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William Blake The Horse

William Blake, 1757–1827

The Horse

ca. 1805

Not on view

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "When those who disregard all Mortal Things..." (Plate 55)

Print made by William Blake, 1757–1827

"When those who disregard all Mortal Things..." (Plate 55)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Print made by William Blake, 1757–1827

"I see thy Form O lovely mild Jerusalem..." (Plate 86)

1804 to 1820

William Blake "The Feminine separates from the Masculine..." (Plate 90)

Print made by William Blake, 1757–1827

"The Feminine separates from the Masculine..." (Plate 90)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

William Blake "Elevate into the Region of Brotherhood..." (Plate 34)

Print made by William Blake, 1757–1827

"Elevate into the Region of Brotherhood..." (Plate 34)

1804 to 1820

William Blake "With one accord in love sublime..." (Plate 44)

Print made by William Blake, 1757–1827

"With one accord in love sublime..." (Plate 44)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Print made by William Blake, 1757–1827

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Print made by William Blake, 1757–1827

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

Robert Wallis Kelso

Print made by Robert Wallis, 1794–1878

Kelso

1834

Edward Goodall Johnnie Armstrong's Tower

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

William John Cooke Newark Castle

Print made by William John Cooke, 1797–1865

Newark Castle

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Chiefswood Cottage

Print made by William Miller, 1796–1882

Chiefswood Cottage

1835

Edward Goodall Smailholm Tower

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Robert Brandard Jedburgh Abbey

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

John Horsburgh Bemerside Tower

Print made by John Horsburgh, 1791–1869

Bemerside Tower

1834

John Horsburgh Ashestiel

Print made by John Horsburgh, 1791–1869

Ashestiel

1834

William Miller Edinburgh from Blackford Hill

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Edward Goodall Fingal's Cave, Staffa

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Henry Le Keux Abbotsford

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

John Horsburgh Shakespeare's Monument at the Church at Stratford upon Avon

Print made by John Horsburgh, 1791–1869

Shakespeare's Monument at the Church at Stratford upon Avon

1834

William Miller The Rhymer's Glen

Print made by William Miller, 1796–1882

The Rhymer's Glen

1835

William Miller A Garden

Print made by William Miller, 1796–1882

A Garden

1834

Edward Goodall A Village – Evening

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Edward Webb Bowes Tower

Print made by Edward Webb, active 1805–1854

Bowes Tower

1834

John Horsburgh Mayburgh

Print made by John Horsburgh, 1791–1869

Mayburgh

1834

William Miller Berwick-upon-Tweed

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Edward Goodall Valombre

Print made by Edward Goodall, 1795–1870

Valombre

1834

William Strang The Miracle of Purun Bhagat

Print made by William Strang, 1859–1921

The Miracle of Purun Bhagat

1900

Edward Goodall The Alps at Daybreak

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Edward Goodall A Village Fair

Print made by Edward Goodall, 1795–1870

A Village Fair

1834

William Miller An Old Manor House

Print made by William Miller, 1796–1882

An Old Manor House

1834

Edward Goodall St. Pierre's Cottage

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Edward Goodall St. Anne's Hill, No. II

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Edward Goodall Columbus Setting Sail

Print made by Edward Goodall, 1795–1870

Columbus Setting Sail

1834

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Edward Goodall St. Anne's Hill, No. II

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Edward Goodall The Vision of Columbus

Print made by Edward Goodall, 1795–1870

The Vision of Columbus

1834

Edward Goodall The Vision of Columbus

Print made by Edward Goodall, 1795–1870

The Vision of Columbus

1834

Edward Goodall Datur Hora Quieti

Print made by Edward Goodall, 1795–1870

Datur Hora Quieti

1834

James Tibbits Willmore Lochmaben Castle

Print made by James Tibbits Willmore, 1800–1863

Lochmaben Castle

1834

William Miller Berwick-upon-Tweed

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Edward Goodall Smailholm Tower

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Robert Wallis Kelso

Print made by Robert Wallis, 1794–1878

Kelso

1834

Edward Goodall Caerlaverock Castle

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

George Cruikshank Jack Sheppard Exhibits a Vindictive Character

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

George Cruikshank Jack Sheppard Tricking Shotbolt, the Gaoler

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

George Cruikshank Jonathan Wild Discovers Darrell in the Loft

Print made by George Cruikshank, 1792–1878

Jonathan Wild Discovers Darrell in the Loft

1835

George Cruikshank Jack Sheppard Accuses Thames Darrell of the Theft

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

James Heath "This is fairy gold, boy, and will prove so"

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

Edward Goodall St. Pierre's Cottage

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Edward Goodall Valombre

Print made by Edward Goodall, 1795–1870

Valombre

1834

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834