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Collection
Prints and Drawings
436
Rare Books and Manuscripts
11
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
139
Edwards, Richard, active 1796–1797
81
Young, Edward, 1683–1765
81
Gray, Thomas, 1716–1771
58
Unknown artist
39
Cotman, John Sell, 1782–1842
31
Gillray, James, 1756–1815
19
Bartolozzi, Francesco, 1727–1815
15
Gaugain, Thomas, 1748–1812
14
Smith, John Thomas, 1766–1833
14
Cruikshank, Isaac, 1764–1811
13
Northcote, James, 1746–1831
11
Hellyer, Thomas, active 1800
10
Malton, Thomas, 1726–1801
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Dayes, Edward, 1763–1804
8
Newton, Richard, 1777–1798
8
Rowlandson, Thomas, 1756–1827
8
Cleghorn, Claud, active 1797–1800
7
Walker, James, 1748–1808
7
more
Creator
»
Date
1800
1,398
1900
683
1802
677
1834
662
1775
643
1796
623
1795
615
1745
604
1790
591
1791
572
1793
548
1789
534
1771
531
1770
528
1825
527
1792
515
1804
510
1827
507
1826
494
1794
487
1832
478
1830
470
1835
469
1700
465
1797
[remove]
448
1784
432
1820
425
1772
421
1799
414
1836
402
1833
400
1814
381
2004
368
1785
359
1780
348
1801
341
1803
341
1812
337
1767
335
1818
335
1798
328
1768
320
1960
320
1808
316
1867
314
1807
297
1788
295
1823
289
0
284
1750
282
1805
280
1821
275
1748
274
1813
274
1811
272
1817
270
1787
268
1809
268
1828
262
1783
260
1764
259
1810
257
1815
251
1850
249
1837
240
1819
238
1824
234
1831
232
1786
228
1765
225
1782
224
1755
218
1778
217
1839
211
1822
210
1816
205
1752
204
1730
203
1806
201
1945
197
1829
196
1838
187
1630
182
1781
181
1840
177
1725
176
1762
176
1740
171
1777
170
1846
169
1738
168
1758
167
1855
161
1763
159
1779
158
1760
156
1776
153
1773
151
1774
145
2000
143
On-site Access
Accessible in the Study Room
447
On view
1
Image Use
Free to Use
446
Under Certain Circumstances
2
Image Available
Available
[remove]
448
Classification
Prints
288
Drawings & Watercolors
135
Drawing & Watercolors-Architectural
14
Books
5
Archives & Manuscripts
2
Three-Dimensional Artifacts
2
Paintings
1
Creator Gender
male
422
unknown
50
female
2
Collective Title
Young's Night Thoughts
81
The Poems of Thomas Gray
58
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
The Spoiled Child
6
Iconographie Anglaise par Reynolds et Autres
3
Cries of London
2
The Natural History of the Rare Lepidopterious insects of Georgia, London: 1797. Volume 2
2
Three Views of Cottages near Colchester
2
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
1
Smirke [Shakespeare] Album
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
367
18th century-19th century
53
19th century
30
Materials & Techniques
wove paper
197
watercolor
156
graphite
134
black ink
85
line engraving
61
etching (printing process)
53
stipple engraving
30
pen
25
laid paper
21
brown ink
19
mezzotint
17
gray wash
16
gouache
10
aquatint
8
gray ink
7
wash
6
hand coloring
5
brown wash
4
soft-ground etching
4
color printing
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
83
Unknown
106
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
106
Unknown
106
Work Type
watercolor
156
drawing
148
intaglio print
136
relief print
40
aquatint
3
engraving
3
overlay
2
ticket
2
trade card
2
booksellers' labels (provenance)
1
broadside
1
correspondence
1
etching
1
halfpennie
1
ink drawing
1
painting
1
printed ephemera
1
red book
1
reward notice
1
token
1
more
Work Type
»
Genre
literary theme
116
architectural subject
45
religious and mythological subject
45
landscape
38
genre subject
35
portrait
26
marine art
14
cityscape
11
animal art
10
historical subject
9
military art
5
figure study
3
sporting art
3
botanical subject
2
relief print
2
still life
1
Subject Terms
literary theme
109
text
95
men
85
religious and mythological subject
81
women
61
man
60
trees
48
architectural subject
38
satire
37
landscape
36
caricature
31
caricatures
30
woman
26
genre subject
23
beard
22
clouds
22
river
22
children
20
water
20
nudes
19
more
Subject Terms
»
Associated Places
United Kingdom
57
England
35
Europe
33
Wales
10
Scotland
9
Cymru
8
London
7
Greater London
6
Norfolk
6
France
4
Great Britain
4
Isle of Wight
4
Caernarfonshire and Merionethshire
3
Devon
3
Westminster
3
Africa
2
Barmouth
2
Cader Idris
2
Caernarfon Castle
2
Caernarvon
2
more
Associated Places
»
Associated People
Fox, Charles James (1749–1806), politician
6
Shakespeare, William (1564–1616), playwright and poet
5
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
3
Repton, Humphry, 1752–1818
2
Bedford, Francis Russell, 5th Duke of (British aristocrat, 1765–1802)
1
Constable, John, 1776–1837
1
Cupid
1
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Dundas, Lady Jane, Viscountess Melville (1766–1829)
1
Dyck, Sir Anthony Van (1599–1641), painter and etcher
1
Erskine, Thomas, first Baron Erskine (1750–1823), British politician
1
Eve
1
Frederick, Prince William Duke of Gloucester and Edinburgh (1776–1834)
1
Grey, Charles, 2nd Earl Grey (1764–1845), politician/statesman
1
Jane, Duchess of Gordon (née Maxwell) (1748/9 - 1812), academic/intellectual
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Kyrle, John, 1637–1724
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Morland, Anne (Nancy; c.1765–1804)
1
Palmer, John, 1742–1818
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
44
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
44
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
15
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
3
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
399
Yale Center for British Art, Paul Mellon Fund
21
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
2
Yale Center for British Art; Gift of Herman W. Liebert
2
Yale Center for British Art
1
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
1
Yale Center for British Art, Gift of Dr. Ruth Ivor
1
Yale Center for British Art, Gift of Mary E. Knapp
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Susan L. Darling in Memory of Arthur Burr Darling, Yale 1916
1
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
1
Yale Center for British Art; Gift of Michael Zinman
1
Yale Center for British Art; Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
Language
English
10
No linguistic content
1
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Date
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1
George Garrard, 1760–1826
Ranger, a setter, the property of Elizabeth Gray
1797
On view
2
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
3
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
4
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
5
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
6
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
7
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
8
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
9
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
10
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
11
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
12
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
13
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
14
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
15
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
16
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
17
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
18
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
19
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
20
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
21
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
22
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
23
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
24
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
25
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
26
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
27
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
28
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
29
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
30
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
31
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
32
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
33
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
34
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
35
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
36
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
37
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
38
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
39
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
40
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
41
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
42
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
43
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
44
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
45
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
46
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
47
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
48
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
49
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
50
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
51
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
52
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
53
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
54
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
55
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
56
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
57
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
58
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
59
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
60
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
61
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
62
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
63
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
64
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
65
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
66
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
67
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
68
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
69
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
70
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
71
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
72
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
73
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
74
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
75
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
76
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
77
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
78
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
79
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
80
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
81
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
82
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
83
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
84
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
85
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
86
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
87
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
88
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
89
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
90
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
91
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
92
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
93
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
94
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
95
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
96
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
97
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
98
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
99
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
100
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
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