Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: religious and mythological subject

501. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/8 × 4 1/16 inches (8.6 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 2 15/16 inches (14 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. Study for, Agony in the Garden

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 7 5/8 inches (15.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/16 × 4 5/8 inches (11.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 4 15/16 inches (20.3 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Study for a Gathering of People

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 8 1/16 inches (25.4 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. Study of a Religious Ceremony Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. Study of a Woman and Child

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 5 1/2 inches (18.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. Diana and Actaeon

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil, varnish, gouache, and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 6 3/4 inches (15.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. Five Vignettes of Scenes from Antiquity

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Semiramis

Creator:: William Smith, active 1775–1776
Date:: ca. 1776
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 6 7/8in. (25.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. Capuchins of Our Lady of Médoux

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. Reverend John Moore, Lord Archbishop of Canterbury

Creator:: John Jones, ca. 1745–1797
Date:: 1792
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/8 × 14 11/16 inches (49.2 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. Reverend Jonathan Shipley, Bishop of St. Asaph

Creator:: John Raphael Smith, 1752–1812
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 13/16 inches (35.2 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. Dr. John Thomas, Lord Bishop of Rochester

Creator:: Thomas Park, ca. 1760–1834
Date:: 1788
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 5/8 × 14 9/16 inches (52.4 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. The West Window of the Chapel, New College Oxford:

Creator:: Richard Earlom, 1743–1822
Date:: 1785
Materials & Techniques:: Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/16 × 19 1/8 inches (66.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 27 1/16 × 19 1/8 inches (68.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. The Death of Dido

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 23 9/16 inches (49.8 × 59.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. Gilbert Burnet, Bishop of Salisbury

Creator:: Jacobus Houbraken, 1698–1780
Date:: undated
Materials & Techniques:: Engraving on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/16 × 3 1/8 inches (13.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. Gilbert Burnet, Bishop of Salisbury

Creator:: Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/16 × 7 15/16 inches (28.1 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. Statue of Achilles in Hyde Park

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1827
Materials & Techniques:: Stipple engraving and etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 7 7/8 x 5 5/16 inches (20 x 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

Creator:: Attributed to William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and brown ink, red chalk, graphite, with scraping out on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

531. Diana and Actaeon: A Study for a Panel on a Staircase

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

532. Illustration to Homer's Iliad

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Pen and brown ink with brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

533. Diana

Creator:: William Taverner, 1703–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 7 5/8 inches (29.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

534. The Three Marys

Creator:: Benjamin West, 1738–1820
Date:: 1783
Materials & Techniques:: Watercolor with pen in brown ink.; verso: graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/16 x 8 1/4 inches (41.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. Copy of a Study for a Ceiling Decoration

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 12 7/8 × 9 1/4 inches (32.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. Classical Scene: Minerva as the Goddess of Arts and Sciences

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. The Nile

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. A Hindu Austere

Creator:: Robert Mabon, died 1798
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 5 1/4 inches (18.1 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. Brass Chrism of Constance Bownell and her Baby from Heston Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: 1796-1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. St Agnes (after Domenichino)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 5/8 inches (28.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. Virgin and Child

Creator:: Jacques Christophe Le Blon, 1667–1741
Date:: undated
Materials & Techniques:: Color-printed mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 23 3/8 × 18 1/4 inches (59.4 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. Sketch of Man, Woman and Child

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on vellum
Dimensions:: Sheet: 5 3/4 × 6 inches (14.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. Neptune

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 6 11/16 inches (18.7 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

545. A Peasant of Mount Erix

Creator:: Henry Tresham, 1751–1814
Date:: between 1783 and 1789
Materials & Techniques:: Watercolor, pen and brown ink and graphite; verso: pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 11 3/4 inches (24.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. Anna lamenting the absence of Tobias (Tobit 10:7)

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Pen and brown ink with brown wash on medium, slightly textured, beige laid paper mounted to medium, slightly textured white wove paper
Dimensions:: Sheet: 4 7/8 x 4 5/8in. (12.4 x 11.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof (a) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. St. Agnes (after Domenichino)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 12 1/8 inches (44.8 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. St. Catherine Reading

Creator:: Jacques Christophe Le Blon, 1667–1741
Date:: undated
Materials & Techniques:: Color mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 22 7/8 × 19 3/8 inches (58.1 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. St. Cecilia

Creator:: James Henry Watt, 1799–1867
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

554. Ariadne

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and gray wash with scratching out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. Study for Telemachus

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 11 7/8 inches (23.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. The Church of the Holy Sepulchre

Creator:: William James Muller, 1812–1845
Date:: between 1838 and 1840
Materials & Techniques:: Watercolor with pen in brown ink, over graphite, with gouache on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. Nymphs Bathing in a Wooded Glade

Creator:: William Taverner, 1703–1772
Date:: ca. 1765-1770
Materials & Techniques:: Watercolor, gouache and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 15 1/4 inches (30.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

559. A Young Daughter of the Picts

Creator:: Jacques Le Moyne de Morgues, ca. 1533–before 1588
Date:: ca. 1585
Materials & Techniques:: Watercolor and gouache, touched with gold on parchment
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

560. Illustration to Tonson's Ovid Metamorphosis (one of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 1/2 inches (35.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

561. Illustration to Tonson's Ovid Metamorphosis (two of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. Illustration to Tonson's Ovid Metamorphosis (three of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 1/2 inches (35.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. Illustration to Tonson's Ovid Metamorphis (four of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 3/8 inches (35.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 x 14 1/8 inches (22.9 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. Apollo and the Muses

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 15/16 inches (21.9 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. Britannia in Distress

Creator:: Anthony Walker, 1726–1765
Date:: 1756
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. Design for a Ceiling Decoration

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Gray wash, and pen and brown ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 × 5 inches (12.7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. Neptune and Coronis: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Pen and brown ink, and brown wash; squared for transfer on medium, slightly textured, beige laid paper, mounted to medium, slightly textured white wove paper
Dimensions:: Sheet: 6 7/16 x 7 1/2in. (16.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. God Creating the Universe

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

571. The Fall of Phaeton: A Study for a Ceiling

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 6 3/8 inches (15.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

572. An Allegory on the Plight of the Artist

Creator:: Mauritius Lowe, 1746–1793
Date:: between 1772 and 1790
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

573. Christ in the Temple

Creator:: Henry Singleton, 1766–1839
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. The Rape of Persephone

Creator:: William P. Sherlock, c.1780–1850
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 23 1/8 inches (43.5 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. The Destruction of Sodom and Gomorrah

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 19 × 24 13/16 inches (48.3 × 63 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. A Faun with Pipes

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 7/8 × 15 inches (58.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1818
Materials & Techniques:: Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. St. Michael and Lucifer

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 x 6 1/4 inches (24.6 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

579. The Artist Assaulted by Time, Ignorance and Envy

Creator:: Mauritius Lowe, 1746–1793
Date:: between 1772 and 1790
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 5/8 inches (21.3 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

581. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

583. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

584. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

585. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

586. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

588. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

589. After Pinnelli - Group of Peasants Outside a Church

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

590. Funeral Procession at Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 14 13/16 inches (25.2 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

591. Study for an Allegorical Figure of Religion

Creator:: Edward John Poynter, 1836–1919
Date:: undated
Materials & Techniques:: Black chalk, white chalk, and graphite, squared for transfer on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 16 3/4 × 7 1/2 inches (42.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

592. The Adoration of the Magi, a Design for Bas Relief

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite, gray wash, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 18 inches (28.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

593. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

594. Ravana Shaking Mount Kailasa below Shiva and Parvati

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Black wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

595. Figure from Indus Sabha

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

596. A Christening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

597. Allegorical Subject

Creator:: Mauritius Lowe, 1746–1793
Date:: undated
Materials & Techniques:: Black chalk and red chalk on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 7 1/2 inches (15.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. The Birth of Venus

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 7 1/4 x 5 7/8in. (18.4 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

599. Putto Holding a Torch

Creator:: Print made by Isaac Fuller, ca. 1620–1672
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 1/2 × 4 inches (11.4 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

600. The Betrayal of Christ

Creator:: Print made by William Faithorne, ca. 1620–1691
Date:: 1653
Materials & Techniques:: Line engraving with stipple engraving on moderately thick, slightly textured cream laid paper
Dimensions:: Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms religious and mythological subject

Search Results

501. Study For, Christ's Entry into Jerusalem

502. Study For, Christ's Entry into Jerusalem

503. Study For, Christ's Entry into Jerusalem

504. Study For, Christ's Entry into Jerusalem

505. Study for, Agony in the Garden

506. Study For, Christ's Entry into Jerusalem

507. Study For, Christ's Entry into Jerusalem

508. Study For, Christ's Entry into Jerusalem

509. Study of the Resurrection of Lazarus

510. Study of the Resurrection of Lazarus

511. Study for a Gathering of People

512. Study of a Religious Ceremony Scene

513. Study of a Woman and Child

514. Diana and Actaeon

515. Five Vignettes of Scenes from Antiquity

516. Repose in Egypt

517. Semiramis

518. Capuchins of Our Lady of Médoux

519. Reverend John Moore, Lord Archbishop of Canterbury

520. Reverend Jonathan Shipley, Bishop of St. Asaph

521. Dr. John Thomas, Lord Bishop of Rochester

522. The West Window of the Chapel, New College Oxford:

523. West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window

524. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

525. The Death of Dido

526. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

527. Gilbert Burnet, Bishop of Salisbury

528. Gilbert Burnet, Bishop of Salisbury

529. Statue of Achilles in Hyde Park

530. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

531. Diana and Actaeon: A Study for a Panel on a Staircase

532. Illustration to Homer's Iliad

533. Diana

534. The Three Marys

535. Copy of a Study for a Ceiling Decoration

536. Classical Scene: Minerva as the Goddess of Arts and Sciences

537. The Nile

538. A Hindu Austere

539. Brass Chrism of Constance Bownell and her Baby from Heston Church

540. St Agnes (after Domenichino)

541. Virgin and Child

542. Sketch of Man, Woman and Child

543. Neptune

544. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

545. A Peasant of Mount Erix

546. Anna lamenting the absence of Tobias (Tobit 10:7)

547. St. Julienne's Chapel

548. Florence, from the Chiesa al Monte

549. Florence, from the Chiesa al Monte

550. St. Agnes (after Domenichino)

551. Turin, from the Portico of the Superga Church

552. St. Catherine Reading

553. St. Cecilia

554. Ariadne

555. Study for Telemachus

556. The Church of the Holy Sepulchre

557. Nymphs Bathing in a Wooded Glade

558. Sketch for the Oil Painting "The Conversion of St. Paul"

559. A Young Daughter of the Picts

560. Illustration to Tonson's Ovid Metamorphosis (one of four)

561. Illustration to Tonson's Ovid Metamorphosis (two of four)

562. Illustration to Tonson's Ovid Metamorphosis (three of four)

563. Illustration to Tonson's Ovid Metamorphis (four of four)

564. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle

565. Apollo and the Muses

566. Britannia in Distress

567. The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

568. Design for a Ceiling Decoration

569. Neptune and Coronis: Ovid, Metamorphoses, Book 2

570. God Creating the Universe

571. The Fall of Phaeton: A Study for a Ceiling

572. An Allegory on the Plight of the Artist

573. Christ in the Temple

574. The Rape of Persephone