Date: 1826 - YCBA Collections Search Search Results

401. Enkhuysen

Creator:: Edward William Cooke, 1811–1880
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 4 3/8 × 7 inches (11.1 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Katwyk

Creator:: Edward William Cooke, 1811–1880
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 7/8 inches (11.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Sappho

Creator:: attributed to Maria Hadfield Cosway, 1759–1838
Date:: 1826
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 7 1/4 inches (22.9 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Andrew Wilton

404. The Road to the Village

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 2 3/8 × 3 5/8 inches (6 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Kowloon China, looking towards Hong Kong Island

Creator:: unknown artist
Date:: between 1826 and 1852
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Image: 10 3/8 × 15 3/4 inches (26.4 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Figures on the Shore

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 2 3/16 x 5 13/16in. (5.6 x 14.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. A Sailing Boat Becalmed

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 1 7/8 × 2 1/4 inches (4.8 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Fisherman by a River

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/2 x 5 1/4in. (8.9 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. The Foot Bridge

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 x 3 1/2in. (11.1 x 8.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Girl Hoeing: Elizabeth Dew

Creator:: Joshua Cristall, 1768–1847
Date:: 1826
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 5 5/8 inches (17.1 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Pencarrow: The Seat of Lady Molesworth

Creator:: Print made by unknown artist
Date:: 1826
Materials & Techniques:: Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

412. A Country Lane with Cottages

Creator:: Attributed to Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, with brown wash on medium, slightly textured, cream wove paper mounted to thick, moderately textured, white laid paper
Dimensions:: Sheet: 5 5/8 x 6 1/2in. (14.3 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. High Trees

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. View on the Thames at Battersea

Creator:: Edward William Cooke, 1811–1880
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 1/4 inches (12.7 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Rotterdam: The Church of St. Lawrence

Creator:: David Cox, 1783–1859
Date:: 1826
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 3/8 inches (21.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. Bergen op Zoom

Creator:: David Cox, 1783–1859
Date:: 1826
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 2 5/8 x 6 7/8 inches (6.7 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. Lilleshall, Shropshire: View of the North Entrance and of the West Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 × 18 13/16 inches (30.5 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. Lilleshall, Shropshire: The South and East Fronts

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 5/8 × 18 1/2 inches (29.5 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Lilleshall, Shropshire: General Plan

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 13 × 19 1/4 inches (33 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. Lilleshall, Shropshire: Ground Plan

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, gray wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. Lilleshall, Shropshire: Attic Story

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, gray wash, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Lilleshall, Shropshire: Chamber Plan

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, gray wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Lilleshall, Shropshire: Plan of Roof

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, gray wash, and watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 inches (32.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. Lilleshall, Shropshire: West Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Lilleshall, Shropshire: South Elevation

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Lilleshall, Shropshire: Section through the Staircases

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Lilleshall, Shropshire: North Entrance Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Lilleshall, Shropshire: East View

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 3/8 × 13 7/8 inches (11.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Lilleshall, Shropshire: East Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 13 × 19 1/4 inches (33 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Midgham House, the Seat of W.S. Poyntz, Esq., M.P.

Creator:: Print made by Frederick W. L. Stockdale, active 1803–1848
Date:: 1826
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 9 1/4 inches (14.3 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

431. Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826 to 1830
Materials & Techniques:: Album of drawings in graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Spine: 16 1/2in. (41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. View of the City of Bristol

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1831
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 10 3/4 x 11 7/16 inches (27.3 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

433. Session's House, Clerkenwell Green

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

434. Man standing on seashore - Hierro

Creator:: Alfred Diston, active 1818–1829
Date:: after 1826
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. When the Morning Stars Sang Together

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Job's Sacrifice

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Job and His Daughters

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Job and His Family Restored to Prosperity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Title Page, Illustrations of The Book of Job

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving on chine-collé
Dimensions:: Binding: 17 1/4in. (43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Job and his Family

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Job's Despair

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Job Rebuked by His Friends

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. The Vision of Christ

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Every One also Gave Him a Piece of Money

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. The Fall of Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Satan Smiting Job with Sore Boils

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Job's Sons and Daughters Overwhelmed by Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving on chine-collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Satan Going Forth from the Presence of the Lord and Job's Charity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Satan before the Throne of God

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. The Messengers Tell Job of His Misfortunes

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Job's Comforters

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving on india proof paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. The Vision of Eliphaz

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Job's Evil Dreams

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. The Wrath of Elihu

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. The Lord Answering Job out of the Whirlwind

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Behemoth and Leviathan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite and tracing on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 1/2 inches (31.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

458. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, and tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 7/16 inches (31.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

459. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 5/16 × 12 9/16 inches (23.7 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

460. Christian, Accompanied by Discretion, Piety, Charity and Prudence

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 7/8 × 10 3/8 inches (32.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

461. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

462. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/8 × 9 9/16 inches (31.4 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

463. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

464. Christian and Hopeful in the Castle of Giant Despair

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 11/16 inches (32.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

465. Hearing the Music of the Spheres

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 15/16 x 7 5/16in. (17.6 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

466. Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc.

Creator:: Gideon Yates, active 1825–1837
Date:: 1826
Materials & Techniques:: Pen and black ink and watercolor on medium, smooth, beige wove paper mounted to thick, beige card
Dimensions:: Sheet: 14 × 19 inches (35.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Studies from Nature (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

468. Lord Alexander George Russell (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

469. Miss M. Tree (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

470. The Rivals

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

471. Mr. Liston as a Broom Girl (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

472. The Unwelcome Guest (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

473. Front of Wrapper; and Advertisement for Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826 to 1828
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Church of St. Benoist, Paris

Creator:: James Holland, 1799–1870
Date:: ca. 1831
Materials & Techniques:: Watercolor and graphite
Dimensions:: Sheet: 7 3/8 × 4 1/8 inches (18.7 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. David Ochs, M.D., Tallahassee, Florida

475. A Girl at her Studies (Volume of 102 Lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

476. [Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. [Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. [Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. [Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Statue of Dr. Samuel Johnson

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 3/4 x 5 1/2in. (22.2 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

482. Ornament in Hollow, above Angular and Clerestory Windows

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Pen and black ink on smooth, medium, brown wove paper
Dimensions:: Sheet: 8 × 18 3/4 inches (20.3 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. Sketchbooks.

Creator:: Estcourt, Thomas Grimston Bucknall, 1775–1853
Date:: 1826-1851
Physical Description:: 3 volumes ; 19 x 27 cm, and smaller
Collection:: Rare Books and Manuscripts

484. Forty-eight views of cottages and scenery at Sidmouth, Devon / drawn from nature and on stone by G. Rowe.

Creator:: Rowe, George, 1796–1864
Date:: [1826]
Physical Description:: [4] p., [48] leaves of plates : ill. ; 23 x 34 cm.
Collection:: Rare Books and Manuscripts

485. F. Furness, painter and gilder : Repository of Arts, High Street, Stockton / W. & A.K. Johnston, Edinb.

Creator:: Furness, F.
Date:: [between 1826 and 1840?]
Physical Description:: 1 trade card ; 7 x 12 cm
Collection:: Rare Books and Manuscripts

486. Hayter's compendium : Determining the natural consanguinity of colours in legitimate order of descent, by the unavoidable consequence of union or mixture of any two approximating predecessors from the three primitives down to their equilateral concentration into palpable shade. : The natural contrast to each colour, is its opposite in the scale.

Hayter's compendium : Determining the natural consanguinity of colours in legitimate order of descent, by the unavoidable consequence of union or mixture of any two approximating predecessors from the three primitives down to their equilateral concentration into palpable shade. : The natural contrast to each colour, is its opposite in the scale.

Creator:: Hayter, Charles, 1761–1835
Date:: [ca. 1826]
Physical Description:: [1] sheet : ill. ; 38 x 28 cm.
Collection:: Rare Books and Manuscripts

487. Lucknow from the Gomti.

Date:: 1826
Physical Description:: 1 drawing : watercolor and gouache, with gold ; sheet 31 x 1128 cm, rolled to 31 x 11 cm (scroll format)
Collection:: Rare Books and Manuscripts

488. Scenery, costumes and architecture, chiefly on the western side of India / by Captn. Robert Melville Grindlay.

Creator:: Grindlay, Robert Melville, 1786–1877
Date:: 1826-1830
Physical Description:: 2 volumes : illustrations ; 43 cm
Collection:: Rare Books and Manuscripts

489. Charles Dashwood diaries and commissions relating to Xalapa and Guatemala City.

Creator:: Dashwood, Charles, 1787–1832
Date:: 1826-1830
Physical Description:: 2 v. + (2 commissions) : ill. ; 27 cm.
Collection:: Rare Books and Manuscripts

490. Sixteen sketches illustrative of the siege and capture of Bhurtpore / designed on stone by Hutchisson and printed and published at the Asiatic Lithogc. Press.

Sixteen sketches illustrative of the siege and capture of Bhurtpore / designed on stone by Hutchisson and printed and published at the Asiatic Lithogc. Press.

Creator:: Hutchisson, William Henry Florio
Date:: 1826
Physical Description:: 20 leaves : illustrations ; 36 x 52 cm
Collection:: Rare Books and Manuscripts

491. Vues et paysages des régions équinoxiales / recueillis dans un voyage autour du monde, par Louis Choris ; avec une introduction et un texte explicatif.

Vues et paysages des régions équinoxiales / recueillis dans un voyage autour du monde, par Louis Choris ; avec une introduction et un texte explicatif.

Creator:: Choris, Louis, 1795–1828
Date:: MDCCCXXVI [1826]
Physical Description:: [8], 32 pages, [1], XXIV leaves of plates : color illustrations ; 45 cm
Collection:: Rare Books and Manuscripts

492. Turnbulls' Cheltenham Exchange / engraved by J. Radford.

Creator:: Turnbull's Cheltenham Exchange
Date:: [ca. 1826?]
Physical Description:: 1 trade card : engraving ; 80 x 106 mm
Collection:: Rare Books and Manuscripts

493. Epitaph of my poor Jack, squirrel.

Creator:: Hadfield, James, approximately 1772–1841
Date:: 1826?
Physical Description:: 1 item ([1] p.) ; 23 cm.
Collection:: Rare Books and Manuscripts

494. Asiatic costumes drawn by Captn. R. Smith 44th. Regt, 1826.

Creator:: Smith, Robert, 1792–1882
Date:: 1826
Physical Description:: 1 v. : ill. ; 19 cm.
Collection:: Rare Books and Manuscripts

495. Sketches of Portugese life, manners, costume, and character / by A.P.D.G. ; illustrated with twenty coloured plates.

Creator:: A. P. D. G
Date:: 1826
Collection:: Rare Books and Manuscripts

496. Lothian's historical atlas of Scotland : consisting of five general maps.

Creator:: Lothian, John
Date:: 1826
Physical Description:: 1 atlas [2] p. : 6 colored maps : 31 cm.
Collection:: Rare Books and Manuscripts

497. Sylva Britannica, or, portraits of forest trees ...

Creator:: Strutt, Jacob George, 1790–1864
Date:: 1826
Collection:: Rare Books and Manuscripts

498. [Etchings of antiquities in Newcastle upon Tyne].

Creator:: Richardson, T. M. (Thomas Miles), 1784–1848
Date:: 1826?]
Physical Description:: [28] leaves of plates : all ill. ; 24 x 29 cm.
Collection:: Rare Books and Manuscripts

499. Views upon the river Dart, Devonshire / inscribed by permission to A. H. Holdsworth, Esq. M.P.

Date:: [1826]
Physical Description:: [9] leaves : chiefly ill. ; 23 x 33 cm.
Collection:: Rare Books and Manuscripts

500. Vues pittoresques de l'Écosse, dessinées d'après nature par F. A. Pernot; lithographiées par Bonington, David, Deroi ... etc.; ornées de douze vignettes d'après les dessins de Delaroche jeune et Eugène Lami; avec un texte explicatif extrait en grande partie des ouvrages de Sir Walter Scott par Am. Pichot.

Creator:: Pichot, Amédée, 1795–1877
Date:: 1826
Physical Description:: 3 p. ., [iii]-viii, 127 p. illus., plates. 36 cm.
Collection:: Rare Books and Manuscripts

YCBA Collections Search

Refine your search

Search Constraints

Date 1826

Search Results

401. Enkhuysen

402. Katwyk

403. Sappho

404. The Road to the Village

405. Kowloon China, looking towards Hong Kong Island

406. Figures on the Shore

407. A Sailing Boat Becalmed

408. Fisherman by a River

409. The Foot Bridge

410. Girl Hoeing: Elizabeth Dew

411. Pencarrow: The Seat of Lady Molesworth

412. A Country Lane with Cottages

413. High Trees

414. View on the Thames at Battersea

415. Rotterdam: The Church of St. Lawrence

416. Bergen op Zoom

417. Lilleshall, Shropshire: View of the North Entrance and of the West Front

418. Lilleshall, Shropshire: The South and East Fronts

419. Lilleshall, Shropshire: General Plan

420. Lilleshall, Shropshire: Ground Plan

421. Lilleshall, Shropshire: Attic Story

422. Lilleshall, Shropshire: Chamber Plan

423. Lilleshall, Shropshire: Plan of Roof

424. Lilleshall, Shropshire: West Front

425. Lilleshall, Shropshire: South Elevation

426. Lilleshall, Shropshire: Section through the Staircases

427. Lilleshall, Shropshire: North Entrance Front

428. Lilleshall, Shropshire: East View

429. Lilleshall, Shropshire: East Front

430. Midgham House, the Seat of W.S. Poyntz, Esq., M.P.

431. Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon

432. View of the City of Bristol

433. Session's House, Clerkenwell Green

434. Man standing on seashore - Hierro

435. When the Morning Stars Sang Together

436. Job's Sacrifice

437. Job and His Daughters

438. Job and His Family Restored to Prosperity

439. Title Page, Illustrations of The Book of Job

440. Job and his Family

441. Job's Despair

442. Job Rebuked by His Friends

443. The Vision of Christ

444. Every One also Gave Him a Piece of Money

445. The Fall of Satan

446. Satan Smiting Job with Sore Boils

447. Job's Sons and Daughters Overwhelmed by Satan

448. Satan Going Forth from the Presence of the Lord and Job's Charity

449. Satan before the Throne of God

450. The Messengers Tell Job of His Misfortunes

451. Job's Comforters

452. The Vision of Eliphaz

453. Job's Evil Dreams

454. The Wrath of Elihu

455. The Lord Answering Job out of the Whirlwind

456. Behemoth and Leviathan

457. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

458. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

459. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

460. Christian, Accompanied by Discretion, Piety, Charity and Prudence

461. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

462. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

463. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

464. Christian and Hopeful in the Castle of Giant Despair

465. Hearing the Music of the Spheres

466. Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc.

467. Studies from Nature (Volume of 102 lithographs)

468. Lord Alexander George Russell (Volume of 102 lithographs)

469. Miss M. Tree (Volume of 102 lithographs)

470. The Rivals

471. Mr. Liston as a Broom Girl (Volume of 102 lithographs)

472. The Unwelcome Guest (Volume of 102 lithographs)

473. Front of Wrapper; and Advertisement for Ports of England

474. Church of St. Benoist, Paris

475. A Girl at her Studies (Volume of 102 Lithographs)