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Credit Line Yale Center for British Art, Paul Mellon Collection

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

William Blake Urizen Swims through Dark Waters (Plate 7)

Print made by William Blake, 1757–1827

Urizen Swims through Dark Waters (Plate 7)

1794

William Blake "In living creations appear'd..." (Plate 8)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 8)

1794

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake The Pit of Disease: The Falsifiers (Plate 6)

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

William Blake "At length for hatching ripe he breaks the shell" (Plate 8)

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

1794

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake Chapter IX, "They lived a period of years..." (Plate 27)

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 27)

1794

William Blake "I want! I want!" (Plate 11)

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake "He meets his Saviour in the Grave..." (Plate 20)

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake The First Book of Urizen, Plate 15 (Bentley 14)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15 (Bentley 14)

1794

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

1794

William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)

Print made by William Blake, 1757–1827

Chapter IV, "Los smitten with astonishment..." (Plate 12)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 17)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 17)

1794

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 26)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

William Blake The First Book of Urizen, Plate 28 (Bentley 27)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 28 (Bentley 27)

1794

William Blake Frontispiece, The Ancient of Days (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece, The Ancient of Days (Plate 1)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 11)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 11)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

1794

William Blake Los Falls through Fire (Plate 21)

Print made by William Blake, 1757–1827

Los Falls through Fire (Plate 21)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

1794

William Blake Praying Child and Howling Dog (Plate 25)

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 25)

1794

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake The Author Writing (Design 105)

William Blake, 1757–1827

The Author Writing (Design 105)

between 1797 and 1798

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "Oft did the harvest to their sickle yield..." (Design 109)

William Blake, 1757–1827

"Oft did the harvest to their sickle yield..." (Design 109)

between 1797 and 1798

William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

William Blake, 1757–1827

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

between 1797 and 1798

William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

William Blake, 1757–1827

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

between 1797 and 1798

William Blake "Her Henry's holy shade..." (Design 15)

William Blake, 1757–1827

"Her Henry's holy shade..." (Design 15)

between 1797 and 1798

William Blake "To chase the rolling circle's speed..." (Design 17)

William Blake, 1757–1827

"To chase the rolling circle's speed..." (Design 17)

between 1797 and 1798

William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

William Blake, 1757–1827

"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

between 1797 and 1798

William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)

William Blake, 1757–1827

"A brace of warriors... rustling in their silks and tissues..."(Design 27)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)

William Blake, 1757–1827

The Beginning of Poesy. The Blind Begging Bard (Design 41)

between 1797 and 1798

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

William Blake, 1757–1827

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)

between 1797 and 1798

William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)

William Blake, 1757–1827

"To him the mighty mother did unveil Her awful face..." (Design 49)

between 1797 and 1798

William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

William Blake, 1757–1827

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

between 1797 and 1798

William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

William Blake, 1757–1827

"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

between 1797 and 1798

William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)

William Blake, 1757–1827

Elizabeth. "Girt with many a Baron bold..." (Design 63)

between 1797 and 1798

William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

William Blake, 1757–1827

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

between 1797 and 1798

William Blake The Three Fatal Sisters (Design 67)

William Blake, 1757–1827

The Three Fatal Sisters (Design 67)

between 1797 and 1798

William Blake Sigtryg with the Silken Beard (Design 69)

William Blake, 1757–1827

Sigtryg with the Silken Beard (Design 69)

between 1797 and 1798

William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

William Blake, 1757–1827

"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

between 1797 and 1798

William Blake "Hurry, hurry, to the field!" Design 75)

William Blake, 1757–1827

"Hurry, hurry, to the field!" Design 75)

between 1797 and 1798

William Blake The Prophetess Rising from Her Grave (Design 81)

William Blake, 1757–1827

The Prophetess Rising from Her Grave (Design 81)

between 1797 and 1798

William Blake "Hie thee hence, and boast at home..." (Design 85)

William Blake, 1757–1827

"Hie thee hence, and boast at home..." (Design 85)

between 1797 and 1798

William Blake A Standard Bearer Fainting in the Routed Battle (Design 87)

William Blake, 1757–1827

A Standard Bearer Fainting in the Routed Battle (Design 87)

between 1797 and 1798

William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)

William Blake, 1757–1827

The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)

between 1797 and 1798

William Blake "Fear to stop, and shame to fly..." (Design 91)

William Blake, 1757–1827

"Fear to stop, and shame to fly..." (Design 91)

between 1797 and 1798

William Blake Fame (Design 93)

William Blake, 1757–1827

Fame (Design 93)

between 1797 and 1798

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Print made by William Blake, 1757–1827

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake The Mourner at the Tomb (Design 103)

William Blake, 1757–1827

The Mourner at the Tomb (Design 103)

between 1797 and 1798

William Blake A Widower and Children (Design 35)

William Blake, 1757–1827

A Widower and Children (Design 35)

between 1797 and 1798

William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

William Blake, 1757–1827

"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

between 1797 and 1798

William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

William Blake, 1757–1827

"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

between 1797 and 1798

William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)

William Blake, 1757–1827

"O'er thy country hangs The scourge of Heav'n..." (Design 59)

between 1797 and 1798

William Blake "Midst the tide, Two angel forms were seen to glide..." (Design 7)

William Blake, 1757–1827

"Midst the tide, Two angel forms were seen to glide..." (Design 7)

between 1797 and 1798

William Blake "We the reins to slaughter give..." (Design 73)

William Blake, 1757–1827

"We the reins to slaughter give..." (Design 73)

between 1797 and 1798

William Blake The Serpent who Girds the Earth (Design 77)

William Blake, 1757–1827

The Serpent who Girds the Earth (Design 77)

between 1797 and 1798

William Blake "Him the dog of darkness spied..." (Design 79)

William Blake, 1757–1827

"Him the dog of darkness spied..." (Design 79)

between 1797 and 1798

William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

William Blake, 1757–1827

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

between 1797 and 1798

William Blake The Bard Singing Owen's Praise (Design 89)

William Blake, 1757–1827

The Bard Singing Owen's Praise (Design 89)

between 1797 and 1798

William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

William Blake, 1757–1827

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

between 1797 and 1798