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William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
Paul Sandby The Entrance to Chepstow Castle
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
William Havell Welsh Landscape
Attributed to William Havell, 1782–1857
Welsh Landscape
undated
Thomas Rowlandson Mr. Drummond's Cottage, East Cowes, Isle of Wight
Thomas Rowlandson, 1756–1827
Mr. Drummond's Cottage, East Cowes, Isle of Wight
between 1797 and 1800
Francis Towne Vauxhall Stairs, from Millbank, July 5, 1797
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
John Ferneley The Duke of Cumberland Riding With Mr. de Burgh's Hunt
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
John Ferneley A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
James Baynes Rocks with Central Cavern Among Trees
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
John Sell Cotman A Group of Trees by a Fence
John Sell Cotman, 1782–1842
A Group of Trees by a Fence
undated
Thomas Rowlandson Entrance to Festiniog, Wales
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
John Warwick Smith River Landscape with a Single Arched Bridge
John Warwick Smith, 1749–1831
River Landscape with a Single Arched Bridge
1797
Thomas Rowlandson Carnarvon Castle, North Wales
Thomas Rowlandson, 1756–1827
Carnarvon Castle, North Wales
1797
Thomas Girtin The Old Bridge in Devon
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
Richard Cosway Portrait of a Lady Standing near a Lake
Richard Cosway, 1742–1821
Portrait of a Lady Standing near a Lake
ca. 1802
John Sell Cotman Mountainous Landscape, North Wales
John Sell Cotman, 1782–1842
Mountainous Landscape, North Wales
ca. 1802