 1723–1798

Achilles Lamenting the Death of Patroclus

between 1760 and 1763

James Miller A Christening at the Vatican with Swiss Papal Guard, etc.

Attributed to James Miller, active 1773–1814

A Christening at the Vatican with Swiss Papal Guard, etc

undated

Richard Westall Rosebud, or the Judgement of Paris

Richard Westall, 1765–1836

Rosebud, or the Judgement of Paris

1791

John Alexander Lot and His Family

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

Lydia Bates Deucalion and Pyrrha after the Flood

Print made by Lydia Bates, active 1784

Deucalion and Pyrrha after the Flood

1784

Thomas Watson The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen

Print made by Thomas Watson, 1743–1781

The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen

1776

Edward Fisher Lady Sarah Bunbury Sacrificing to the Graces

Print made by Edward Fisher, 1722–1785

Lady Sarah Bunbury Sacrificing to the Graces

ca. 1766

Frederik Christiaan Bierweiler De Kruisiging

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Kruisiging

ca. 1820

Frederik Christiaan Bierweiler De Begraving

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Begraving

ca. 1820

William Faithorne the Younger Mary Commended, Martha Reprehended

Print made by William Faithorne the Younger, ca. 1669–1703

Mary Commended, Martha Reprehended

between 1690 and 1703

unknown artist Meeting of Jacob and Esau

Print made by unknown artist

Meeting of Jacob and Esau

undated

William Faithorne the Younger Vertumnus and Pomonae

Print made by William Faithorne the Younger, ca. 1669–1703

Vertumnus and Pomonae

between 1690 and 1703

William Faithorne the Younger Juno and Iris

Print made by William Faithorne the Younger, ca. 1669–1703

Juno and Iris

between 1695 and 1703

William Faithorne the Younger Mary Commended, Martha Reprehended

Print made by William Faithorne the Younger, ca. 1669–1703

Mary Commended, Martha Reprehended

between 1752 and 1768

Jacob Gole Le Tombaux de Marie Magdeleine

Print made by Jacob Gole, 1660–1737

Le Tombaux de Marie Magdeleine

1690s

Robert Dunkarton Sisters Contemplating on Mortality

Print made by Robert Dunkarton, 1744–1811

Sisters Contemplating on Mortality

1770

Johann Ulrich Kraus A Bacchanian Scene

Print made by Johann Ulrich Kraus, 1655–1719

A Bacchanian Scene

undated

Bernard Lens II Narcissus

Print made by Bernard Lens II, 1659–1725

Narcissus

undated

Thomas Park Mrs. Jordan in the Character of the Comic Muse

Print made by Thomas Park, ca. 1760–1834

Mrs. Jordan in the Character of the Comic Muse

1787

William Faithorne the Younger Vertumnus and Pomonae

Print made by William Faithorne the Younger, ca. 1669–1703

Vertumnus and Pomonae

between 1690 and 1703

Bernard Lens II The Four Elements

Print made by Bernard Lens II, 1659–1725

The Four Elements

undated

Jacob Mannl Judith with the Head of Holofernes

Print made by Jacob Mannl, 1654–1712

Judith with the Head of Holofernes

undated

Bernard Lens II Nymphs Bathing

Print made by Bernard Lens II, 1659–1725

Nymphs Bathing

undated

John Franklin Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Print made by John Franklin, c.1800–1868

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

ca. 1825

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

David Allan Pilgrims Paying Their Devotion in St. Peters at Rome

Print made by David Allan, 1744–1796

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775