- Title:
- Fingal's Cave, Staffa
- Additional Title(s):
- Vignette to 'Lord of the Isles'
- Part Of:
- Date:
- 1833
- Materials & Techniques:
- Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm), Plate: 8 1/4 × 6 inches (21 × 15.2 cm), Chine collé: 7 7/8 × 5 5/8 inches (20 × 14.3 cm), Image: 4 3/4 × 3 1/4 inches (12.1 × 8.3 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in graphite, lower left: "R.512"; inscribed on verso in graphite, lower center: "1833 | Scotts' Poems 2nd state"
Lettered below image, lower left: "J.M.W. Turner R.A."; lower right: "E. Goodall"; lower center: "Staffa | EDINBURGH; PUBLISHED 1833, BY ROBERT CADELL, | AND MOON, BOYS & GRAVES, LONDON"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1977.14.13669
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Subject Terms:
- basalt | cave | geology | island | landscape | ocean | rocks (landforms) | sea | water | waves (natural events)
- Associated Places:
- Argyll and Bute | Europe | Scotland | Staffa | United Kingdom
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:39548
- Export:
- XML
- IIIF Manifest:
- JSON
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31) [YCBA Objects in the Exhibition] [Exhibition Description]
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09) [YCBA Objects in the Exhibition]
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01) [YCBA Objects in the Exhibition] [Exhibition Description]
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) [YCBA Objects in the Exhibition]
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25) [YCBA Objects in the Exhibition]
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900 (exhibition and label text), , New Haven, 2006, [ p. 63], V 1699:1 (YCBA) [YCBA]
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 23, 28, V 1699 (YCBA) [YCBA]
Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 34, 48, no. 130, NJ18 .T85 L44 1993 (YCBA) [YCBA]
Sebastian Mitchell, Celtic Postmodernism : Ossian and Contemporary Art, , Translation and Literature, vol. 22, November 2013, pp. 422, 424, Available online (Orbis) Edinburgh Unisersity Press [ORBIS]
Duncan Robinson, Fairest isle : the appreciation of British scenery, 1750-1850, , Yale Center for British Art, New Haven, 1989, p. 17, no. 134, ND1354.4 F35 (YCBA) [YCBA]