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1
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
2
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
3
- Herne's Oak from 'The Merry Wives of Windsor,' V, v
- ca. 1857
- Not on view
4
- The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
5
- Cymon and Iphigenia
- ca. 1766
- Not on view
6
- Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
- 1863
- Not on view
7
- Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
- ca. 1799
- Not on view
8
- Birth of Man
- undated
9
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
10
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
11
- Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
- 1794
12
- What is Man!, Frontispiece (Plate 1)
- 1793
13
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
14
- The Little Black Boy (Plate 30)
- 1789
15
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
16
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
17
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
18
- A Widower and Children (Design 35)
- between 1797 and 1798
19
- The Lamb (Plate 8)
- 1789
20
- Infant Joy (Plate 14)
- 1789
21
- A Cradle Song (Plate 18)
- 1789
22
- Nurse's Song (Plate 22)
- 1789
23
- On Anothers Sorrow (Plate 24)
- 1789
24
- Songs of Innocence, Title Page (Plate 2)
- 1789
25
- The Little Boy Lost (Plate 20)
- 1789
26
- Spring (Plate 26)
- 1789
27
- The Divine Image (Plate 12)
- 1789
28
- Laughing Song (Plate 28)
- 1789
29
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
30
- "To the Christians..." (Plate 77)
- 1804 to 1820
31
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
32
- Songs of Experience, Frontispiece (Plate 32)
- 1794
33
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
34
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
35
- 'The present moment terminates our sight' (Page 13)
- 1797
36
- A Circular Dance (Design 23)
- between 1797 and 1798
37
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
38
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
39
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
40
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
41
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
42
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
43
- Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
- 1794
44
- Frontispiece, "What is Man!" (Plate 2)
- 1826
45
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
46
- "I want! I want!" (Plate 11)
- 1826
47
- Aged Ignorance (Plate 13)
- 1826
48
- "Fear & hope are -- Vision" (Plate 15)
- 1826
49
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
50
- "I found him beneath a Tree" (Plate 3)
- 1826
51
- Alas! (Plate 9)
- 1826
52
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
53
- Praying Child and Howling Dog (Plate 25)
- 1794
54
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
55
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
56
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
57
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
58
- Praying Child and Howling Dog (Plate 24)
- 1794
59
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
60
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
61
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
62
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
63
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
64
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
65
- Songs of Innocence, Title Page (Plate 2)
- 1789
66
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
67
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
68
- Night the First. On Life, Death and Immortality; Title Page
- 1797
69
- 'We censure nature for a span too short' (Page 23)
- 1797
70
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
71
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
72
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
73
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
74
- The Ecchoing Green (Plate 10)
- 1789
75
- The Little Girl Found (Plate 6)
- 1789
76
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
77
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
78
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
79
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
80
- Spring, from Songs of Innocence
- ca. 1795
81
- Pity
- ca. 1795
82
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
83
- Study for Burying the Royal Children
- ca. 1790
84
- Apotheosis of Shakespeare's Characters
- 1871
85
- Greatheart's Battle with Grim
- undated
86
- Title page for "The Guardian"
- undated
87
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
88
- Twelve Illustrations of Robinson Crusoe
- 1783
89
- Scene Illustration: Milton's 'L'Allegro'
- between 1860 and 1885
90
- Falstaff at Herne's Oak
- 1821
91
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
92
- Mr. Wood Offers to Adopt Little Jack Sheppard
- 1835
93
- The Battle of the Cataplasm
- between 1773 and 1817
94
- The Infant
- 1824
95
- The School-Boy
- 1824
96
- Mr. Garrick in "The Farmer's Return"
- 1766
97
- Shakespeare Sacrificed; or, The Offering to Avarice
- 1789
98
- Richard III: Act IV, Scene III, Tower of London
- 1795
99
- Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
- 1797
100
- The Descent of Man into the Vale of Death
- 1808, published 1813