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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectSubject Terms trees
Remove constraint Subject Terms: treesSearch Results
1
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
2
- The Morning of Life
- 1860-1861
3
- The Vine
- 1852
4
- The Vine
- 1852
5
- The Vine
- 1852
6
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
7
- Jason
- 1807
8
- Apuleia in Search of Apuleius
- between 1813 and 1823
9
- Apuleia in Search of Apuleius
- between 1813 and 1823
10
- Glaucus and Scylla
- 1813 to 1823
11
- Procris and Cephalus
- 1812
12
- Christ and the Woman of Samaria
- 1819
13
- Glaucus and Scylla
- between 1813 and 1823
14
- The Deluge
- between 1813 and 1823
15
- Glaucus and Scylla
- between 1813 and 1823
16
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
17
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
18
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
19
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
20
- "My son! my Son!" (Plate 10)
- 1826
21
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
22
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
23
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
24
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
25
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
26
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
27
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
28
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
29
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
30
- Aged Ignorance (Plate 13)
- 1826
31
- "I found him beneath a Tree" (Plate 3)
- 1826
32
- Water (Plate 4)
- 1826
33
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
34
- A Welch Bard (Design 53)
- between 1797 and 1798
35
- Frontispiece (Plate 1)
- ca. 1788
36
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
37
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
38
- Infant Joy (Plate 14)
- 1789
39
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
40
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
41
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
42
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
43
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
44
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
45
- Spring (Plate 26)
- 1789
46
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
47
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
48
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
49
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
50
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
51
- A Widower and Children (Design 35)
- between 1797 and 1798
52
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
53
- The Divine Image (Plate 12)
- 1789
54
- The Little Boy Lost (Plate 20)
- 1789
55
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
56
- Title Page, The First Book of Urizen (Plate 1)
- 1794
57
- Alas! (Plate 9)
- 1826
58
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
59
- The Rising of the Waters
- undated
60
- The Baptism of Christ
- undated
61
- The Woman at the Well
- undated
62
- Christ with Three Figures
- undated
63
- The Rescue of Lot
- 1833
64
- Adam and Eve
- undated
65
- Cain and Abel
- undated
66
- Madonna with a Rabbit
- undated
67
- Apollo and Daphne
- between 1770 and 1799
68
- Florence, from the Chiesa al Monte
- 1820
69
- Florence, from the Chiesa al Monte
- 1820
70
- Florence, from the Chiesa al Monte
- 1820
71
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
72
- The Rape of Persephone
- undated
73
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
74
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
75
- Allegorical Scene
- undated
76
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
77
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
78
- Mercury and Argus
- 1841
79
- Mercury and Argus
- 1841
80
- Dido and Aeneas; The Morning of the Chase
- 1842
81
- Mercury and Argus
- 1841
82
- Mercury and Herse
- 1842
83
- Mercury and Herse
- 1842
84
- Hope Nursing Love
- 1771
85
- Mrs. Abington as Thalia
- 1783
86
- Sensibility
- 1789
87
- Sensibility
- 1789
88
- Mrs. Abington as Thalia
- ca. 1783
89
- The Death of Ananias
- after 1855
90
- Christ's Charge to Peter
- after 1855
91
- The Pool of Bethesda
- 1772
92
- The Good Samaritan
- 1772
93
- Madona Col Bambino
- 1791
94
- Tobias and the Angel
- ca. 1685
95
- Reverend Richard Robinson, Archibishop of Armagh
- 1775
96
- A Large Christmas Card
- 1895
97
- Atalanta and Hippomanes
- 1763
98
- St. Nil
- 1762
99
- Cephalus and Procris
- 1783
100
- Cupid Disarmed by Venus
- 1804