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Genre religious and mythological subject

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Subject Terms stone

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Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake The First Book of Urizen, Plate 15 (Bentley 14)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
William Faithorne the Younger The Crucifixion
Print made by William Faithorne the Younger, ca. 1669–1703
The Crucifixion
undated
Prince Hoare Prometheus
Prince Hoare, 1755–1834
Prometheus
undated
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Valentine Green Saint Jerome
Print made by Valentine Green, 1739–1813
Saint Jerome
1777
Charles Robert Cockerell The Temple of Aphaia at Aegina: Structural Details
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Structural Details
after 1832