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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
Remove constraint Genre: literary themeSubject Terms trees
Remove constraint Subject Terms: treesSearch Results
1
- The Horse
- ca. 1805
- Not on view
2
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
3
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
4
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
5
- Opening the Fold
- 1880
6
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
7
- The Sleeping Shepherd
- 1857
8
- The Lonely Tower
- 1879
9
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
10
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
11
- Apuleia in Search of Apuleius
- between 1813 and 1823
12
- The Deluge
- between 1813 and 1823
13
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
14
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
15
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
16
- The Little Boy Lost (Plate 20)
- 1789
17
- Spring (Plate 26)
- 1789
18
- Laughing Song (Plate 28)
- 1789
19
- Introduction (Plate 3)
- 1789
20
- The Lamb (Plate 8)
- 1789
21
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
22
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
23
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
24
- A Widower and Children (Design 35)
- between 1797 and 1798
25
- A Welch Bard (Design 53)
- between 1797 and 1798
26
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
27
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
28
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
29
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
30
- Infant Joy (Plate 14)
- 1789
31
- Nurse's Song (Plate 22)
- 1789
32
- On Anothers Sorrow (Plate 24)
- 1789
33
- A Dream (Plate 4)
- 1789
34
- The Divine Image (Plate 12)
- 1789
35
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
36
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
37
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
38
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
39
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
40
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
41
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
42
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
43
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
44
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
45
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
46
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
47
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
48
- Frontispiece (Plate 1)
- ca. 1788
49
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
50
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
51
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
52
- Chapter II, "Muster around the bleak desarts..." (Plate 4)
- 1794
53
- My Son! My Son! (Plate 10)
- 1793
54
- Title Page, The First Book of Urizen (Plate 1)
- 1794
55
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
56
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
57
- Songs of Experience, Frontispiece (Plate 32)
- 1794
58
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
59
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
60
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
61
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
62
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
63
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
64
- The Author Writing (Design 105)
- between 1797 and 1798
65
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
66
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
67
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
68
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
69
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
70
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
71
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
72
- Songs of Innocence, Title Page (Plate 2)
- 1789
73
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
74
- Title Page, The First Book of Urizen (Plate 1)
- 1794
75
- Aged Ignorance (Plate 13)
- 1826
76
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
77
- "I found him beneath a Tree" (Plate 3)
- 1826
78
- Water (Plate 4)
- 1826
79
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
80
- "My son! my Son!" (Plate 10)
- 1826
81
- Alas! (Plate 9)
- 1826
82
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
83
- The Little Black Boy (Plate 30)
- 1789
84
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
85
- The Murder of Banquo
- ca. 1830
86
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
87
- Falstaff Dragging the Body of Hotspur
- 1825
88
- Gulliver Bound by the Lilliputians
- undated
89
- Little Red Riding Hood
- after 1856
90
- The Death of Ophelia
- ca. 1810
91
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
92
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
93
- Mrs. Abington as Thalia
- ca. 1783
94
- Tancred and Clorinda
- 1785
95
- Celadon and Amelia
- 1782
96
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
97
- Overthrow of Dr. Slop
- between 1773 and 1817
98
- The Siege of Namur
- between 1773 and 1817
99
- Design for Love's Labour's Lost
- 1839
100
- Dog and the Shadow
- 1909