Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
702
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
703
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
704
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
705
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
706
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
707
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
708
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
709
James Watson, 1740–1790
L'Allegro
undated
710
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
711
Print made by James Baylis Allen, 1803–1876
Loch Leven Castle
1844
712
Print made by William Miller, 1796–1882
Abbotsford
1841
713
Print made by John Cousen, 1804–1880
Ehrenbreitstein
between 1859 and 1879
714
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
715
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
716
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
717
Francesco Bartolozzi, 1728–1815
Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background