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1
- Susannah Maria Cibber (née Arne) as Cordelia
- 1755
- Not on view
2
- Gulliver Addressing the Houyhnhnms
- 1769
- Not on view
3
- Opening the Fold
- 1880
4
- The Fifth Plague of Egypt
- 1808
5
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
6
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
7
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
8
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
9
- The Christian Triumph; Title Page
- ca. 1797
10
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
11
- Frontispiece (Plate 1)
- 1793
12
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
13
- "Help! Help!" (Plate 12)
- 1826
14
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
15
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
16
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
17
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
18
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
19
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
20
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
21
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
22
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
23
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
24
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
25
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
26
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
27
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
28
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
29
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
30
- The Lamb (Plate 8)
- 1789
31
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
32
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
33
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
34
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
35
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
36
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
37
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
38
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
39
- "To the Christians..." (Plate 77)
- 1804 to 1820
40
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
41
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
42
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
43
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
44
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
45
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
46
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
47
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
48
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
49
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
50
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
51
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
52
- The Christian Triumph; Title Page
- 1797
53
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
54
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
55
- Air (Plate 6)
- 1826
56
- Satan Approaching the Court of Chaos
- 1784 to 1785
57
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
58
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
59
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
60
- Miranda, Prospero, and Caliban: The Tempest
- undated
61
- Falstaff Instructing Bardolph
- 1825
62
- Macbeth and Banquo on the Heath
- ca. 1830
63
- Hamlet
- 1809
64
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
65
- Venus Presenting Armour to Aeneas
- undated
66
- The Fatal Bellman
- 1827
67
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
68
- Dog and the Shadow
- 1909
69
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
70
- The Death of Ophelia
- ca. 1810
71
- Sleepest or Wakest Thou?
- ca. 1853
72
- The Death of the Good Old Man
- 1808, published 1813
73
- Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
- between 1762 and 1764
74
- The Dreams of the Youthful Shakespeare
- 1827
75
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
76
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
77
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
78
- Illustration to Homer's Iliad
- 1723
79
- Lear in the Storm
- undated
80
- Celadon and Amelia
- 1766
81
- The Judgement of Paris
- undated
82
- Queen Katherine's Dream - "Henry VIII"
- 1788
83
- The Day of Judgment
- 1808, published 1813
84
- Mrs. Yates in the Character of Medea
- after 1771
85
- Ashestiel
- 1835
86
- Macbeth and the Apparition of the Armed Head
- ca. 1820
87
- Ferdinand and Ariel
- ca. 1781
88
- A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
- ca. 1830
89
- The Three Witches from Macbeth: Though the Bark Cannot be Lost..
- ca. 1781
90
- Opening the Fold
- plate etched in 1880; impression printed in 1920
91
- Opening the Fold
- plate etched in 1880; impression printed in 1926
92
- The Meeting of a Family in Heaven
- 1808
93
- The Day of Judgment
- 1808
94
- Pilgrim's Progress Illustrated, Uncut Panorama
- ca. 1820