Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
6
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
7
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
8
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
9
unknown artist
The Manchester Hero, or Arts Yield to Arms
10
Print made by Thomas Goff Lupton, 1791–1873
Warkworth Castle on the River Coquet
1823 to 1827
11
William Humphrey, 1745–1810
The Pantheon
1772
12
unknown artist
Inside of the Hall, Bermondsey Abbey
1820
13
unknown artist
Brooke and Crofford Memorial in Clapham Church
undated
14
unknown artist
Pemberton Memorial in Hornsey Church
15
John Faber the Younger, ca. 1695–1756
Joanni Wootton
1730
16
unknown artist
Bow Steeple, Cheapside
undated
17
unknown artist
Inside of One of the Rooms Under the Hall, Bermondsey, Abbey
1820
18
unknown artist
Inside of a Room and Saxon Ornaments of Bermondsey Abbey
1820
19
Francesco Bartolozzi, 1728–1815
Mr. Philip Yorke
1788
20
Print made by Robert van Voerst, 1597–1636
Kenelmus Digbi
ca. 1635
21
John Faber the Younger, ca. 1695–1756
Caroline (Queen of George II)
22
John Faber the Younger, ca. 1695–1756
Beauties of Hampton Court: The Right Honorable Mary, Countess of Dorset
23
Print made by Paul van Somer II, ca. 1649–1714
Louise, Duchess of Portsmouth
ca. 1680
24
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
25
Print made by unknown artist
Child with a Lamb
ca. 1684
26
Print made by Michael Jackson, active ca. 1753
Miss Nancy Dawson
1753
27
Richard Houston, ca. 1721–1775
Her Grace Elizabeth Duchess of Hamilton
28
Attributed to William Dickinson, 1746–1823
Mrs. Callander of Craigforth
undated
29
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Maid with Her Apron Before the Candle
1770
30
James McArdell, ca. 1729–1765
Jacob, Son of the Honorable William Bouverie
undated
31
unknown artist
Lord Henry Brougham, 1st Baron Brougham and Vaux
ca. 1830
32
Print made by Abraham Raimbach, 1784–1868
Prince Amgiad and Prince Assad
1802
33
Print made by Philip Dawe, ca.1750–ca.1790
The Letter Woman
ca. 1769
34
unknown artist
The Double Attack, or French Politeness not a Match for English Assurance
35
unknown artist
The Fashionable Dresses for the Year, 1776
1776
36
Robert Smirke, 1752–1845
Untitled: Cesar Passing the Rubicon
37
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
38
John Thomas Smith, 1766–1833
The Smock Exposed
1817
39
Thomas Patch, 1725–1782
Thomaso Patch, Autore
1768
40
Print made by James Watson, 1740–1790
Mrs. Cholmondley
undated
41
John Faber the Younger, ca. 1695–1756
Martin Folkes Esq
1737
42
John Faber the Younger, ca. 1695–1756
Miss Meux
1755
43
John Simon, 1675–1751
Charles Sackville, 6th Earl of Dorset, 1st Earl of Middlesex
undated
44
Print made by Henry Le Keux, 1787–1868
Borthwick Castle
1819
45
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
46
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
47
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
48
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
49
John Thomas Smith, 1766–1833
The Reconcilation
1817
50
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
51
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
52
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
53
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
54
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
55
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
56
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
57
Attributed to Daniel Lysons, 1762–1834
Memorial to George and Elizabeth MacKenzie from Kensngton Church
between 1796 and 1811
58
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
59
Isaac Cruikshank, 1764–1811
The Solicitor General for the French Republic
1793
60
Print made by Pieter Schenck I, 1660–1719
Mr. Adrian Beverland and his Mistress
ca. 1686
61
unknown artist
The Hall, Bermondsey Abby
1820
62
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
63
Andrew Miller, Died 1763
John Warburton Esqr. Somerset Herald of Arms Fellow of the Royal Society and of the Antiquarian Society of London; Author of the Maps, by Actual Survey, of Middlesex, Essex, Hertfordshire, Yorkshire, Northumberland; & c
1740
64
Print made by Benedictus Antonio van Assen, active 1788–died 1817
John Hamilton Mortimer
1810
65
Print made by Francesco Bartolozzi, 1728–1815
Dr. John Fothergill
1782
66
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
67
Print made by Francesco Bartolozzi, 1728–1815
The Daughters of Guercino
1772
68
Print made by Philip Dawe, ca.1750–ca.1790
Reading by a Paper-Bell Shade
1768
69
unknown artist
General Peace & General War - or - The Interview at Roehampton
1801
70
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
71
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
72
unknown artist
A Morning Frolic or the Transmutation of Sexes
undated
73
unknown artist
The Manchester Hero, or Arts yieId to Arms
undated
74
unknown artist
The Feathered Fair in a Fright
undated
75
unknown artist
The Rival Candidates
1789
76
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
77
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
78
Charles Exshaw, c. 1730–1771
Isabel van Loo
ca. 1757
79
Charles Exshaw, c. 1730–1771
Charles van Loo
ca. 1757
80
John Faber the Younger, ca. 1695–1756
Sir James Thornhill
1732
81
Maddocks, active 1825
Hungerford Market
1825
82
Thomas Harland, active early 19th century
Charles Barry
undated
83
John Skinner Prout, 1806–1876
Isola Bella, Lago Maggiore
undated
84
pupil of Peter DeWint, 1784–1849
Greenwich
undated
85
John Sell Cotman, 1782–1842
Upwell Rectory, Norfolk
1816
86
Augustus Edwin John, 1878–1961
Gwen John, Ida Nettleship and Ursula Tyrwhitt
ca. 1899
87
David Simson, 1803–1874
At Tunbridge
1863
88
Print made by William Dickinson, 1746–1823
Mrs Reid in the Character of a Sultana
1773
89
James Watson, 1740–1790
Miss Anna Swan
90
Print made by William Ward, 1766–1826
The late Mrs Pope as Juliet
1804
91
Isaac Beckett, 1652/3–1719
Mrs. Yarborough
between 1683 and 1688
92
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
93
John Smith, the mezzotinter, 1652–1743
The Countess of Ranelagh
1699
94
Print made by Pieter Schenck I, 1660–1719
Maria Princeps Auriaca
undated
95
Charles Turner, 1774–1857
Marie Theresse, Charlotte, de France
1812
96
James Gillray, 1756–1815
The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)
1796
97
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
98
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
99
John Harris, 1811–1865
Fore's Contrasts: The Driver of 1832 ...The Driver of 1852
1852
100
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans