Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
21
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
22
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
23
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
24
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
25
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
26
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
27
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
28
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
29
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
30
Isaac Weld, 1774–1856
Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
31
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
32
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
33
John Linnell, 1792–1882
Tythrop
1817
34
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
35
Samuel Howitt, 1756–1822
Honey-Badger
1817
36
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
37
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
38
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
39
Samuel Howitt, 1756–1822
Polecat
ca. 1817
40
Sir Edwin Henry Landseer, 1802–1873
Three Sheep at Rest
undated
41
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
42
Print made by Henry Morton, ca. 1807–1825
Views Illustrative of Hastings and its Vicinity; Title Page
1817
43
Print made by Henry Morton, ca. 1807–1825
Bodiam Castle
1817
44
Henry Morton, ca. 1807–1825
Winchelsea Castle
1817
45
Print made by Henry Morton, ca. 1807–1825
Ore Church and House
1817
46
Henry Morton, ca. 1807–1825
St. Thomas's Church Winchelsea
1817
47
Henry Morton, ca. 1807–1825
The Fish-Ponds
1817
48
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
49
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
50
Richard Parkes Bonington, 1802–1828
A Faun with Pipes
undated
51
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
52
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
53
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
54
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
55
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
56
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
57
Thomas Shotter Boys, 1803–1874
A Christening
undated
58
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
59
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
60
John Thomas Smith, 1766–1833
The Reconcilation
1817
61
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
62
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
63
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
64
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
65
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
66
Joseph Constantine Stadler, active 1780–1812
South View of the New Custom House
1817
67
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
1817
68
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
69
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
70
Thomas Sutherland, ca. 1785–1838
Improvements opposite Carlton House (Showing the view up Regent Street)
1817
71
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
1817
72
Print made by Charles Turner, 1774–1857
Lady Wigram
1817
73
Print made by William Sharp, 1749–1824
William Sharp
1817
74
Print made by Charles Turner, 1774–1857
George Viscount Malden and Lady Elizabeth Capel
1817
75
Print made by Charles Turner, 1774–1857
George Viscount Malden and Lady Elizabeth Capel
1817
76
Alexander Monro, 1802–1844
Knaresborough
undated
77
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
78
Alexander Monro, 1802–1844
Porchester Castle
undated
79
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
80
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
81
Alexander Monro, 1802–1844
Classical Landscape
undated
82
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
83
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
84
John Chessell Buckler, 1793–1894
South East View of the Church and Palace at Croydon, Surrey
1817
85
Richard Parkes Bonington, 1802–1828
A Seascape
undated
86
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
87
John Thomas Smith, 1766–1833
The Smock Exposed
1817
88
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
89
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
90
Capt. Thomas Hastings, 1778–1854
Near Gravesend from the High Road
1817
91
attributed to Sir Edwin Henry Landseer, 1802–1873
Landscape
undated
92
Samuel Rawle, 1771–1860
Colonnade of the Opera House and Waterloo Place
1817
93
James Stow, ca. 1770–after 1820
The Proscenium of the English Opera House in the Strand
1817
94
unknown artist
North View of the Oratory of the Antient Inn
1817
95
Robert Havell, 1769–1832
The Method of Catching Wild Elephants by the Kraal in Island of Ceylon in the East Indies