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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
10
Creator
Blake, William, 1757–1827
10
Date
1804
10
On-site Access
Accessible by appointment in the Study Room
10
Image Use
Free to Use
10
Image Available
Available
10
Classification
Prints
10
Creator Gender
male
10
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
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Period
19th century
10
Materials & Techniques
black ink
10
relief etching
10
watercolor
10
wove paper
10
gold
1
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34
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34
Work Type
drawing
10
relief print
10
watercolor
10
Genre
literary theme
10
religious and mythological subject
10
Subject Terms
fire
10
flames
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10
literary theme
10
religious and mythological subject
10
text
9
men
7
women
6
nudes
5
sky
3
sun
3
wings
3
angels
2
bald
2
beard
2
serpent
2
smoke
2
snake
2
Jerusalem
1
archery
1
blacksmith
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Associated People
Satan
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
10
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
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10
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
3
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
10
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William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
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23
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flames
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1
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
2
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
3
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
4
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
5
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
6
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
7
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
8
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
9
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
10
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820