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Exhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Subject Terms religious and mythological subject
Remove constraint Subject Terms: religious and mythological subjectSearch Results
1
- Virgin and Child
- between 1810 and 1820
- Not on view
2
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
3
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
4
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
5
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
6
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
7
- Title Page. America, A Prophecy (Plate 2)
- 1793
8
- Title Page, The Book of Thel (Plate 2)
- 1789
9
- Frontispiece. Albion's Angel (Plate 1)
- 1793
10
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
11
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
12
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
13
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
14
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
15
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
16
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
17
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
18
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
19
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
20
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
21
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
22
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
23
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
24
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
25
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
26
- "To the Jews..." (Plate 27)
- 1804 to 1820
27
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
28
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
29
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
30
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
31
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
32
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
33
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
34
- From a Globe of Blood Rises Enitharmon (Plate 11)
- 1794
35
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
36
- The Parable of the Wise and Foolish Virgins
- ca. 1825
37
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
38
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
39
- Mary Magdalen at the Sepulchre
- ca. 1805
40
- Abraham and Isaac
- 1799 to 1800
41
- The Phoenix or the Resurrection of Freedom
- 1776
42
- Pylades and Orestes
- 1771
43
- The Witch of En-Dor
- 1788
44
- Get Thee Behind Me, Satan
- between 1783 and 1787
45
- The Deposition
- undated
46
- Death's Door
- 1808
47
- Portrait of Thomas Malkin as a Young Child, Frontispiece
- 1806