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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- James Romney
- between 1760 and 1762
- Not on view
2
- The Low Lighthouse, North Shields
- 1828
- Not on view
3
- Evening Pasture
- ca. 1865
- Not on view
4
- A Wooded Landscape
- 1833
- Not on view
5
- An Italianate Landscape
- ca. 1800
- Not on view
6
- Ruined House
- between 1807 and 1810
- Not on view
7
- Peacocks, Doves, Turkeys, Chickens and Ducks by a Classical Ruin
- ca. 1700
- Not on view
8
- In the Forest at Fontainebleau
- ca. 1825
- Not on view
9
- Studies of carrier pigeon
- 1837
- Not on view
10
- Red pied carrier
- 1837
- Not on view
11
- Mount Kennedy, County Wicklow, Ireland
- 1785
- Not on view
12
- Revellers on a Coach
- between 1785 and 1790
- Not on view
13
- Evening Glow
- ca. 1884
- Not on view
14
- An Old Gable
- ca. 1809
- Not on view
15
- Augustus Wall Callcott, R.A
- 1847
- Not on view
16
- View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground
- ca. 1755
- Not on view
17
- Hay-Makers
- 1791
18
- Human Skeleton, Lateral View
- 1795 to 1806
19
- Strolling Actresses Dressing in a Barn
- 1738
20
- Tivoli with the Temple of the Sybil and the Cascades
- between 1796 and 1797
21
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
22
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
23
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
24
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
25
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
26
- 'O treacherous conscience!' (Page 27)
- ca. 1797
27
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
28
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
29
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
30
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
31
- Night the Third. Narcissa; Title Page
- ca. 1797
32
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
33
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
34
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
35
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
36
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
37
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
38
- The Christian Triumph; Title Page
- ca. 1797
39
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
40
- The Complaint, and the Consolation; or, Night Thoughts
- 1797
41
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
42
- Illustrations of The Book of Job, in Twenty-one Plates
- 1825
43
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
44
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
45
- Night the First. On Life, Death and Immortality; Title Page
- 1797
46
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
47
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
48
- Night the Third. Narcissa; Title Page
- 1797
49
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
50
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
51
- 'The longest night though longer far, would fail' (Page 15)
- 1797
52
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
53
- The Author Writing (Design 105)
- between 1797 and 1798
54
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
55
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
56
- 'We censure nature for a span too short' (Page 23)
- 1797
57
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
58
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
59
- The Christian Triumph; Title Page
- 1797
60
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
61
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
62
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
63
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
64
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
65
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
66
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
67
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
68
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
69
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
70
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
71
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
72
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
73
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
74
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
75
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
76
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
77
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
78
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
79
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
80
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
81
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
82
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
83
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
84
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
85
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
86
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
87
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
88
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
89
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
90
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
91
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
92
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
93
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
94
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
95
- Fame (Design 93)
- between 1797 and 1798
96
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
97
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
98
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
99
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
100
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798