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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
6
Creator
Blake, William, 1757–1827
5
Martin, John, 1789–1854
1
Date
1797
9
0
8
1772
7
1789
7
1790
6
1804
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1807
4
1821
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1745
3
1791
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1794
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1810
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1855
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1753
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1783
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1785
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1787
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1792
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1812
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1817
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1830
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1836
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1867
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1743
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1759
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1776
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1781
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1784
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1793
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1799
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1805
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1811
1
1813
1
1815
1
1823
1
1824
1
1828
1
1857
1
1887
1
On-site Access
Accessible by appointment in the Study Room
6
Image Use
Free to Use
6
Image Available
Available
6
Classification
Prints
5
Drawings & Watercolors
1
Creator Gender
male
6
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
5
Period
19th century
6
Materials & Techniques
watercolor
6
black ink
5
relief etching
5
wove paper
5
graphite
1
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34
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Work Type
drawing
6
watercolor
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6
relief print
5
Genre
religious and mythological subject
6
literary theme
5
Subject Terms
religious and mythological subject
6
sitting
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6
literary theme
5
men
5
nudes
5
text
4
women
3
moon
2
sky
2
stars
2
sun
2
vines
2
bald
1
beak
1
blessing
1
book
1
bucket
1
cave
1
cavern
1
chained
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Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
2
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
6
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1804
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1
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
2
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
3
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
4
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
5
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
6
Attributed to John Martin, 1789–1854
The Woman at the Well
undated