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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms angel
Remove constraint Subject Terms: angelSearch Results
1
- Infant Joy (Plate 28)
- 1789
2
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
3
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
4
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
5
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
6
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
7
- Songs of Experience, Frontispiece (Plate 32)
- 1794
8
- The Angel (Plate 40)
- 1794
9
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
10
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
11
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
12
- Frontispiece, Europe. A Prophecy
- ca. 1820
13
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
14
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
15
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
16
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
17
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
18
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
19
- Fame (Design 93)
- between 1797 and 1798
20
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
21
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
22
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
23
- The Divine Image (Plate 12)
- 1789
24
- Infant Joy (Plate 14)
- 1789
25
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
26
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
27
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
28
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
29
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
30
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
31
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
32
- Satan Approaching the Court of Chaos
- 1784 to 1785
33
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
34
- An Angel
- undated
35
- Winged Figure Slaying a Bull
- undated
36
- Venus and Cupid
- undated
37
- Allegory of Sea Trades
- undated
38
- Fallen Angel or Figure for the Flood
- undated
39
- Flight into Egypt
- undated
40
- Two Designs for Ecclesiastical Niches
- undated
41
- The Archangel Gabriel Awaiting Night
- ca. 1799
42
- Cupid and Psyche
- ca. 1870
43
- Doorhead of the Palazzo Contarini della Porta di Ferro
- undated
44
- Appearance of Angel Above Standing Figures?
- undated
45
- School of St. Rocco, Venice, Study of Curved Decoration
- ca. 1835