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Genre literary theme
Remove constraint Genre: literary themeSubject Terms religious and mythological subject
Remove constraint Subject Terms: religious and mythological subjectSearch Results
1
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
2
- "The Lady of Shalott"
- ca. 1875
- Not on view
3
- The Lady of Shalott
- 1862
- Not on view
4
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
5
- The Cave of Despair
- 1772
- Not on view
6
- Cymon and Iphigenia
- ca. 1766
- Not on view
7
- Sylvia and the Wounded Stag
- 1824
- Not on view
8
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
9
- The Vine
- 1852
10
- Apuleia in Search of Apuleius
- between 1813 and 1823
11
- The Deluge
- between 1813 and 1823
12
- Aesacus and Hesperie
- 1819
13
- Procris and Cephalus
- 1812
14
- Apuleia in Search of Apuleius
- between 1813 and 1823
15
- 'We censure nature for a span too short' (Page 23)
- 1797
16
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
17
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
18
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
19
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
20
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
21
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
22
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
23
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
24
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
25
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
26
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
27
- 'The present moment terminates our sight' (Page 13)
- 1797
28
- 'The longest night though longer far, would fail' (Page 15)
- 1797
29
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
30
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
31
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
32
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
33
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
34
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
35
- Night the Third. Narcissa; Title Page
- 1797
36
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
37
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
38
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
39
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
40
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
41
- Ode on the Spring; Title Page
- between 1797 and 1798
42
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
43
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
44
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
45
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
46
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
47
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
48
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
49
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
50
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
51
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
52
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
53
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
54
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
55
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
56
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
57
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
58
- The Christian Triumph; Title Page
- 1797
59
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
60
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
61
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
62
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
63
- 'Disease invades the chastest temperence' (Page 10)
- 1797
64
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
65
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
66
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
67
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
68
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
69
- Ode to Adversity; Title Page
- between 1797 and 1798
70
- The Progress of Poesy, A Pindaric Ode; Title Page
- between 1797 and 1798
71
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
72
- The Bard, A Pindaric Ode; Title Page
- between 1797 and 1798
73
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
74
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
75
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
76
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
77
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
78
- The Fatal Sisters, An Ode; Title Page
- between 1797 and 1798
79
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
80
- Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
- between 1797 and 1798
81
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
82
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
83
- The Descent of Odin, An Ode; Title Page
- between 1797 and 1798
84
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
85
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
86
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
87
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
88
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
89
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
90
- Ode for Music, Performed in the Senate-House; Title Page
- between 1797 and 1798
91
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
92
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
93
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
94
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
95
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
96
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
97
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
98
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
99
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
100
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820