Cloud Study, Early Morning, Looking East from Hampstead
1821
Not on view
5
John Constable, 1776–1837
Cloud Study
1821
Not on view
6
John Constable, 1776–1837
Undergrowth
ca. 1815
Not on view
7
John Constable, 1776–1837
Cloud Study
1822
Not on view
8
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
9
Attributed to John Constable, 1776–1837
Flatford Mill
between 1810 and 1811
Not on view
10
Jacques-Laurent Agasse, 1767–1849
Studies of Flowers
1848
Not on view
11
Dean Wolstenholme, 1798–1882
Studies of carrier pigeon
1837
Not on view
12
George Jones, 1786–1869
Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'
1815
Not on view
13
Richard Ansdell, 1815–1885
Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
before 1841
Not on view
14
Attributed to William Havell, 1782–1857
Study of a Groom, Seen from Behind
ca. 1820
Not on view
15
Jacques-Laurent Agasse, 1767–1849
Study of a Fox
between 1810 and 1830
Not on view
16
Jacques-Laurent Agasse, 1767–1849
Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man
ca. 1815
Not on view
17
John Martin, 1789–1854
The Last Judgement (study)
between 1851 and 1853
Not on view
18
Sir Edwin Henry Landseer, 1802–1873
Study of a Greyhound
ca. 1860
Not on view
19
Lionel Constable, 1828–1887
Cloud Study
between 1849 and 1855
Not on view
20
Thomas Sidney Cooper, 1803–1902
Study of a Working Horse
undated
Not on view
21
Joseph Edgar Boehm, 1834–1890
Study of a Coat Belonging to John, 11th Earl of Westmorland
mid-19th century
Not on view
22
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
23
Albert Joseph Moore, 1841–1893
Beads (study)
ca. 1875
Not on view
24
John Linnell, 1792–1882
A Finished Study for 'Reaping'
1858
Not on view
25
George Jones, 1786–1869
Study for 'Battle of Waterloo'
1815
Not on view
26
unknown artist
Tantallon Castle (?), a study
ca. 1830
Not on view
27
Paul Fordyce Maitland, 1863–1909
The Lady's Mile, Kensington Gardens
ca. 1900
Not on view
28
Peter DeWint, 1784–1849
Landscape study at sunset
ca. 1835
Not on view
29
James Ward, 1769–1859
Studies of Jacky Turner and the Reverend Charles Hope's Gardener
between 1800 and 1815
Not on view
30
Thomas Stothard, 1755–1834
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
31
Attributed to Thomas Webster, 1800–1886
A Study of 'The Schoolroom'
ca. 1820
Not on view
32
Sir David Wilkie, 1785–1841
Sketch for 'The Reading of a Will'
1820
Not on view
33
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
34
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
35
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
36
Edward Lear, 1812–1888
Opposite Kom Ombos Abu Jer
1867
37
Edward Lear, 1812–1888
Boat on the Nile
1867
38
Edward Lear, 1812–1888
Camel studies
1867
39
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
40
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
41
Edward Lear, 1812–1888
Study of figures and a camel
1867
42
Edward Lear, 1812–1888
Camels
1867
43
Edward Lear, 1812–1888
Egyptian Man
1867
44
Edward Lear, 1812–1888
Zereeba, near Belbeis
1867
45
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
46
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
47
Edward Lear, 1812–1888
Near Bajoura
1867
48
Edward Lear, 1812–1888
Seated Men
1867
49
Edward Lear, 1812–1888
Boats on the Nile
1867
50
Edward Lear, 1812–1888
Qaw el Kebir
1867
51
Edward Lear, 1812–1888
La Cava
1838
52
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
53
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
54
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
55
Edward Lear, 1812–1888
A Study of Ferns, Civitella
1842
56
Edward Lear, 1812–1888
Windsor Castle
ca. 1834
57
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
58
Edward Lear, 1812–1888
Parham, October.13.1834
1834
59
Edward Lear, 1812–1888
North Stoke. Oct. 21.1834
1834
60
John Ruskin, 1819–1900
Four Species of Grasses
undated
61
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
62
Pierre-Joseph Redouté, 1759–1840
Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816
between 1802 and 1816
63
Pierre-Joseph Redouté, 1759–1840
Galazia Ovata / Galaxia à Feuilles Ovales, Plate 246 from Les Liliacées, volume 5, Paris, 1802-1816
undated
64
Pierre-Joseph Redouté, 1759–1840
Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816
undated
65
James Ward, 1769–1859
A Horseman in a Landscape
1814
66
John Frederick Lewis, 1804–1876
Study of a Crouching Fox, Facing Right
undated
67
George Cruikshank, 1792–1878
Sketch for the Scene of a Battle
undated
68
John Ruskin, 1819–1900
Studies of a Flower
undated
69
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
70
Albert Joseph Moore, 1841–1893
Study for Battledore and Shuttlecock
ca. 1871
71
John Linnell, 1792–1882
Study for Master William Wilberforce
1824
72
Robert Hills, 1769–1844
Tree Study with Ivy Clinging to Stump
ca. 1826
73
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
74
Richard Dadd, 1817–1886
Sketch to Illustrate the Passions: Suspense or Expectation
1855
75
William Alexander, 1767–1816
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
undated
76
Richard Dadd, 1817–1886
Sketch to Illustrate the Passions: Treachery
1853
77
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
78
unknown artist
Portrait Study: Joshua Westlake
undated
79
unknown artist
Portrait Study: Head of a Man Looking Left
undated
80
unknown artist
John Smart: Two Portrait Studies, Profile Facing Right and Three-Quarter Profile Facing Left
undated
81
unknown artist
Nicholas Robinson: Two Portrait Studies, Facing Front and Facing Left
undated
82
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
83
James Ward, 1769–1859
Study of a Cossack: Gregory Yellowstuff
1814
84
James Ward, 1769–1859
A Study for the Central Character in Ward's Painting "The Deer Stealer"
1820
85
William Mulready, 1786–1863
Study for a Girl Reading
undated
86
Sir David Wilkie, 1785–1841
Tree Study
1810
87
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
88
Sir David Wilkie, 1785–1841
Study for "The Penny Wedding"
ca. 1818
89
Circle of William James Muller, 1812–1845
Study of a Group of Children
undated
90
Cornelius Varley, 1781–1873
Bridge and Trees
ca. 1810
91
Sir David Wilkie, 1785–1841
Study for "Reading the Will"
1820
92
Sir David Wilkie, 1785–1841
A Child Resting His Cheek on His Hand, Head and Shoulders
undated
93
Sir David Wilkie, 1785–1841
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
94
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
95
John Frederick Lewis, 1804–1876
Main Entrance of Great Mosque, (Ulu cami) Bursa, Turkey,
between 1840 and 1841
96
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
97
George John Pinwell, 1842–1875
Study for "The Goose", 1867: Interior of a Barn
1866
98
Sir David Wilkie, 1785–1841
Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"