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Credit Line Yale Center for British Art, Paul Mellon Fund
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1
- Design for Omega Workshops Fabric
- 1913
2
- Design for an Embroidered Stool
- undated
3
- Chepstow Castle on the Wye
- undated
4
- Oberon and Titania
- 1837
5
- A Classical City
- undated
6
- Male Nude
- 1808
7
- Windsor
- ca. 1798
8
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
9
- Copy of the Laocoön, for Rees's Cyclopædia
- 1815
10
- The Shepherd, from Songs of Innocence
- ca. 1795
11
- Spring, from Songs of Innocence
- ca. 1795
12
- Figure Composition Study 38
- undated
13
- Figure Composition Study 40
- undated
14
- Figure Composition Study 39
- undated
15
- Study of a Standing Figure
- undated
16
- Figure Composition Study 42
- undated
17
- Figure Composition Study 43
- undated
18
- Figure Composition Study 45
- undated
19
- Figure Composition Study 48
- 1793
20
- Figure Composition Study 49
- undated
21
- Study of Two Figures and a Face
- undated
22
- Figure Composition Study 50
- undated
23
- Figure Study 5
- undated
24
- Figure Study 10
- undated
25
- Figure Study Twelve
- undated
26
- Figure Study 6
- undated
27
- Figure Composition Study 1
- 1794
28
- Figure Study of a Woman
- undated
29
- Composition of Two Figures
- undated
30
- Figure Study Eleven
- undated
31
- Figure Study Thirteen
- undated
32
- Female Figure
- undated
33
- Figure Composition Study 5
- undated
34
- Figure Study 9
- undated
35
- Figure Study 2
- undated
36
- Figure Composition Study 21 with a Face
- undated
37
- Figure Composition Study 22
- undated
38
- Figure Composition Study 25
- undated
39
- Figure Composition Study 26
- undated
40
- Study of a Cow
- undated
41
- Figure Composition Study 27
- undated
42
- Figure Study 3
- undated
43
- Figure Composition Study 28
- undated
44
- Figure Composition Study 29
- undated
45
- Figure Composition Study 34
- undated
46
- Male Head 2
- undated
47
- Figure Composition Study 37
- undated
48
- Study of Two Seated Figures
- undated
49
- Figure Composition Study 41
- undated
50
- Figure Study 4
- undated
51
- Figure Composition Study 44
- undated
52
- Figure Composition Study 50
- undated
53
- Figure Study 1
- undated
54
- Figure Composition Study 3
- undated
55
- Figure Composition Study 4
- 1793
56
- Figure Composition Study 7
- undated
57
- Figure Composition Study 8
- undated
58
- Figure Study 8
- undated
59
- Figure Composition Study 11
- undated
60
- Figure Composition Study 12
- undated
61
- Study of a Horse's Hooves
- undated
62
- Figure Composition Study 13
- undated
63
- Figure Composition Study 16
- undated
64
- Figure Composition Study 18
- undated
65
- Figure Composition Study 20
- undated
66
- Figure Composition Study 23
- undated
67
- Landscape
- undated
68
- Leaves 1
- undated
69
- Figure Composition Study 30
- undated
70
- Figure Composition Study 31
- undated
71
- Figure Composition Study 33
- undated
72
- Study of Leaves 2
- undated
73
- Figure Composition Study 35
- undated
74
- Figure Composition Study 36
- undated
75
- Figure Composition Study 46
- undated
76
- Figure Composition Study 47
- undated
77
- Study of a Seated Woman
- undated
78
- Figure Study 7
- undated
79
- Figure Composition Study 2
- undated
80
- Figure Composition Study 6
- undated
81
- Figure Composition Study 9
- undated
82
- Male Head 1
- undated
83
- Figure Composition Study 14
- undated
84
- Figure Composition Study 17
- undated
85
- Figure Composition Study 24
- undated
86
- Figure Composition Study 32
- undated
87
- Study of a Male Figure
- undated
88
- Study of Three Women
- undated
89
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
90
- Manuscript Notes
- 1773
91
- Manuscript Notes
- 1773
92
- Manuscript Notes
- 1773
93
- Manuscript Notes
- 1773
94
- Manuscript Notes
- 1773
95
- Manuscript Notes
- 1773
96
- Manuscript Notes
- 1773
97
- Manuscript Notes
- 1773
98
- Manuscript Notes
- 1773
99
- Manuscript Notes
- 1773
100
- Manuscript Notes
- 1773