Credit Line: Yale Center for British Art, Paul Mellon Collection / Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Collection

Exhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)

William Blake Virgin and Child

William Blake, 1757–1827

Virgin and Child

between 1810 and 1820

Not on view

William Blake The Horse

William Blake, 1757–1827

The Horse

ca. 1805

Not on view

Samuel Palmer The Crescent Moon

Samuel Palmer, 1805–1881

The Crescent Moon

undated

William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Print made by William Blake, 1757–1827

"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

1793

William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)

Print made by William Blake, 1757–1827

"Appear to the Americans upon the cloudy night..." (Plate 6)

1793

William Blake Frontispiece, The Ancient of Days (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece, The Ancient of Days (Plate 1)

1794

William Blake "In thoughts perturb'd they rose..." (Plate 11)

Print made by William Blake, 1757–1827

"In thoughts perturb'd they rose..." (Plate 11)

1794

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake The Baffled Devils Fighting (Plate 3)

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

William Blake Chaucer's Canterbury Pilgrims

Print made by William Blake, 1757–1827

Chaucer's Canterbury Pilgrims

1810 to 1820

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

Text by William Blake, 1757–1827

A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

1809

William Blake "Oft did the harvest to their sickle yield..." (Design 109)

William Blake, 1757–1827

"Oft did the harvest to their sickle yield..." (Design 109)

between 1797 and 1798

William Blake "To chase the rolling circle's speed..." (Design 17)

William Blake, 1757–1827

"To chase the rolling circle's speed..." (Design 17)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake Title Page, For Children. The Gates of Paradise (Plate 2)

Print made by William Blake, 1757–1827

Title Page, For Children. The Gates of Paradise (Plate 2)

1793

William Blake My Son! My Son! (Plate 10)

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

William Blake Fear & Hope Are -- Vision (Plate 15)

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

William Blake The Traveller Hasteth in the Evening (Plate 16)

Print made by William Blake, 1757–1827

The Traveller Hasteth in the Evening (Plate 16)

1793

William Blake Songs of Innocence, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Title Page (Plate 2)

1789

William Blake Introduction (Plate 3)

Print made by William Blake, 1757–1827

Introduction (Plate 3)

1789

William Blake The Shepherd (Plate 4)

Print made by William Blake, 1757–1827

The Shepherd (Plate 4)

1789

William Blake The Little Black Boy (Plate 6)

Print made by William Blake, 1757–1827

The Little Black Boy (Plate 6)

1789

William Blake Spring (Plate 12)

Print made by William Blake, 1757–1827

Spring (Plate 12)

1789

William Blake The Little Boy Lost (Plate 16)

Print made by William Blake, 1757–1827

The Little Boy Lost (Plate 16)

1789

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1793

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1793

William Blake Help! Help! (Plate 12)

Print made by William Blake, 1757–1827

Help! Help! (Plate 12)

1793

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

William Blake I Want! I Want! (Plate 11)

Print made by William Blake, 1757–1827

I Want! I Want! (Plate 11)

1793

William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This? (Plate 14)

1793

William Blake Songs of Innocence, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

William Blake Infant Joy (Plate 28)

Print made by William Blake, 1757–1827

Infant Joy (Plate 28)

1789

William Blake Earth's Answer (Plate 35)

Print made by William Blake, 1757–1827

Earth's Answer (Plate 35)

1794

William Blake What is Man!, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

What is Man!, Frontispiece (Plate 1)

1793

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1793

William Blake London (Plate 39)

Print made by William Blake, 1757–1827

London (Plate 39)

1794

William Blake A Little Girl Lost (Plate 44)

Print made by William Blake, 1757–1827

A Little Girl Lost (Plate 44)

1794

William Blake The Chimney Sweeper (Plate 45)

Print made by William Blake, 1757–1827

The Chimney Sweeper (Plate 45)

1794

William Blake The Human Abstract (Plate 46)

Print made by William Blake, 1757–1827

The Human Abstract (Plate 46)

1794

William Blake My Pretty Rose Tree (Plate 47)

Print made by William Blake, 1757–1827

My Pretty Rose Tree (Plate 47)

1794

William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell (Plate 8)

1793

William Blake The Lamb (Plate 18)

Print made by William Blake, 1757–1827

The Lamb (Plate 18)

1789

William Blake The Little Girl Lost (Plate 20)

Print made by William Blake, 1757–1827

The Little Girl Lost (Plate 20)

1789

William Blake Introduction (Plate 34)

Print made by William Blake, 1757–1827

Introduction (Plate 34)

1794

William Blake Holy Thursday (Plate 38)

Print made by William Blake, 1757–1827

Holy Thursday (Plate 38)

1794

William Blake The Fly (Plate 48)

Print made by William Blake, 1757–1827

The Fly (Plate 48)

1794

William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Print made by William Blake, 1757–1827

"In happy copulation; if in evening mild, wearied with work..." (Plate 10)

1793

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

William Blake, 1757–1827

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

between 1797 and 1798

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"

Print made by William Blake, 1757–1827

The Argument. "Man has no notion of moral fitness..." (Plate 2"

ca. 1788

William Blake I. "Man cannot naturally Percieve..."(Plate 3)

Print made by William Blake, 1757–1827

I. "Man cannot naturally Percieve..."(Plate 3)

ca. 1788

William Blake II. "Man by his reasoning power can only compare..." (Plate 4)

Print made by William Blake, 1757–1827

II. "Man by his reasoning power can only compare..." (Plate 4)

ca. 1788

William Blake III. "From a perception of only 3 senses..." (Plate 5)

Print made by William Blake, 1757–1827

III. "From a perception of only 3 senses..." (Plate 5)

ca. 1788

William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)

Print made by William Blake, 1757–1827

VI. "The desires & perceptions of man untaught..." (Plate 8)

ca. 1788

William Blake "Therefore God becomes as we are..." (Plate 9)

Print made by William Blake, 1757–1827

"Therefore God becomes as we are..." (Plate 9)

ca. 1788

William Blake Frontispiece. Albion's Angel (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece. Albion's Angel (Plate 1)

1793

William Blake Title Page. America, A Prophecy (Plate 2)

Print made by William Blake, 1757–1827

Title Page. America, A Prophecy (Plate 2)

1793

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake Dante Striking against Bocca Degli Abati (Plate 7)

Print made by William Blake, 1757–1827

Dante Striking against Bocca Degli Abati (Plate 7)

1827

William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Print made by William Blake, 1757–1827

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

1793

William Blake The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

Print made by William Blake, 1757–1827

The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

1827

William Blake The Pit of Disease: The Falsifiers (Plate 6)

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Print made by William Blake, 1757–1827

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "At the chapel-door stand sentry... (Design 31)

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

William Blake From a Globe of Blood Rises Enitharmon (Plate 11)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 11)

1794

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

Print made by William Blake, 1757–1827

I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

ca. 1788