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1
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
2
- Infant Joy (Plate 28)
- 1789
3
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
4
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
5
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
6
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
7
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
8
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
9
- Aged Ignorance (Plate 13)
- 1826
10
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
11
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
12
- Aged Ignorance (Plate 13)
- 1793
13
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
14
- Songs of Experience, Frontispiece (Plate 32)
- 1794
15
- The Angel (Plate 40)
- 1794
16
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
17
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
18
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
19
- Frontispiece, Europe. A Prophecy
- ca. 1820
20
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
21
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
22
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
23
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
24
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
25
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
26
- Fame (Design 93)
- between 1797 and 1798
27
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
28
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
29
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
30
- The Divine Image (Plate 12)
- 1789
31
- Infant Joy (Plate 14)
- 1789
32
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
33
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
34
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
35
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
36
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
37
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
38
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
39
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
40
- Satan Approaching the Court of Chaos
- 1784 to 1785
41
- An Angel with a Trumpet
- between 1805 and 1808
42
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
43
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
44
- An Angel
- undated
45
- Angel
- undated
46
- The Pool of Bethesda
- 1772
47
- Geometrical Plan of his Majesty's Dockyard, near Plymouth
- 1756
48
- Tobit and the Angel
- undated
49
- Garrick Reading the Ode at the Shakespeare Jubilee
- 1784
50
- St. Nil
- 1762
51
- Winged Figure Slaying a Bull
- undated
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
52
- Scenes from an Eastern Romance [Arabian Nights]
- undated
53
- The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
- 1799
54
- Venus and Cupid
- undated
55
- Brass Chrism of Constance Bownell and her Baby from Heston Church
- 1796-1811
56
- Tobit and the Angel
- undated
57
- Tobit and the Angel
- undated
58
- Christus Crucifixus
- undated
59
- West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
- 1785
60
- Design for the Brass Eagle Lectern Base
- 1846
61
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
62
- Tobias and the Angel
- ca. 1685
63
- Pandemonium
- 1831
64
- Allegory of Sea Trades
- undated
![Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]](https://media.collections.yale.edu/thumbnail/ycba/49ba2771-60ca-4132-93a1-53388679a50e)
65
- Notre Dame, Dinant [Belgian Set: No. 8]
- 1907
66
- James Beattie, LL.D
- 1805
67
- The Angel and Tobias (Number 7)
- 1815
68
- Joshua and the Angel (Joshua 5:13)
- before 1835
69
- Annuciation
- undated
70
- Tobit and the Angel
- undated
71
- Peter Delivered out of Prison by an Angel
- undated
72
- Madonna, Child, and Angel
- undated
73
- Madonna, Child, and Angel
- undated
74
- S. Matthaus
- undated
75
- Annunciatio Beatae Mariae Virginis
- undated
76
- The Death of the Good Old Man
- 1808, published 1813
77
- Glasgow Exhibition: From the Dome
- 1901
78
- Frontispiece: The Progress of a Midshipman
- 1820
79
- Fallen Angel or Figure for the Flood
- undated
80
- Time raising Truth, after Rubens’s “The Triumph of Truth”
- undated
81
- Nicholas Nixon
- 2004
82
- Flight into Egypt
- undated
83
- Two Designs for Ecclesiastical Niches
- undated
84
- The Archangel Gabriel Awaiting Night
- ca. 1799
85
- Cupid and Psyche
- ca. 1870
86
- Doorhead of the Palazzo Contarini della Porta di Ferro
- undated
87
- Young Angel
- undated
88
- Appearance of Angel Above Standing Figures?
- undated
89
- From the Dome
- 1901
90
- School of St. Rocco, Venice, Study of Curved Decoration
- ca. 1835
91
- Paul Before Felix Burlesqued
- 1751
92
- The Death of the Good Old Man
- 1808
93
- Tobias and the Angel
- undated
94
- The Death of the Good Old Man
- 1808
95
- The Day of Judgment
- 1808
96
- Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville
- 1770
97
- The Meeting of a Family in Heaven
- 1808
98
- The Day of Judgment
- 1808
99
- Statoribus Artis
- between 1708 and 1722
100
- Statoribus Artis
- between 1708 and 1722