Period: 18th century / Work Type: watercolor - YCBA Collections Search Search Results

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Period 18th century

Work Type watercolor

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake The Author Writing (Design 105)

William Blake, 1757–1827

The Author Writing (Design 105)

between 1797 and 1798

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

William Blake, 1757–1827

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

between 1797 and 1798

William Blake "Her Henry's holy shade..." (Design 15)

William Blake, 1757–1827

"Her Henry's holy shade..." (Design 15)

between 1797 and 1798

William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

William Blake, 1757–1827

"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

between 1797 and 1798

William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

William Blake, 1757–1827

"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

between 1797 and 1798

William Blake A Circular Dance (Design 23)

William Blake, 1757–1827

A Circular Dance (Design 23)

between 1797 and 1798

William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

William Blake, 1757–1827

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

between 1797 and 1798

William Blake "At the chapel-door stand sentry... (Design 31)

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

William Blake A Widower and Children (Design 35)

William Blake, 1757–1827

A Widower and Children (Design 35)

between 1797 and 1798

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

William Blake, 1757–1827

"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

between 1797 and 1798

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)

William Blake, 1757–1827

"A brace of warriors... rustling in their silks and tissues..."(Design 27)

between 1797 and 1798

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake The Bard Weaving Edwards Fate (Design 55)

William Blake, 1757–1827

The Bard Weaving Edwards Fate (Design 55)

between 1797 and 1798

William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

William Blake, 1757–1827

"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

between 1797 and 1798

William Blake A Welch Bard (Design 53)

William Blake, 1757–1827

A Welch Bard (Design 53)

between 1797 and 1798

William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)

William Blake, 1757–1827

"O'er thy country hangs The scourge of Heav'n..." (Design 59)

between 1797 and 1798

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

William Blake, 1757–1827

Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

between 1797 and 1798

William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)

William Blake, 1757–1827

"Nor fear the rocks, nor seek the shore..." (Design 101)

between 1797 and 1798

William Blake The Mourner at the Tomb (Design 103)

William Blake, 1757–1827

The Mourner at the Tomb (Design 103)

between 1797 and 1798

William Blake "Oft did the harvest to their sickle yield..." (Design 109)

William Blake, 1757–1827

"Oft did the harvest to their sickle yield..." (Design 109)

between 1797 and 1798

William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

William Blake, 1757–1827

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

between 1797 and 1798

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake "And purple tyrants vainly groan..." (Design 37)

William Blake, 1757–1827

"And purple tyrants vainly groan..." (Design 37)

between 1797 and 1798

William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)

William Blake, 1757–1827

The Beginning of Poesy. The Blind Begging Bard (Design 41)

between 1797 and 1798

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

William Blake, 1757–1827

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

between 1797 and 1798

William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

William Blake, 1757–1827

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

between 1797 and 1798

William Blake Sigtryg with the Silken Beard (Design 69)

William Blake, 1757–1827

Sigtryg with the Silken Beard (Design 69)

between 1797 and 1798

William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

William Blake, 1757–1827

"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

between 1797 and 1798

William Blake "We the reins to slaughter give..." (Design 73)

William Blake, 1757–1827

"We the reins to slaughter give..." (Design 73)

between 1797 and 1798

William Blake The Serpent who Girds the Earth (Design 77)

William Blake, 1757–1827

The Serpent who Girds the Earth (Design 77)

between 1797 and 1798

William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)

William Blake, 1757–1827

Elizabeth. "Girt with many a Baron bold..." (Design 63)

between 1797 and 1798

William Blake The Three Fatal Sisters (Design 67)

William Blake, 1757–1827

The Three Fatal Sisters (Design 67)

between 1797 and 1798

William Blake "Midst the tide, Two angel forms were seen to glide..." (Design 7)

William Blake, 1757–1827

"Midst the tide, Two angel forms were seen to glide..." (Design 7)

between 1797 and 1798

William Blake "Hurry, hurry, to the field!" Design 75)

William Blake, 1757–1827

"Hurry, hurry, to the field!" Design 75)

between 1797 and 1798

William Blake "Him the dog of darkness spied..." (Design 79)

William Blake, 1757–1827

"Him the dog of darkness spied..." (Design 79)

between 1797 and 1798

William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

William Blake, 1757–1827

"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

between 1797 and 1798

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)

Print made by William Blake, 1757–1827

IV. "None could have other than natural or organic thoughts..." (Plate 6)

ca. 1788

William Blake "Shot from the heights of Enitharmon..." (Plate 17)

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

William Blake "The shrill winds wake!..." (Plate 6)

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

William Blake "Los howld in a dismal stupor..." (Plate 10)

Print made by William Blake, 1757–1827

"Los howld in a dismal stupor..." (Plate 10)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 11)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 11)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

1794

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 26)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

1794

William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Print made by William Blake, 1757–1827

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

1793

William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Print made by William Blake, 1757–1827

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

1793

William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Print made by William Blake, 1757–1827

"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

1793

William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)

Print made by William Blake, 1757–1827

"Silent as despairing love, and strong as jealousy..." (Plate 4)

1793

William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

1793

William Blake Title Page. America, A Prophecy (Plate 2)

Print made by William Blake, 1757–1827

Title Page. America, A Prophecy (Plate 2)

1793

William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)

Print made by William Blake, 1757–1827

"Appear to the Americans upon the cloudy night..." (Plate 6)

1793

William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Print made by William Blake, 1757–1827

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

1793

William Blake A Prophecy. "The deep of winter came..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The deep of winter came..." (Plate 5)

1794

William Blake "Enitharmon slept. ..." (Plate 10)

Print made by William Blake, 1757–1827

"Enitharmon slept. ..." (Plate 10)

1794

William Blake "In thoughts perturb'd they rose..." (Plate 11)

Print made by William Blake, 1757–1827

"In thoughts perturb'd they rose..." (Plate 11)

1794

William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)

Print made by William Blake, 1757–1827

"Albions Angel rose upon the Stone of Night..." (Plate 12)

1794

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)

Print made by William Blake, 1757–1827

Chapter IV, "Los smitten with astonishment..." (Plate 12)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794