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Genre religious and mythological subject
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1
- Venus and Cupid
- 1809
- Not on view
2
- "The Lady of Shalott"
- ca. 1875
- Not on view
3
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
4
- The Vine
- 1852
5
- The Vine
- 1852
6
- The Vine
- 1852
7
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
8
- The Morning of Life
- 1860-1861
9
- The Vine
- 1852
10
- Procris and Cephalus
- 1812
11
- Jason
- 1807
12
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
13
- Glaucus and Scylla
- 1813 to 1823
14
- Christ and the Woman of Samaria
- 1819
15
- Apuleia in Search of Apuleius
- between 1813 and 1823
16
- Glaucus and Scylla
- between 1813 and 1823
17
- Glaucus and Scylla
- between 1813 and 1823
18
- Apuleia in Search of Apuleius
- between 1813 and 1823
19
- The Deluge
- between 1813 and 1823
20
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
21
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
22
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
23
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
24
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
25
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
26
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
27
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
28
- Title Page, The First Book of Urizen (Plate 1)
- 1794
29
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
30
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
31
- Frontispiece (Plate 1)
- ca. 1788
32
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
33
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
34
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
35
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
36
- Aged Ignorance (Plate 13)
- 1826
37
- "I found him beneath a Tree" (Plate 3)
- 1826
38
- Water (Plate 4)
- 1826
39
- "My son! my Son!" (Plate 10)
- 1826
40
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
41
- A Widower and Children (Design 35)
- between 1797 and 1798
42
- A Welch Bard (Design 53)
- between 1797 and 1798
43
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
44
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
45
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
46
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
47
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
48
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
49
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
50
- The Little Boy Lost (Plate 20)
- 1789
51
- Spring (Plate 26)
- 1789
52
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
53
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
54
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
55
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
56
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
57
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
58
- The Divine Image (Plate 12)
- 1789
59
- Infant Joy (Plate 14)
- 1789
60
- Alas! (Plate 9)
- 1826
61
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
62
- Florence, from the Chiesa al Monte
- 1820
63
- Florence, from the Chiesa al Monte
- 1820
64
- Lot and His Family
- ca. 1718
65
- A Large Christmas Card
- 1895
66
- The Arts
- undated
67
- Cain and Abel
- undated
68
- Adam and Eve
- undated
69
- The Rising of the Waters
- undated
70
- Mercury
- 1777
71
- Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'
- 1762
72
- Prométhée
- undated
73
- Cupid in Masquerade
- undated
74
- A Bacchanian Scene
- undated
75
- Tobit and the Angel
- undated
76
- The Devout
- undated
77
- Bacchus and Ariadne
- undated
78
- Diana and Acteon
- 1705
79
- Virgin and Child
- undated
80
- The Rescue of Lot
- 1833
81
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
82
- Christ with Three Figures
- undated
83
- The Woman at the Well
- undated
84
- The Baptism of Christ
- undated
85
- Apollo and Daphne
- between 1770 and 1799
86
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
87
- Madonna with a Rabbit
- undated
88
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
89
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
90
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
91
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
92
- The Rape of Persephone
- undated
93
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
94
- Deucalion and Pyrrha after the Flood
- 1784
95
- Florence, from the Chiesa al Monte
- 1820
96
- An Allegory of Love
- Undated
97
- Venus, after Masters of Tarrochi
- undated
98
- Pamphilia
- undated
99
- Study for Saint Sebastian
- undated
100
- Venus and Adonis
- between 1680 and 1725