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1
- Apuleia in Search of Apuleius
- between 1813 and 1823
2
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
3
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
4
- Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
- 1794
5
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
6
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
7
- Air (Plate 6)
- 1826
8
- "Does thy God O Priest take such vengeance as this?" (Plate 14)
- 1826
9
- "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
- 1826
10
- Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
- 1794
11
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
12
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
13
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
14
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
15
- On Anothers Sorrow (Plate 24)
- 1789
16
- Laughing Song (Plate 28)
- 1789
17
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
18
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
19
- Frontispiece (Plate 1)
- ca. 1788
20
- The Ecchoing Green (Plate 10)
- 1789
21
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
22
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
23
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
24
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
25
- Water (Plate 4)
- 1826
26
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
27
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
28
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
29
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
30
- Spring, from Songs of Innocence
- ca. 1795
31
- Lear Awakened by Cordelia
- between 1774 and 1775
32
- Lear Awakened by Cordelia
- ca. 1774
33
- Scene Illustration: Milton's 'L'Allegro'
- between 1860 and 1885
34
- Unidentified Periodical / Play Illustration
- undated
35
- Unidentified Periodical / Play Illustration
- undated
36
- Claudio and Isabella
- 1823
37
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
38
- Hotspur and the Plotters at Bangor
- 1825
39
- The Death of Ophelia
- ca. 1810
40
- Oberon and Puck
- 1825
41
- Launce with his Dog Crab
- ca. 1821
42
- Lady Mortimer's Welsh Song
- 1825
43
- Falstaff with Mistress Quickly and Bardolph
- 1825
44
- Study for The Wedding Feast of Sir Degrevaunt
- undated
45
- "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
- 1839
46
- Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
- 1839
47
- Mrs. Sheppard Expostulating with her Son
- 1839
48
- Death's Door
- 1808, published 1813
49
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
50
- Falstaff and his Friends
- ca. 1868
51
- 'The Gamester,' Act V, Scene IV
- 1792
52
- Audacity of Jack Sheppard
- 1839
53
- Prospero and Miranda
- 1781
54
- Lear and Cordelia
- ca. 1781
55
- The Grave, A Poem, by Robert Blair
- 1808
56
- The Grave, A Poem, by Robert Blair
- 1808
57
- The Grave, A Poem, by Robert Blair
- 1808