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1
- Opening the Fold
- 1880
2
- The Fifth Plague of Egypt
- 1808
3
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
4
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
5
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
6
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
7
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
8
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
9
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
10
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
11
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
12
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
13
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
14
- "Help! Help!" (Plate 12)
- 1826
15
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
16
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
17
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
18
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
19
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
20
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
21
- The Christian Triumph; Title Page
- ca. 1797
22
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
23
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
24
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
25
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
26
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
27
- Frontispiece (Plate 1)
- 1793
28
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
29
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
30
- "To the Christians..." (Plate 77)
- 1804 to 1820
31
- The Christian Triumph; Title Page
- 1797
32
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
33
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
34
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
35
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
36
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
37
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
38
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
39
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
40
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
41
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
42
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
43
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
44
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
45
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
46
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
47
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
48
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
49
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
50
- The Lamb (Plate 8)
- 1789
51
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
52
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
53
- Air (Plate 6)
- 1826
54
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
55
- Satan Approaching the Court of Chaos
- 1784 to 1785
56
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
57
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
58
- Miranda, Prospero, and Caliban: The Tempest
- undated
59
- The Dreams of the Youthful Shakespeare
- 1827
60
- Sleepest or Wakest Thou?
- ca. 1853
61
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
62
- The Death of Ophelia
- ca. 1810
63
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
64
- Illustration to Homer's Iliad
- 1723
65
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
66
- Hamlet
- 1809
67
- Queen Katherine's Dream - "Henry VIII"
- 1788
68
- The Day of Judgment
- 1808, published 1813
69
- The Death of the Good Old Man
- 1808, published 1813
70
- Celadon and Amelia
- 1766
71
- Falstaff Instructing Bardolph
- 1825
72
- Dog and the Shadow
- 1909
73
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
74
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
75
- Lear in the Storm
- undated
76
- Macbeth and Banquo on the Heath
- ca. 1830
77
- Venus Presenting Armour to Aeneas
- undated
78
- The Judgement of Paris
- undated
79
- Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
- between 1762 and 1764
80
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
81
- The Fatal Bellman
- 1827
82
- Ashestiel
- 1835
83
- Mrs. Yates in the Character of Medea
- after 1771
84
- Macbeth and the Apparition of the Armed Head
- ca. 1820
85
- The Three Witches from Macbeth: Though the Bark Cannot be Lost..
- ca. 1781
86
- Ferdinand and Ariel
- ca. 1781
87
- A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
- ca. 1830
88
- Opening the Fold
- plate etched in 1880; impression printed in 1926
89
- Opening the Fold
- plate etched in 1880; impression printed in 1920
90
- The Day of Judgment
- 1808
91
- The Meeting of a Family in Heaven
- 1808
92
- Pilgrim's Progress Illustrated, Uncut Panorama
- ca. 1820