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Credit Line Yale Center for British Art, Paul Mellon Collection

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Francis Danby Landscape near Clifton
Francis Danby, 1793–1861
Landscape near Clifton
1822 to 1823
Not on view
Sir James Thornhill St. Paul before Agrippa
Sir James Thornhill, 1675–1734
St. Paul before Agrippa
ca. 1710
Not on view
Benjamin West John Eardley Wilmot
Benjamin West, 1738–1820
John Eardley Wilmot
1812
Not on view
Gwen John Study of a Nun
Gwen John, 1876–1939
Study of a Nun
ca. 1915
Not on view
Arthur Devis A Couple, Traditionally Identified as Mr. and Mrs. Hill
Arthur Devis, 1712–1787
A Couple, Traditionally Identified as Mr. and Mrs. Hill
between 1750 and 1751
Not on view
David Roberts The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
David Roberts, 1796–1864
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
1849
Not on view
John Linnell John Varley
John Linnell, 1792–1882
John Varley
1820
Not on view
Henry Robert Morland Woman Reading by a Paper-Bell Shade
Henry Robert Morland, 1730–1797
Woman Reading by a Paper-Bell Shade
1766
Not on view
Francis Wheatley Mrs. Stevens
Francis Wheatley, 1747–1801
Mrs. Stevens
ca. 1795
Not on view
Sir George Clausen Schoolgirls
Sir George Clausen, 1852–1944
Schoolgirls
1880
Not on view
Paul van Somer Elizabeth Erskine, (née Pierrepont), Countess of Kellie
Paul van Somer, ca. 1576–1621
Elizabeth Erskine, (née Pierrepont), Countess of Kellie
ca. 1619
Not on view
Joseph Highmore The Harlowe Family, from Samuel Richardson's "Clarissa"
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
Arthur Devis A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
Arthur Devis, 1712–1787
A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
William Redmore Bigg Christening of the Heir
William Redmore Bigg, 1755–1828
Christening of the Heir
ca. 1799
Not on view
Arthur Devis An Unknown Man Seated at a Table
Arthur Devis, 1712–1787
An Unknown Man Seated at a Table
between 1744 and 1746
Not on view
Thomas Gainsborough Portrait of a Woman
Thomas Gainsborough, 1727–1788
Portrait of a Woman
ca. 1750
Not on view
George Morland A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
Sir William Beechey Portrait of a Boy
Sir William Beechey, 1753–1839
Portrait of a Boy
ca. 1790
Not on view
Gwen John The Brown Tea Pot
Gwen John, 1876–1939
The Brown Tea Pot
between 1915 and 1916
Not on view
James Holland The Lady Betty Germain Bedroom at Knole, Kent
James Holland, 1799–1870
The Lady Betty Germain Bedroom at Knole, Kent
1845
Not on view
Johan Joseph Zoffany The Gore Family with George, third Earl Cowper
Johan Joseph Zoffany, 1733–1810
The Gore Family with George, third Earl Cowper
ca. 1775
Not on view
John Francis Rigaud George Robertson
Portrait by John Francis Rigaud, 1742–1810
George Robertson
1776
Not on view
Bartholomew Dandridge An Unknown Woman with a Book
Bartholomew Dandridge, baptized 1691–died in or after 1754
An Unknown Woman with a Book
ca. 1735
Not on view
Mason Chamberlin Conversation Piece
Mason Chamberlin, 1727–1787
Conversation Piece
1761
Not on view
John Downman An Unknown Man
John Downman, 1750–1824
An Unknown Man
ca. 1780
Not on view
unknown artist A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
unknown artist
A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
late 18th century?
Not on view
Allan Ramsay Mary Adam
Allan Ramsay, 1713–1784
Mary Adam
1754
Not on view
Francis Hayman George and Margaret Rogers
Francis Hayman, 1707/8–1776
George and Margaret Rogers
between 1748 and 1750
Not on view
Philippe Mercier An Unknown Man
Philippe Mercier, 1689 or 1691–1760
An Unknown Man
1746
Not on view
Joseph Highmore Study for a Group Portrait
Joseph Highmore, 1692–1780
Study for a Group Portrait
between 1729 and 1730
Not on view
Arthur Devis An Unknown Man in a Library
Arthur Devis, 1712–1787
An Unknown Man in a Library
between 1740 and 1741
Not on view
Derby porcelain factory A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm
Derby porcelain factory, founded 1756
A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm
ca. 1810
Not on view
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake Thomas Hayley the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
Lady Salesbury The Misses Van and Lady Salisbury
Lady Salesbury, active 1791
The Misses Van and Lady Salisbury
1791
Benjamin West Costume Study for the Portrait of a Lady
Benjamin West, 1738–1820
Costume Study for the Portrait of a Lady
undated
William Henry Hunt Sophy Steadman Reading
William Henry Hunt, 1790–1864
Sophy Steadman Reading
ca. 1830
William Henry Hunt A Lady Reading
William Henry Hunt, 1790–1864
A Lady Reading
ca. 1835
Benjamin West A Child Seated
Benjamin West, 1738–1820
A Child Seated
undated
Jacques Christophe Le Blon St. Catherine Reading
Jacques Christophe Le Blon, 1667–1741
St. Catherine Reading
undated
James Gillray Shakespeare Sacrificed; or, The Offering to Avarice
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
Charles Baugniet David Roberts
Print made by Charles Baugniet, 1814–1886
David Roberts
1844
Richard Dagley Paul Sandby
Print made by Richard Dagley, ca. 1765–1841
Paul Sandby
1831
Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Charles Grignion, 1717–1810
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
undated
Thomas Chambars Enoch Seeman
Print made by Thomas Chambars, ca. 1724–1789
Enoch Seeman
undated
Thomas Chambars Enoch Seeman
Print made by Thomas Chambars, ca. 1724–1789
Enoch Seeman
undated
Pierre Audouin Angelica Kauffman
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
Samuel Bellin David Cox
Print made by Samuel Bellin, 1799–1894
David Cox
undated
Anthony Cardon E. Edwards, Associate and Teacher of Perspective in the Royal Academy
Print made by Anthony Cardon, 1772–1813
E. Edwards, Associate and Teacher of Perspective in the Royal Academy
1808
Thomas Chambars Sir Nathaniel Bacon
Print made by Thomas Chambars, ca. 1724–1789
Sir Nathaniel Bacon
1793
Thomas Chambars Sir Nathaniel Bacon
Print made by Thomas Chambars, ca. 1724–1789
Sir Nathaniel Bacon
1762
James Bretherton The Damnation of Obadiah
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
Thomas Gaugain James Beattie, LL.D.
Print made by Thomas Gaugain, 1748–1812
James Beattie, LL.D
1805
William Nutter Sunday Morning, A Cottage Family Going to Church
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
George Siegmund Facius Richard Beadon, Bishop of Bath & Wells
George Siegmund Facius, 1750–1804
Richard Beadon, Bishop of Bath & Wells
undated
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
Thomas Rowlandson Dr. Syntax Soliloquising
Thomas Rowlandson, 1756–1827
Dr. Syntax Soliloquising
between 1812 and 1820
Robert Smirke Olivia and Maria
Robert Smirke, 1752–1845
Olivia and Maria
1822
Samuel William Reynolds Thomas Girtin
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
George Cooke Humphry Repton, Esq.
Print made by George Cooke, 1781–1834
Humphry Repton, Esq
1820
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
Francesco Bartolozzi Ticket: Walker's Lectures
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Walker's Lectures
1794
John Faber the Younger George Graham, Clockmaker
John Faber the Younger, ca. 1695–1756
George Graham, Clockmaker
undated
James Watson Reverend Zachariah Mudge, Prebend of Exeter
James Watson, 1740–1790
Reverend Zachariah Mudge, Prebend of Exeter
1769
Robert Barnes Elderly Couple on a Park Bench, with Two Men Beyond
Print made by Robert Barnes, 1840–1895
Elderly Couple on a Park Bench, with Two Men Beyond
undated
William Dickinson Rev. Dr. Thomas Percy, Dean of Carlisle
William Dickinson, 1746–1823
Rev. Dr. Thomas Percy, Dean of Carlisle
1775
John Blackmore Henry Bunbury Esqr.
Print made by John Blackmore, active 1740–1780
Henry Bunbury Esqr
ca. 1769
James Watson Earl and Countess of Pembroke and Son
Print made by James Watson, 1740–1790
Earl and Countess of Pembroke and Son
1773