Genre: religious and mythological subject / Subject Terms: trees - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Genre religious and mythological subject

Subject Terms trees

Henry Howard Venus and Cupid

Henry Howard, 1769–1847

Venus and Cupid

1809

Not on view

John Atkinson Grimshaw "The Lady of Shalott"

John Atkinson Grimshaw, 1836–1893

"The Lady of Shalott"

ca. 1875

Not on view

Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus

Attributed to Michael Chuke, 1679–1742

The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus

ca. 1715

Not on view

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Print made by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Joseph Mallord William Turner Procris and Cephalus

Print made by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Print made by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

between 1813 and 1823

William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Print made by William Blake, 1757–1827

"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

1793

William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Print made by William Blake, 1757–1827

"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

1793

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 6)

1794

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

William Blake, 1757–1827

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

between 1797 and 1798

William Blake The Bard Weaving Edwards Fate (Design 55)

William Blake, 1757–1827

The Bard Weaving Edwards Fate (Design 55)

between 1797 and 1798

William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

William Blake, 1757–1827

"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

between 1797 and 1798

William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)

Print made by William Blake, 1757–1827

"Silent as despairing love, and strong as jealousy..." (Plate 4)

1793

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake III. "From a perception of only 3 senses..." (Plate 5)

Print made by William Blake, 1757–1827

III. "From a perception of only 3 senses..." (Plate 5)

ca. 1788

William Blake A Welch Bard (Design 53)

William Blake, 1757–1827

A Welch Bard (Design 53)

between 1797 and 1798

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

William Blake, 1757–1827

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

between 1797 and 1798

William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

William Blake, 1757–1827

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

between 1797 and 1798

William Blake Infant Joy (Plate 14)

Print made by William Blake, 1757–1827

Infant Joy (Plate 14)

1789

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

William Blake, 1757–1827

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

between 1797 and 1798

William Blake Spring (Plate 26)

Print made by William Blake, 1757–1827

Spring (Plate 26)

1789

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake A Widower and Children (Design 35)

William Blake, 1757–1827

A Widower and Children (Design 35)

between 1797 and 1798

William Blake Songs of Innocence, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

William Blake The Divine Image (Plate 12)

Print made by William Blake, 1757–1827

The Divine Image (Plate 12)

1789

William Blake The Little Boy Lost (Plate 20)

Print made by William Blake, 1757–1827

The Little Boy Lost (Plate 20)

1789

William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Print made by William Blake, 1757–1827

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

1793

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon

John Martin, 1789–1854

The Daughters of Jerusalem Weeping by the Waters of Babylon

1834

John Martin The Rising of the Waters

Attributed to John Martin, 1789–1854

The Rising of the Waters

undated

John Martin The Baptism of Christ

Attributed to John Martin, 1789–1854

The Baptism of Christ

undated

John Martin The Woman at the Well

Attributed to John Martin, 1789–1854

The Woman at the Well

undated

John Martin Christ with Three Figures

Attributed to John Martin, 1789–1854

Christ with Three Figures

undated

John Martin The Rescue of Lot

John Martin, 1789–1854

The Rescue of Lot

1833

John Martin Adam and Eve

attributed to John Martin, 1789–1854

Adam and Eve

undated

John Martin Cain and Abel

Attributed to John Martin, 1789–1854

Cain and Abel

undated

William Callow Madonna with a Rabbit

William Callow, 1812–1908

Madonna with a Rabbit

undated

Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis

Hablot Knight Browne, 1815–1882

One of eighteen designs for a series of plates illustrating Venus and Adonis

undated

Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis

Hablot Knight Browne, 1815–1882

One of eighteen designs for a series of plates illustrating Venus and Adonis

undated

Master of the Giants Apollo and Daphne

Master of the Giants, active 1779

Apollo and Daphne

between 1770 and 1799

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723

Jupiter and Callisto: Ovid, Metamorphoses, Book 2

ca. 1723

Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase

follower of Sir James Thornhill, 1675–1734

Diana and Actaeon: A Study for a Panel on a Staircase

undated

William P. Sherlock The Rape of Persephone

William P. Sherlock, c.1780–1850

The Rape of Persephone

undated

unknown artist Classical Scene: Minerva as the Goddess of Arts and Sciences

unknown artist

Classical Scene: Minerva as the Goddess of Arts and Sciences

undated

unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (two of four)

ca. 1710

John Raphael Smith Madona col Bambino

Print made by John Raphael Smith, 1752–1812

Madona col Bambino

1791

Richard Earlom Alope

Print made by Richard Earlom, 1743–1822

Alope

1787

Bernard Lens II The Holy Family

Print made by Bernard Lens II, 1659–1725

The Holy Family

undated

Bernard Lens II Nymphs Bathing

Print made by Bernard Lens II, 1659–1725

Nymphs Bathing

undated

Bernard Lens II Madonna, Child, and Angel

Print made by Bernard Lens II, 1659–1725

Madonna, Child, and Angel

undated

Bernard Lens II Madonna, Child, and Angel

Print made by Bernard Lens II, 1659–1725

Madonna, Child, and Angel

undated

Bernard Lens II Tobit and the Angel

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

Bernard Lens II Bacchus

Print made by Bernard Lens II, 1659–1725

Bacchus

undated

Bernard Lens II A Satyr Family

Print made by Bernard Lens II, 1659–1725

A Satyr Family

undated

Bernard Lens II A Satyr Family

Print made by Bernard Lens II, 1659–1725

A Satyr Family

undated

Bernard Lens II Bacchus

Print made by Bernard Lens II, 1659–1725

Bacchus

undated

Bernard Lens II Flora and Putti

Print made by Bernard Lens II, 1659–1725

Flora and Putti

undated

Bernard Lens II Acteon and Diana

Print made by Bernard Lens II, 1659–1725

Acteon and Diana

undated

Bernard Lens II Tobit and the Angel

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

Bernard Lens II The Judgement of Paris

Print made by Bernard Lens II, 1659–1725

The Judgement of Paris

undated

John Simon Christ and the Woman of Samaria

Print made by John Simon, 1675–1751

Christ and the Woman of Samaria

undated

John Simon The Devout

Print made by John Simon, 1675–1751

The Devout

undated

Robert Robinson Elijah

Print made by Robert Robinson, active 1674–1706

Elijah

undated

unknown artist St. Francis

Print made by unknown artist

St. Francis

between 1681 and 1688