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Credit Line Yale Center for British Art, Paul Mellon Collection

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Stephen Slaughter Windham Quin of Adare, Co. Limerick, Ireland
Stephen Slaughter, 1697–1765
Windham Quin of Adare, Co. Limerick, Ireland
ca. 1745
Not on view
James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
Francis Wheatley A Sportsman with His Son
Francis Wheatley, 1747–1801
A Sportsman with His Son
1779
Not on view
John Wootton A Grey Spotted Hound
John Wootton, 1682–1764
A Grey Spotted Hound
1738
Not on view
Henry Wallis The Death of Chatterton
Henry Wallis, 1830–1916
The Death of Chatterton
ca. 1856
Not on view
unknown artist Aeneas and the Sibyl
unknown artist
Aeneas and the Sibyl
ca. 1800
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: The Death
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Death
1842
Not on view
Philippe Mercier The Sense of Smell
Philippe Mercier, 1689 or 1691–1760
The Sense of Smell
1744 to 1747
Not on view
Benjamin Marshall Portrait of a Sportsman, Possibly Richard Prince
Benjamin Marshall, 1768–1835
Portrait of a Sportsman, Possibly Richard Prince
between 1825 and 1826
Not on view
Sir Edwin Henry Landseer A Highland Landscape
Sir Edwin Henry Landseer, 1802–1873
A Highland Landscape
ca. 1830
Not on view
John Hamilton Mortimer Self-Portrait with His Father and His Brother
John Hamilton Mortimer, 1740–1779
Self-Portrait with His Father and His Brother
early 1760s
Not on view
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake A Poison Tree (Plate 41)
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake A Standard Bearer Fainting in the Routed Battle (Design 87)
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
John Martin The Raising of Lazarus
attributed to John Martin, 1789–1854
The Raising of Lazarus
undated
William Henry Hunt A Dead Hare and a Cooked Lobster on a Bench
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
William Henry Hunt A Fallen Oak
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
Gavin Hamilton Andromache Mourning the Death of Hector
Gavin Hamilton, 1723–1798
Andromache Mourning the Death of Hector
between 1760 and 1763
Myles Birket Foster Study of Fish, Venice
Myles Birket Foster, 1825–1899
Study of Fish, Venice
1874
Benjamin Robert Haydon The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
Richard Parkes Bonington Les Pendus
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
Robert Mabon Flamingo
Robert Mabon, died 1798
Flamingo
undated
William Skelton Richard III: Act IV, Scene III, Tower of London
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
William Woollett Ceyx and Alcyone
William Woollett, 1735–1785
Ceyx and Alcyone
1769
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
Thomas Stothard December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
unknown artist The Battle of Ramillies MDCCVI
Print made by unknown artist
The Battle of Ramillies MDCCVI
undated
unknown artist The Battle of Taniers, Part Second
Print made by unknown artist
The Battle of Taniers, Part Second
undated
Thomas Rowlandson A Gibbet
Thomas Rowlandson, 1756–1827
A Gibbet
undated
Sawrey Gilpin Study of a Dead Woodcock and Another Bird
Sawrey Gilpin, 1733–1807
Study of a Dead Woodcock and Another Bird
undated
Andrew Geddes Dead Hare
Andrew Geddes, 1783–1844
Dead Hare
undated
Robert Hills The Fallen Tree
Robert Hills, 1769–1844
The Fallen Tree
1804
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780