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William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Isaac Oliver An Angel
Isaac Oliver, ca. 1565–1617
An Angel
undated
unknown artist Angel
unknown artist
Angel
undated
Edward Francis Burney Winged Figure Slaying a Bull
Edward Francis Burney, 1760–1848
Winged Figure Slaying a Bull
undated
Robert Smirke Scenes from an Eastern Romance [Arabian Nights]
Robert Smirke, 1752–1845
Scenes from an Eastern Romance [Arabian Nights]
undated
unknown artist Venus and Cupid
unknown artist
Venus and Cupid
undated
Daniel Lysons Brass Chrism of Constance Bownell and her Baby from Heston Church
Attributed to Daniel Lysons, 1762–1834
Brass Chrism of Constance Bownell and her Baby from Heston Church
1796-1811
Augustus Welby Northmore Pugin Design for the Brass Eagle Lectern Base
Augustus Welby Northmore Pugin, 1812–1852
Design for the Brass Eagle Lectern Base
1846
Augustus Welby Northmore Pugin Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
Augustus Welby Northmore Pugin, 1812–1852
Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
undated
Edward Francis Burney Allegory of Sea Trades
Edward Francis Burney, 1760–1848
Allegory of Sea Trades
undated
Richard Westall Joshua and the Angel (Joshua 5:13)
Richard Westall, 1765–1836
Joshua and the Angel (Joshua 5:13)
before 1835
unknown artist Fallen Angel or Figure for the Flood
unknown artist
Fallen Angel or Figure for the Flood
undated
Richard Cosway Time raising Truth, after Rubens’s “The Triumph of Truth”
Attributed to Richard Cosway, 1742–1821
Time raising Truth, after Rubens’s “The Triumph of Truth”
undated
Richard Cosway Flight into Egypt
Richard Cosway, 1742–1821
Flight into Egypt
undated
unknown artist Two Designs for Ecclesiastical Niches
unknown artist
Two Designs for Ecclesiastical Niches
undated
Thomas Girtin The Archangel Gabriel Awaiting Night
Thomas Girtin, 1775–1802
The Archangel Gabriel Awaiting Night
ca. 1799
Edward Burne-Jones Cupid and Psyche
Edward Burne-Jones, 1833–1898
Cupid and Psyche
ca. 1870
John Ruskin Doorhead of the Palazzo Contarini della Porta di Ferro
John Ruskin, 1819–1900
Doorhead of the Palazzo Contarini della Porta di Ferro
undated
unknown artist Young Angel
unknown artist
Young Angel
undated
unknown artist Appearance of Angel Above Standing Figures?
unknown artist
Appearance of Angel Above Standing Figures?
undated
Thomas Hartley Cromek School of St. Rocco, Venice, Study of Curved Decoration
Thomas Hartley Cromek, 1809–1873
School of St. Rocco, Venice, Study of Curved Decoration
ca. 1835