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1
- The Horse
- ca. 1805
- Not on view
2
- "The Lady of Shalott"
- ca. 1875
- Not on view
3
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
4
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
5
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
6
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
7
- The Vine
- 1852
8
- The Sepulchre
- between 1880 and 1883
9
- The Lonely Tower
- 1879
10
- The Sleeping Shepherd
- 1857
11
- Opening the Fold
- 1880
12
- The Lonely Tower
- 1879
13
- The Deluge
- between 1813 and 1823
14
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
15
- Apuleia in Search of Apuleius
- between 1813 and 1823
16
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
17
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
18
- Infant Joy (Plate 14)
- 1789
19
- Spring (Plate 26)
- 1789
20
- Laughing Song (Plate 28)
- 1789
21
- A Dream (Plate 4)
- 1789
22
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
23
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
24
- Alas! (Plate 9)
- 1826
25
- Frontispiece (Plate 1)
- ca. 1788
26
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
27
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
28
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
29
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
30
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
31
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
32
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
33
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
34
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
35
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
36
- Aged Ignorance (Plate 13)
- 1826
37
- Title Page, The First Book of Urizen (Plate 1)
- 1794
38
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
39
- The Author Writing (Design 105)
- between 1797 and 1798
40
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
41
- "I found him beneath a Tree" (Plate 3)
- 1826
42
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
43
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
44
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
45
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
46
- A Welch Bard (Design 53)
- between 1797 and 1798
47
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
48
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
49
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
50
- "My son! my Son!" (Plate 10)
- 1826
51
- Water (Plate 4)
- 1826
52
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
53
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
54
- The Little Boy Lost (Plate 20)
- 1789
55
- Introduction (Plate 3)
- 1789
56
- The Lamb (Plate 8)
- 1789
57
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
58
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
59
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
60
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
61
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
62
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
63
- A Widower and Children (Design 35)
- between 1797 and 1798
64
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
65
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
66
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
67
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
68
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
69
- The Divine Image (Plate 12)
- 1789
70
- Nurse's Song (Plate 22)
- 1789
71
- On Anothers Sorrow (Plate 24)
- 1789
72
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
73
- My Son! My Son! (Plate 10)
- 1793
74
- Songs of Innocence, Title Page (Plate 2)
- 1789
75
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
76
- Title Page, The First Book of Urizen (Plate 1)
- 1794
77
- Chapter II, "Muster around the bleak desarts..." (Plate 4)
- 1794
78
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
79
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
80
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
81
- Songs of Experience, Frontispiece (Plate 32)
- 1794
82
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
83
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
84
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
85
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
86
- The Little Black Boy (Plate 30)
- 1789
87
- Spring, from Songs of Innocence
- ca. 1795
88
- The Shepherd, from Songs of Innocence
- ca. 1795
89
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
90
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
91
- Falstaff Dragging the Body of Hotspur
- 1825
92
- The Murder of Banquo
- ca. 1830
93
- Design for Love's Labour's Lost
- 1839
94
- Gulliver Bound by the Lilliputians
- undated
95
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
96
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
97
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
98
- Mrs. Abington as Thalia
- ca. 1783
99
- Shakespeare Illustration: "Measure for Measure"
- undated
100
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772