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Genre religious and mythological subject
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1
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
2
- The Rock of Salvation
- 1837
- Not on view
3
- The Rape of Proserpine, design for the staircase of Devonshire House, London
- ca. 1704
- Not on view
4
- The Judgement of Korah, Dathan and Abiram
- ca. 1801
- Not on view
5
- Joshua Commanding the Sun to Stand Still
- ca. 1840
- Not on view
6
- Jacob's Dream
- 1705
- Not on view
7
- The Angel Binding Satan
- ca. 1797
- Not on view
8
- The Last Judgement (study)
- between 1851 and 1853
- Not on view
9
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
10
- The Fifth Plague of Egypt
- 1808
11
- The Fifth Plague of Egypt
- 1808
12
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
13
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
14
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
15
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
16
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
17
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
18
- Frontispiece. Albion's Angel (Plate 1)
- 1793
19
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
20
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
21
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
22
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
23
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
24
- "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
- 1794
25
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
26
- "The shrill winds wake!..." (Plate 6)
- 1794
27
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
28
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
29
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
30
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
31
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
32
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
33
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
34
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
35
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
36
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
37
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
38
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
39
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
40
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
41
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
42
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
43
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
44
- "Arise 'O Rintrah eldest born..." (Plate 9)
- 1794
45
- "Help! Help!" (Plate 12)
- 1826
46
- Title Page. America, A Prophecy (Plate 2)
- 1793
47
- Air (Plate 6)
- 1826
48
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
49
- "To the Christians..." (Plate 77)
- 1804 to 1820
50
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
51
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
52
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
53
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
54
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
55
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
56
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
57
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
58
- The Christian Triumph; Title Page
- 1797
59
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
60
- The Parable of the Wise and Foolish Virgins
- ca. 1825
61
- Abraham and Isaac
- 1799 to 1800
62
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
63
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
64
- Moses Receiving the Law
- ca. 1780
65
- Satan Approaching the Court of Chaos
- 1784 to 1785
66
- Iris
- 1808
67
- Charon's Boat
- between 1838 and 1850
68
- Intemperance
- undated
69
- Cupid Wounded
- 1801
70
- Eve
- undated
71
- A Spanish Good Friday
- 1925
72
- Allegorical Scene
- undated
73
- Allegorical Scene
- undated
74
- Five Vignettes of Scenes from Antiquity
- undated
75
- Bachanalia Scene
- undated
76
- Job's Despair
- undated
77
- The Vision of Eliphaz
- undated
78
- Putto Holding a Torch
- undated
79
- Apollo and Phaeton
- undated
80
- Pamphilia
- undated
81
- Juvenis auscultans seni de divinis admonenti
- 1764
82
- Atalanta and Hippomanes
- 1763
83
- St. Cecilia
- 1784
84
- The Virgin in the Clouds and Six Saints
- 1742
85
- Peter and John Going to the Sepulchre
- 1784
86
- The Three Marys Going to the Sepulchre
- 1784
87
- Niobe
- 1792
88
- Hebe
- 1782
89
- Venus Chiding Cupid
- 1784
90
- Death on a Pale Horse
- ca. 1775
91
- Ticket to Westminster Abbey
- before 1791
92
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
93
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715
94
- Town and Country Magazine - Frontispiece for Vol. IV, 1772
- undated
95
- Study of Abraham Being Tested by God
- undated
96
- The Crucifixion
- undated
97
- Nymphs Bathing
- undated
98
- Venus Presenting Armour to Aeneas
- undated
99
- Salvator Mundi
- undated
100
- Flora and Putti
- undated