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Period 19th century

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William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake "He meets his Saviour in the Grave..." (Plate 20)
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake "The Traveller hasteth in the Evening" (Plate 16)
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
William Blake "To The Accuser who is The God of This World..." (Plate 19)
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
William Blake Frontispiece, "What is Man!" (Plate 2)
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake "I want! I want!" (Plate 11)
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
John Martin Pandemonium
Print made by John Martin, 1789–1854
Pandemonium
1831
Benjamin Fawcett Scene Illustration: Milton's 'L'Allegro'
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821
Robert Smirke Lady Mortimer's Welsh Song
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
Robert Smirke Oberon and Puck
Robert Smirke, 1752–1845
Oberon and Puck
1825
Robert Smirke The Death of Ophelia
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
Sir David Young Cameron John Hunter's Book Plate with Armorial Bearings and Mrs. Hunter's Book Plate with her Monogram
Print made by Sir David Young Cameron, 1865–1945
John Hunter's Book Plate with Armorial Bearings and Mrs. Hunter's Book Plate with her Monogram
1893
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845
Claudio and Isabella
1823
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
Robert Smirke Stephano and Trinculo with Caliban
Robert Smirke, 1752–1845
Stephano and Trinculo with Caliban
1821
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
Robert Smirke Capulet Railing at his Daughter, Juliet
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Launce with his Dog Crab
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1833