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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centurySubject Terms book
Remove constraint Subject Terms: bookSearch Results
1
- A Couple, Traditionally Identified as Mr. and Mrs. Hill
- between 1750 and 1751
- Not on view
2
- St. Paul before Agrippa
- ca. 1710
- Not on view
3
- Woman Reading by a Paper-Bell Shade
- 1766
- Not on view
4
- Portrait of a Boy
- ca. 1790
- Not on view
5
- The Gore Family with George, third Earl Cowper
- ca. 1775
- Not on view
6
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
7
- George Robertson
- 1776
- Not on view
8
- Conversation Piece
- 1761
- Not on view
9
- A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
- 1749
- Not on view
10
- Christening of the Heir
- ca. 1799
- Not on view
11
- Mrs. Stevens
- ca. 1795
- Not on view
12
- Portrait of a Woman
- ca. 1750
- Not on view
13
- A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
- ca. 1795
- Not on view
14
- An Unknown Man Seated at a Table
- between 1744 and 1746
- Not on view
15
- An Unknown Woman with a Book
- ca. 1735
- Not on view
16
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
17
- George and Margaret Rogers
- between 1748 and 1750
- Not on view
18
- Study for a Group Portrait
- between 1729 and 1730
- Not on view
19
- Mary Adam
- 1754
- Not on view
20
- An Unknown Man
- 1746
- Not on view
21
- An Unknown Man
- ca. 1780
- Not on view
22
- A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
- late 18th century?
- Not on view
23
- Songs of Innocence, Title Page (Plate 2)
- 1789
24
- Infant Joy (Plate 28)
- 1789
25
- The Lamb (Plate 18)
- 1789
26
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
27
- Songs of Innocence, Title Page (Plate 2)
- 1789
28
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
29
- 'The longest night though longer far, would fail' (Page 15)
- 1797
30
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
31
- The Author Writing (Design 105)
- between 1797 and 1798
32
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
33
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
34
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
35
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
36
- The Lamb (Plate 8)
- 1789
37
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
38
- "In living creations appear'd..." (Plate 8)
- 1794
39
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
40
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
41
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
42
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
43
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
44
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
45
- Title Page, The First Book of Urizen (Plate 1)
- 1794
46
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
47
- Title Page, The First Book of Urizen (Plate 1)
- 1794
48
- "In living creations appear'd..." (Plate 6)
- 1794
49
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
50
- Moses Receiving the Law
- ca. 1780
51
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
52
- The Misses Van and Lady Salisbury
- 1791
53
- Study
- 1789-1790
54
- Sir Nathaniel Bacon
- 1762
55
- A Lecture on Gadding
- 1789
56
- George Graham, Clockmaker
- undated
57
- Mrs. Fitzherbert
- 1792
58
- Enoch Seeman
- undated
59
- Enoch Seeman
- undated
60
- Portrait of a Man Wearing a Turban, Leaning on Book
- 1760
61
- Sir Nathaniel Bacon
- 1793
62
- Shakespeare Sacrificed; or, The Offering to Avarice
- 1789
63
- Johannes Potter, Archiepiscopus Cantuariensis
- 1741
64
- The Damnation of Obadiah
- 1773
65
- Sunday Morning, A Cottage Family Going to Church
- 1795
66
- Earl and Countess of Pembroke and Son
- 1773
67
- Henry Bunbury Esqr
- ca. 1769
68
- Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
- 1771
69
- Rev. Dr. Thomas Percy, Dean of Carlisle
- 1775
70
- Reading by a Paper-Bell Shade
- 1768
71
- Thomas Maggi
- 1788
72
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
73
- Miss Anna Crouch
- 1788
74
- Mrs. Lenox
- 1792
75
- Maria Cosway
- 1785
76
- Ticket: Walker's Lectures
- 1794
77
- The Discovery
- 1788
78
- Madona Col Bambino
- 1791
79
- Reverend Zachariah Mudge, Prebend of Exeter
- 1769
80
- Pilgrims Paying Their Devotion in St. Peters at Rome
- between 1773 and 1775
81
- Dr. Thomas Sherlock, Lord Bishop of London
- 1757
82
- Thomas Ashton D.D
- 1756
83
- Repose in Egypt
- ca. 1776
84
- Repose in Egypt
- ca. 1776
85
- Lady Percy Watching the Sleeping Hotspur
- 1781
86
- The Geographers
- undated
87
- A Young Chinese Scholar
- 1792 to 1794
88
- P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle
- ca. 1785
89
- Seated Lady with Book
- undated
90
- Portrait of Master Cornelius Stovey, at Doncaster
- 1810