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Genre religious and mythological subject
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1
- The Rock of Salvation
- 1837
- Not on view
2
- Jacob's Dream
- 1705
- Not on view
3
- Joshua Commanding the Sun to Stand Still
- ca. 1840
- Not on view
4
- The Judgement of Korah, Dathan and Abiram
- ca. 1801
- Not on view
5
- The Rape of Proserpine, design for the staircase of Devonshire House, London
- ca. 1704
- Not on view
6
- The Last Judgement (study)
- between 1851 and 1853
- Not on view
7
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
8
- The Angel Binding Satan
- ca. 1797
- Not on view
9
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
10
- The Fifth Plague of Egypt
- 1808
11
- The Fifth Plague of Egypt
- 1808
12
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
13
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
14
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
15
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
16
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
17
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
18
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
19
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
20
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
21
- Frontispiece. Albion's Angel (Plate 1)
- 1793
22
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
23
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
24
- Title Page. America, A Prophecy (Plate 2)
- 1793
25
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
26
- "To the Christians..." (Plate 77)
- 1804 to 1820
27
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
28
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
29
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
30
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
31
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
32
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
33
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
34
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
35
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
36
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
37
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
38
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
39
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
40
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
41
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
42
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
43
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
44
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
45
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
46
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
47
- The Christian Triumph; Title Page
- 1797
48
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
49
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
50
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
51
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
52
- "The shrill winds wake!..." (Plate 6)
- 1794
53
- "Arise 'O Rintrah eldest born..." (Plate 9)
- 1794
54
- Air (Plate 6)
- 1826
55
- "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
- 1794
56
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
57
- "Help! Help!" (Plate 12)
- 1826
58
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
59
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
60
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
61
- Moses Receiving the Law
- ca. 1780
62
- Satan Approaching the Court of Chaos
- 1784 to 1785
63
- Abraham and Isaac
- 1799 to 1800
64
- The Parable of the Wise and Foolish Virgins
- ca. 1825
65
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
66
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
67
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
68
- The Fall of Phaeton: A Study for a Ceiling
- undated
69
- Design for a Ceiling at Addiscombe: Bacchus and Ariadne
- undated
70
- Joshua Commanding the Sun to Stand Still
- 1818
71
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715
72
- The Birth of Venus
- undated
73
- Sketch for the Oil Painting "The Conversion of St. Paul"
- undated
74
- Study for Ceiling: Apollo and other Figures
- undated
75
- The Rescue of Lot
- 1833
76
- The Walls of Jericho
- 1834
77
- The Assumption
- undated
78
- Design for a Ceiling
- undated
79
- Pamphilia
- undated
80
- Hebe
- 1785
81
- Hebe
- 1785
82
- Cupid and Psyche
- 1816
83
- Love
- c.1813
84
- The Infant Jupiter
- 1775
85
- Mrs. Sheridan as 'St. Cecilia'
- 1776
86
- Hebe
- 1780
87
- Adonis dies in the arms of Venus
- undated
88
- The Calling of Samuel
- 1783
89
- Guardian Angels
- 1786
90
- Eve
- undated
91
- Cupid Wounded
- 1801
92
- Apollo and Phaeton
- undated
93
- Mrs. Blake as Juno
- 1771
94
- De Hemelvaart
- ca. 1820
95
- Miss O'Neill as Hebe
- 1811
96
- The Crucifixion
- undated
97
- Juno and Iris
- between 1695 and 1703
98
- Sisters Contemplating on Mortality
- 1770
99
- Juno
- undated
100
- Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
- between 1762 and 1764